Experimental / Free Improvisation

*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …

*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…

October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.

Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Hollan…

"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …

Swims presents the disruptive dream-team of Kit Records founder Richard Greenan, Buenos Aires based cello experimentalist Violeta Garcia, and South African violinist and composer Galina Juritz. "Esperando a Florian" is the result of Violeta's London residency in 2022. Recorded in one take, and with a simple setup of violin, cello, electric bass, and analogue synths; the music is a tender conversation between three voices, pushing and pulling at the edge of dialogue, hesitance and reflection. Rec…

London's kings of noise Sly & The Family Drone follow up their 2019 Love Love LP Gentle Persuaders with Walk It Dry, an eight-track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records in the USA. Walk It Dry utilizes the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax, and Kalashnikov drums that was found on Gentle Persuaders but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than eve…

Floris Maniscalco’s double LP Eternal Brink is a genre-fluid, exploratory release grounded in Basel, Switzerland. Spanning meditative textures, fragmented rhythms, and voice contributions from local collaborators, the album unfolds as a sonic diary documenting shifts in mood and meaning over an extended creative period. Presented on Plattfon Records, it invites attentive listening through its tactile soundscapes and subtle narrative arc.

Time Machine is a reissue of a 2017 cassette, and represents the first vinyl issued by Wendy Eisenberg, a peripatetic improviser and composer currently based in Amherst. We first heard of Wendy when she was playing with a blasted quartet called Birthing Hips, whose NNA cassette was an instant classic. Since then she's begun a solo career that branches off in a lot of directions simultaneously. She has an album of post-form noise-metal (in trio with Trevor Dunn and Ches Smith) due soon on John Zo…

*300 copies limited edition* "One of the first things you notice about Dennis Tyfus is that his lips are too small for his mouth. This becomes especially obvious if you go out to eat with him late at night in Antwerp. He has to really grease up whatever sausage he chooses with a lot of mayonnaise in order to slide it through the taut sphincter that guards his mouthly cavern. This physical fact has made Dennis’s speaking voice a thing of horror for many years, but we have only just realized he is…

In 2016, Berlin-based artist Andrew Pekler travelled to Thailand and visited Khao Sok National Park where he gathered field recordings and recorded video footage of the park's flora and fauna. Some of excerpts of this material was used in the compositions and live presentation of Pekler's album “Tristes Tropiques”, released on the Faitiche label in 2016. Two years later, Pekler further processed, edited and mixed the materials to create the one-hour long audio-visual piece “Khao Sok Extension”.A…

The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.

Yukiko Shiina Sakurazawa and Kon Okuma’s DUO, distills collaboration to its most elemental form. Through piano, reeds, and silence, the album traces an unfolding conversation where each phrase is both response and provocation, moving between fragility, tension, and fleeting union.

Kaori Komura and Yutaka Hirose’s Diastrophism Dance, renders the Earth’s slow violence as sound. Combining environmental recordings, electronics, and acoustic fragments, it transforms geological tension into choreography—a meditation on tectonic movement, fragility, and endurance.

Takashi Masubuchi and Yosuke Morone’s Particles and Waves, drifts between gesture and suspension. With guitar, electronics, and tape fragments, the duo render vibration itself as material—each piece a study in how the smallest sonic particle can shape an immense aural field.

Shuta Hiraki and Shuma Ando’s idiorrythmie, examines the art of moving together apart. Through fractured beats, drone layers, and asymmetrical pauses, it turns musical structure into a study of parallel autonomy—two voices in orbit, touching only at unexpected points.

Shiori Sasaki’s 描奏をきく (Kiku (sense) the [drawing + sound]), transforms visual gesture into an audible world. Merging live drawing with acoustic improvisation, it invites the listener into a synesthetic space where ink lines and sonic textures share the same breath.

Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.

Florian Kolb and Thanos Polymeneas-Liontiris’s otolith is a deep dive into the body’s hidden navigational systems. Translating sonic vibration into a study of balance and disorientation, it shifts between seismic lows and crystalline highs, mapping an aural terrain of tilt, sway, and sensory recalibration.

Bruno Duplant’s Rien de ça is a sparse and spectral meditation on presence through absence. Built from near-silences, fractured tones, and shifting aural shadows, it listens like an eroded diary—each sound a ghost of intent, each pause a deliberate, resonant void.

Atsuko Hatano and Joe Talia converge on Black Spur, translating improvisational dialogue into a landscape of flickering tonal mirages. The album bends cello, percussion, and electronics into dark, cinematic forms—meditative, unpredictable, and haunted by unresolved tension.

Vinylization of a CD-R released by Josh Burkett's Mystra Records by this great cassette manipulator, who was long a central part of the Boston Whitehaus scene. Bloodroot Spitball is a bit different from Arkm Foam's other Feeding Tube releases, since it incorporates a bunch of 'real' instruments into the mix. This hearkens back to Mr. Foam's first solo LP, The Foam Doesn't Fall Far From The Shore (2013), on Hot Releases. As on that one, there's another player heard here, when Andy Allen (who was …

300 copies, Clear Vinyl. Heirloom is the first Lisa Ullén solo recording to appear on LP and exploits the two-sided nature of the physical format with two variations of the same three-part suite, exploring what it means to be ‘in between’ — be it genre, method or identity. The combination of Ullén’s deft control, patience and unconventional technique makes ‘Heirloom’ a sublime, ravishing listen. The LP is pressed on clear vinyl in an edition of 300 copies and housed with a photo of the small box…

Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.

Sept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments…

*2025 stock* Something about eating roses Sean… First it’s 2004. Anthony doesn’t even have a piano for that trio gig… Oh no! Nonetheless, something happens in that old damp cellar of Cave12 and some connections are made for ever. In 2006 “The Same Girl” comes over to Australia with Gilles Aubry and myself; we spend a few nights at your place on Hardware Lane. It’s now 2007, it’s around my birthday and we’re emailing about a Buttercup Metal Polish tour. You offer to help out for some contacts and…

2011 release ** All the recordings were made at home in Athens between June 2010 and April 2011. No electronic effects, overdubbing or processing used. Ambient noise from several parallel events taking place in Greece at the time of recording has deliberately not been removed. "On Stroke by Stroke, the windows in Dimitra Lazaridou-Chatzigoga’s house are thrown open; you can hear the streets of Athens enlaced in her apothegmatic pieces for a radically prepared and refashioned zither. Knowing this…

Cildraeth Sienco is an improvisation based on an amalgamation of the notation and structure of Angharad Jenkins’ Brandy Cove with the alternative string tuning of ‘Cywair yn Nghywair y Wrach’ from Robert ap Huw’s manuscript."Ceimion wrachïod cymwysYn siarad bob teimlad twys""Precise, angled braysSpeaking every profound feeling."From a cywydd requesting a harp by Huw Machno fl. 1560-1637

A landmark in avant-garde jazz returns: the definitive, remastered edition of Alan Silva’s 1969 Paris session for BYG’s Actuel series. Leading his 11-piece Celestial Communication Orchestra — with titans like Anthony Braxton, Archie Shepp, and Grachan Moncur III — Silva channels the raw, boundary-pushing energy of the New York free jazz explosion. Deluxe packaging, restored artwork, and new liner notes by Kevin Le Gendre complete this long-sought treasure. Originally released in 1969, this explo…

"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980…

1998 release ** Cardboard sleeve.  "This disk documents the music made at the opening of DIMC '97 by a dozen delegates, most of whom had never played together before. Assuming there was no conductor (none is credited) and no pre-arranged sequence of events, the result is pretty astonishing. Twelve strangers improvising together is a recipe for disaster; what usually happens is this. The music begins tentatively, unstructured, with no-one wishing to tread on toes. Slowly, pressure builds up as eg…

Two sides, each lasting 8 minutes and 50 seconds. A clash that resonates in friction, united by the materiality of vinyl - if only for a time. Or at best, a rapprochement, like in cinema. On side A, a MIDI composition by Xavier Robel for synthesized piano, based on La Monte Young's tuning system for The Well-Tuned Piano. Mouse clicks, boxing gloves, vibrancy, and mischief. On side B, a positively insistent On-U Sound-flavored rhythmic investigation, produced by Androo in response to Xavier Robel…

This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a  correspondence archive? Above all, it's a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we're in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of…

*2025 stock. 300 copies limited edition* Salo Ra II is a new duo of Topias Tiheäsalo and Jussi Lehtisalo. Taking inspiration from the old vacuum tube televisions and the decayed industrial landscape of the city of Salo, the duo’s debut LP Viptronic creates a beautiful and an intuititive balance of seemingly incongruous sounds: overdriven zither-noise and unearthly electronic basso continuo blend touchingly with the resonances of electric guitar’s open tunings. Dedicated to whoever who has ever b…

2009 release **

2009 release ** Card sleeve.

2013 release **  Computer – Ricardo GuerreiroTrombone – Radu MalfattiViola – Ernesto RodriguesRecorded live at the "Musica Viva Festival" 20.09.2012 in Lisbon.

2009 release (slimcase slightly damaged) **  Bass Clarinet – Lucio CapeceTrombone – Radu MalfattiRecorded 5 July 2009 at Kulturbunker, Mühlheim.

Andre Sider Af Sonic Youth is an album by Sonic Youth with Mats Gustafsson and Merzbow. It is the eighth release in the SYR series. It was released on July 28, 2008. It will not be released on vinyl. The album is recorded the first July 2005 on the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth".

*300 copies limited edition* This is the 14th album released by this Georgia-based improv trio, but the first to come out on LP. The Electric Nature has gone through a variety of phases during its decade-plus history, but its recent work has been fairly abstract, and so it continues here. The basic threesome — Michael Potter, Michael Pierce and Thom Strickland — are not credited with individual instruments here. It is merely noted that between them they play guitars, synthesizers, drums, percuss…