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Experimental /

Insiememusicadiversa
** CD Box. The white industrial cardboard box includes an audio CD, a 12-page booklet, five folded posters with graphical scores, plus “Roulette”, a clock-like gadget originally used as the score of the aleatory composition with the same title.** Insieme Musica Diversa, which can be translated in different ways (as diverse music toghether, or different collective music ecc.) truly is a source of endless enchantment. Merging elements of DIY electronica, psychedelia, noise, progressive and free-fo…
Seventh May 2001 - Freedom of the City
Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.  CD 1 features: Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics. Eddie Prévost - perussion solo. Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics. CD 2 features: Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…
Schnack
Limited edition of 300 copies. Heavy Vinyl. Schnack is the Live-Duo of improvising musicians Paul Hubweber (Cologne) and Uli Böttcher (Wiesbaden). The play a fascinating and restless mix of trombone noises and real time sampling and electronics.Paul Hubweber began with trombone studies in 1971 mainly concentrating on improvised music.He has developed his own special "trombone voice" and his musical focus. It is the special affinity for the balladic and the noisy, i. e. the non-separable combinat…
Undistilled
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
Crow Country
Australian Ross Bolleter's new disc features five compositions. Four of them are solo works: "Unfinished Business" for ruined piano; "Under Rookwood" for double bass; "Labyrinth Tango" for accordion; and "Piano Dreaming" for ruined pianola. "That Time (Simulplay II)" is for a duo of prepared piano and double bass. Of course, with Ross, this thumbnail description tells not much of the story. So we'll let Ross say a few words. Step on down. "During the drought that never ended at Nallan Sheep Stat…
Rome 1968
The original MEV (Allan Bryant, Alvin Curran, Frederic Rzewski, Joh Phetteplace), recorded in the spring of 1968 in Rome. "Vault find recordings of a MEV concert from Spring of 1968, featuring the original lineup of Allan Bryant (synthesizers), Alvin Curran (percussion, trumpet), Frederic Rzewski (percussion), and Jon Phetteplace (cello, percussion). Booklet reprints prime Bryant rants on church/state separation ('TH' 10 GRAETST AMERICNZ WR AGENST ORGANYZD RLIJN (OR)'), questionable medical prac…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Complete "La Grima"
"La Grima (Tears) was performed on August 14, 1971, at the Genyasai festival in Sanrizuka, Japan. The first six minutes or so of this performance can be heard on the omnibus LP Genya (released on CD in 2004). This CD presents the complete, unedited version of the performance.As if to slash through the audience's scornful, jeering reaction to Takayanagi's opening remarks, the group launched into a fiercely convulsive performance. Despite having a variety of objects thrown at them, Takayanagi and …
No Strings Attached
Matchless Recordings presents the first solo recordings from Lou Gare, founding member of AMM, recorded at Firefly Studios, Thowleigh, Devon, England on 13th and 20th April 2005. The album includes four tracks performed by Lou Gare - tenor saxophone. "Toward the end of his fine short essay for Laminal, AMM's 30th Anniversary set, Jim O'Rourke asks in relation to the experience of simultaneously hearing the record and viewing the accompanying photograph of AMM's The Crypt, "where was the saxophon…
Dial: log-rhythm
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder. "The set documents two concerts - 1, recorded at Iklectik in London in Septembe…
Live at the LU
Recorded in May of 2002, almost a year after Fennesz' surprisingly successful (commercially) release, Endless Summer, one might have expected that this pairing would produce an intriguing collision of opposing forces. On the one hand you have all the pop-influenced, steamily melodic and erotic explorations that Fennesz had developed in the prior years. Countering that, one could readily imagine Keith Rowe as saboteur, finding rifts in the smooth mass to deviously penetrate and deflate. This does…
Discrete Moments
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion. "Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Two Chapters and an Epilogue
Matchless Recordings presents a live concert by Evan Parker and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on Monday 3rd August 1998. The album includes three tracks performed by Evan Parker - tenor & soprano saxophones and John Tilbury - piano. "These musicians have chosen to eschew the given media of jazz, from whence Evan Parker received much of his initial inspiration, and the classical world from which John Tilbury received his early and formative training, in o…
Hoib
Matchless Recordings presents a live concert by Hubbub recorded on September 2002 at Le Grand Mix by Jean-Pierre Bouquet. The album includes two tracks performed by Jean-Luc Guionnet - alto & soprano saxophones, Edward Perraud - drums, percussion, Jean-Sébastien Mariage - guitar, Frédéric Blondy - piano, Bertrand Denzler - tenor saxophone. Hubbub works on the sound matter and creates an expanded space inhabited by stripes, interlaced designs, resonances, tanglings, points and strokes, at the bor…
Hoop Whoop
Matchless Recordings presents a live concert by Hubbub recorded at Centre Culturel André Malraux, Vandoeuvre-les-Nancy, France on December 4th 2001. The album includes two tracks performed by Frédéric Blondy - piano, Edward Perraud -drums, Jean-Sébastien Mariage - guitar, Bertrand Denzler - saxophone, Jean-Luc Guionnet - saxophone.
That House We Lived In
It was a long wait, but, 12 years after the fact, Fred Frith put together a live album of his group Keep the Dog, which had previously gone undocumented. Comprised of sax/flute player Jean Derome, guitarist René Lussier, keyboardist/harpist Zeena Parkins, sampling artist Bob Ostertag, and drummer Charles Hayward, Keep the Dog was formed by Frith in 1989 to perform a best-of repertoire of his career and remained his last rock group. By the time of this 1991 European tour, the unit had grown beyon…
Concert, V
Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drum…
Percussionist songs
Matchless Recordings presents a live concert by Christian Wolff and Robin Schulkowsky recorded at Poggiolo fram, Pozzuolo, Umbria, Italy on April 22-24 2003. The album includes fifteen tracks performed by Christian Wolff - composition, melodica, Robin Schulkowsky - percussion. "Rooms talk to me. I send out a sound, the space answers. The first message I picked up from the old barn in Umbria was 'yes'.Christian Wolff and I had been thinking, speaking about, even planning a CD with his solo percus…