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Experimental /

Live in Nanjing
Tip! *2024 stock. 300 copies limited edition. 180g black vinyl. 390g paper folder. with obi. 4 page booklet in chinese and english. The cover Art is an oil painting by the famous Chinese contemporary artist Wang Guangle*  Two Other Comrades + Yan Jun "Nanjing Live" Produced by Godstalker Music: Two Other Comrades + Yan JunHuan Qing: Kalimba (Thumb Piano), Mouth ChordsGuitar Effects, Field Recording, MixerChen Zhipeng: TambourineYan Jun: samples, electronics, field recordings Recorded by Huan Qin…
Dichotomic Language
The duo of Yan Jun and Eric Wong focus on the temporal and spatial interplay of organic and digital sound. Using human voice, sine waves, and white noise as their instruments, the musicians modulate the sound sources to bring out resonance as well as to create sonic movements that blurs the borders among the sonic events. Eric says “When I perform with Yan Jun, I swing my arm holding a Bluetooth speaker as he filters his voice by moving his head and body. I remember I did it for the first time w…
I agree
yan jun: voiceaxel dörner: trumpet recorded 3rd of january 2017 in berlinmixed by yan junmastered by axel dörner sind
UltraBody
The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & Mu Tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, Muein and Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label. The record was born out of a desire to in…
When It Rains It Pours
If there's one musician in the last decade that you may hear in wildly diverse musical contexts it is Belgian electric bassist and sound sculptor Farida Amadou. Not only can you enjoy the unerringly skillful command she has over her instrument but also the transformative power to reinterpret and expand her material in spontaneous and unconventional ways. Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the ele…
Handle, Nail and Rubber Dinosaur
Tip! In "Handle, Nail and Rubber Dinosaur", Jun-Y Ciao plays soprano saxophone and Zhu Wenbo plays clarinet. Before recording there was very little pre-planning, the only decision was that they each play a few short passages. They recorded a single take, during which there were some naturally occurring pauses and breaks – these make up the first 13 tracks of the album. After that they decided to make another recording with a more defined limitation: they maintain fixed fingerings, limiting the s…
3 Lines And Balloons
From September 1 to September 9, 2023, Li Song, Zhao Cong and Zhu Wenbo went on a South China tour together. They performed 8 shows in four cities, and almost every show was different. In two of these venues, they gave very unique trio performances. This album features these live recordings. At E^dge 一脊 in Wuhan (September 6th) they used the "3 lines" feedback system developed by Zhu Wenbo using transducers, elastic ropes and other objects (foil, paper...). They performed in a small alley in fro…
Archiv 2005​-​2006
MTDM (acronym from the Chinese name mei tui de ma, “horse without legs”) is the duet of Jun-Y Ciao and Tao Yi, both born in 1978, Year of the Horse. Tao Yi plays drums and trumpet, and Jun-Y Ciao, woodwinds, including different sizes of saxophone and clarinet. Around 2008, MTDM returned to Shanghai from Europe, and straight away got involved in the local experimental music scene, giving entirely improvised performances using only acoustic instruments. From their overall musical style, to their a…
Permian Period
Tip! *2024 stock* I first met Takashi in a duo performance by Seijiro Murayama & Tetuzi Akiyama at Permian. I recall that the small underground venue was packed and that the interplay between these two great musicians was vivid, tense and loud. After the performance we scheduled to meet and play at a later date. There’s always some aura (in my mind) when two improvising musicians meet for the first time, as if there is still a chance for an infinite amount of possibilities. It felt natural for m…
Ahinsa
Piotr Dabrowski: Primitive lyre, Voice. Giacomo Salis: Objects, Caxixì, Radio, Frequency sound generator. Paolo Sanna: African bells (Apitua set.) Tubophone set, Cicada, African seed rattles.
Relatum
Relatum features two compositions revolving around the relationship and interplay between the human and the algorithmic, bringing together musicians and artificial performers.
Blue Plum Bloom
*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras/Baxter/Brown, Western Grey, Stone Echidna, Dumb & the Ugly, and countless other sonic explorations) making the ensemble behind this album a un…
Domestic Scene
"Bassist Margarida Garcia and guitarist Manuel Mota are two of the best known string wielders from Lisbon's active improvising community. Both players work the edges of sound and form in ways that don't fit neatly into any genre category, while creating exciting sonic landscapes that appeal equally to fans of avant-garde rock, free jazz and experimental music. They have worked together frequently in a variety of formats -- duo, quartet, etc. -- but Margarida is the only one Feeding Tube has issu…
The Imperfection of Crowds
Improv/metal. If you like your improvised music on the noisy side of the spectrum, we're here for you. Purchase includes pdf of artwork, photos, text etc
Asteroid
*2024 stock* "I have always been fascinated by the improvising combos that give prominence to the classical guitar, but it is usually easier to find such productions on the contemporary side. So having caught this little gem with strong freeform accents, where it makes its worthy appearance was a sign of amazement. We specify that the Graculus do not give exclusive space to the six strings but that in reality they are a duo formed by the English Phil Hargeraves (flute, soprano sax) and Richard H…
The Reverse of Reality
*2024  stock* "Before I received this CD, I was told "this might not be up my street" which is always a funny assumption I feel, as I am rarely shocked thanks to my obsession with Romanian experimental music during my early 20's. Though this new album by bloodcog really gave a good stab at it. Experimental music is often stuck in a difficult situation, how far can it go? Is it music? Is it not music? I often feel it is limiting in the way peope discuss and think about it. Bloodcog, like most exp…
Fall Through the Infinite
*2021 stock* Phil Hargreaves is a Liverpool saxophonist and bold improviser whose music evokes the voices and echoes of his home city. In his new album, Fall Through the Infinite, he duets with the drummer of Spaceheads, Richard Harrison, and they create an urban soundscape, sometimes forlorn, sometimes bursting with hope, which is constantly inventive and multifaceted in its sonic patterns. Hargreaves’s tenor horn rampages through Reach for the Tar in ardent conversation with Harrison’s scuttli…
Human
"A splendid collaboration between experimental vocalist Maggie Nicols and multi-instrumentalist/vocalist Phil Hargreaves. Human is a work in eight movements through which runs Hargreaves’ title poem. A long and delicate collage of vocal interventions, acoustic improvisations, field recordings, and electronic textures. Sophisticated, captivating, poignant at times [“Fugue (We Are Not Certain)”] and – the greatest feat here – imbued with honesty and immediacy, rare qualities in this kind of collab…
Exoskeleton
Fran Bass - electric bassRichard Harding - chapman stickPhil Hargreaves - saxes/fluteRichard Harrison - drums/percussionPete Smyth - electronics
Ballade Imaginaire
Four fifths of Bloodcog, this is more of a playing session than Bloodcog's power electronics.
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