We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Experimental /

Golden Braid
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…
An Index of Textures
**100 copies** Danny Clay: metal bells, combs, paper, broken light, piano, music box, marbles, cassette tapes, pebbles, plastic bells, small percussion, transducers, wooden blocks  Matt Atkins: chopstick on drumhead, crowd murmur, drum filled with seeds, dry plant leaves, homemade banjo strings, jingle bell stick, karma piano, large bell, marbles in drum head, newspaper, piano notes on cassette tape, ping pong ball in drum and saucepan lid, plastic packaging, push flute, sheet of paper, small an…
Western Songs
**200 copies** Western Songs marks the first time Nathan Amundson is releasing music under his own name. This record is his first for Silentes, and features two side-long late night instrumental guitar jams evoking the vast, arid landscape surrounding his home state of Colorado.  Minimalist singer/songwriter Nathan Amundson began recording as Rivulets in 1999, when his self-titled debut was issued by Chairkickers Union, the Duluth, Minnesota label run by the veteran slowcore outfit Low. Since t…
Vanishing Points
All sounds are created with guitar, with the use of echo, delay, and assorted treatments giving these pieces a trance-inducing quality, with repeating rhythm figures and gradual phase shifts creating a warped sense of time.
Molochville
Br'laaB is the moniker for the studio works of Brecht Ameel (Razen), consisting on the one hand of themes from Ameel's songbook for the Acid Boogie Quartet, on the other hand of tape collage pieces based on recordings of found audio, ultra-fi sampling, degraded vhs, skipping cd's and sandpaper vinyls. Combining influences that range from Slint to Raymond Dijkstra and from Tape to Peer Raben, the pieces here were assembled and recorded after hours while working on commissions for contemporary da…
GNz-11 The First Five Singles 1979-1984
Here is DDAA’s Holy Grail: the first five single reissued for the first time on CD! “GNz-11” traces the beginnings of the band that had never really been revisited before: the first five years 1979-1984 in term of record productions! But more precisely the origins of the band are still older: DDAA was founded in April/May 1977 (and not in 1979, as we can read on a well-known music database site: this information is wrong!). DDAA with Die Form (Philippe Fichot) are two crucial bands, two pioneers…
Visceral Underskinnings
35 years after the release of their critically acclaimed 1981 album, Vibrant Stapler Obscures Characteristic Growth (SR 428LP), the British dadaist group Hastings Of Malawi release their second album, an epic sound poem entitled Visceral Underskinnings. It is a 40-minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers. It is a sound collage of…
Vinyl Coda III-IV
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Fifteen Saxophones
First ever CD reissue of this little known classic from founding Philip Glass Ensemble member Richard 'Dickie' Landry. Following two jazz LPs issued on the Chatham Square label (which he co-ran), Dickie Landry released Fifteen Saxophones, a set of 1974 recordings done with engineer Kurt Munkacsi, on the Northern Lights and Wergo labels in 1978. Fifteen Saxophones simultaneously demonstrates Landry's boundary-pushing saxophone and his understanding of the minimalists' long-form treatises on sound…
The Way Out (1979)
The first-time vinyl reissue of the 1979 solo debut from the Homosexuals bassist Jim Welton (a.k.a. L. Voag) includes a bonus 7-inch of the rare Move EP. The Way Out is recommended for fans of Desperate Bicycles, This Heat and Mark Perry."The start of recording The Way Out crossed over with the last days of my involvement with the Homosexuals. Lovely as they were, the guys were demanding unswerving, vanilla rock 'n' roll fealty from me – something I just couldn't provide given my need to taste e…
The Night's Remains
Much needed vinyl reissue of a legendary minimal electronic classic by this enigmatic Italian band "Definitely ahead of their time, A.T.R.O.X. were one of the first bands to move beyond the new wave styles and introduce strong electronic elements. Not too far from works of contemporary groups such as Tuxedo Moon and Minimal Compact. The Night's Remains was originally released in 1982 on the Trinciato Forte Records label.Back in print on LP for the first time in 30+ years thanks to the fine folks…
Djid Hums
Numbered limited edition of 525 copies on high quality vinyl. Comes with an inlay. Devastating psych noise power drones by ernesto gonzález, an 18 year old kid from venezuela who moved to belgium with his family 3 years ago. thick layers of hototogisu-like guitar drones interfere with endless tape loops and warm washes of analogue jungle color tone to work up to an overwhelming fuzz guitar climax, leaving listeners helpless, ecstatic, puzzled and bemused. ernesto has been making music for over …
Les Premières Machines 1968 - 1988
Manipulating and experimenting in all directions, Pierre Bastien gets help from a lot of human-being (Percussions, piano, cello & accordion) but also from machines: toy robots play percussion, xylophone or even the guitar. The result is surprising, varied, funny, crazy but always very interesting. Part of the now famous collection Les Zut-O-Pistes, 'Les Premières machines - 1968-1988' includes the artist's debut works. Starting with the simple 'Sans Titre', recorded in May 1968 during his school…
1 2 3 4