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Edition of 500. "Here is the first volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer/recorder-player Kath Bloom also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was Acoustic Guitar/Gifts a split LP with Loren solo on one side and …
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Varsovia’s Recursos Inhumanos (Inhuman Resources), a classic album of Peruvian synth punk, is finally available in vinyl format. Since it’s appearance in 2014, Varsovia surprised many listeners with its combination of punk and synthesizer electronics, in the best tradition of groups such as Kraftwerk, Suicide, Chris & Cosey or Aviador Dro. Using sequencers and drum machines, loud guitars and a voice that oscillates between whispers and shouts, the band builds songs that offer a freewheeling and …
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
* Edition of 300 * For the past 20 years, German composer Stephan Mathieu has been steadfast in pushing his electro-acoustic alchemy to unique and personal places. His debut LP release on Ritornell in 2000, Wurmloch Variationen, would come to define the sound of ambient music for the two decades that followed.
This October, on the 20th anniversary of its release, Wurmloch Variationen will be issued for the first time on vinyl by Dublin-based label Weeding. The album has been astutely remastered …
* Edition of 50 * These ten four minute minimalistic, repetitive, electronic drone pieces invite you to calm down and listen closely. Each of these tracks has a focus on sound and its different qualities such as: pitch, timbre, texture, duration and location. Notes and synthesizer sounds are selected so that their combination creates a harmonious drone with few simultaneous, simple and repetitive elements. Preset synthesizer sounds are sustained to reveal this inner life of each combination. In …
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her CD, Music for Cello and Humming, features two pieces for cello and humming written specifically for Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own "Humming Suite" and "Study for Cello and Humming." Having arisen intuitively from Hamann's investigations into shaking, just intonation, psychoacoustic phenomena, and the voice in relation to…
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann's conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of …
* Edition of 200 * A static, haunting bliss from Michael Morley's Music for The Never Quartet project. The New Zealand-based artist and musician is best known from The Dead C but has also recorded music as Gate, The Fuck Chairs etc, as well as a couple of albums under his own name.
"Music for The Never Quartet seeks to employ the resonating qualities of wooden acoustic guitars placed upon items of wooden furniture to reveal connections between time and space by sonically activating the instrumen…
Kredsbevægelsen was an A/V installation based on a video projection of a feedback generated from a video camera filming it’s own projected output and feeding back the light information of the space in between camera and projection, returning output as input and retransmitting, producing a discontinuance of difference between action and effect.
Frequencies of coloured light are scaled down to audible spectrum and quantised into harmonics. All audio dynamics, variation in amplitude, phase, frequen…
* Edition of 200 * New frequency challenges in this new dub flavored album by Paris' singular and mysterious Unglee Izi. 2 side-long tracks of sharp and meticulous digital sound architecture covering a wide spectrum of sonic precision and melodic beauty.
Richard Pinhas's De l'un et du Multiple, originally released in 1996. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music.
This solo album was recorded at his home studio in Paris between June and September of 1995. Solo guitar and processing - Drone electronics with use of a Metatronic Loop system. No re-recording.
Originally released in November 2014 when we had just started out, we're incredibly pleased to reissue one of our very first releases and one that we truly believe deserves more attention. Composed, Performed, and Recorded by Sarah Hennies in Austin, TX & Ithaca, NY 2012-2014.
“The Reinvention of Romance,” a new work for percussion and cello that examines the care and empathy that emerge when two lives share space. Over the course of 90 minutes, a series of repeating patterns creates a peculiar kind of harmony in which two musicians are rarely “playing together” but are nonetheless intimately bonded. The Knoxville-based duo Two-Way Street (Ashlee Booth and Adam Lion) commissioned Hennies to compose “a very long piece;” for this recording they step into its two intertw…
Observing visual and auditory patterns of slowly moving objects, induces a comforting sense. Whether random or organised, complex or simple, intentional or incidental, seen, felt or listened to, most physical movements carry a reassuring message; the receiver is alive, earth is in orbit exerting a gravitational force upon all matter and time has a constant flow which can be measured through the periodic succession of physical phenomena.
It was upon these fundamental principles that visual artist…
Long anticipated vinyl re-issue of a concert that took place at the I-and-E Festival at Trinity College, Dublin in 2006 by Keith Rowe (legendary AMM guitarist and one of the founding fathers of European improvised music) and Mark Wastell (pivotal London based experimentalist). The duo had formed the previous year for a show at ErstQuake Festival in New York and this was to be their second, and only, other performance together. "Keith Rowe and Mark Wastell - This last performance balanced the eve…
The instrumentation is deliberately reduced to the essentials: monolithic drums and analog synthesizers. In this desire for simplicity, meticulous care was taken in the sound recording, then the recording benefited from the work of two experts in the alchemy of sounds: David Fenech and Patrick Muller. Véronique Vilhet: drums. Dominique Grimaud: synthesizers.“A sonic nugget in the shape of rock... Flamboyantly artless and irresistibly direct.” - Julian Cowley, The Wire
“Un cri de liberté, ce qui …
Black Truffle announce the first vinyl reissue of Rafael Toral's Aeriola Frequency, originally released by Perdition Plastics in 1998. Toral made his name in the world of mid-90s experimental electronics with two releases, Sound Mind Sound Body (1994) and Wave Field (1995), both now recognized as classics and reissued on vinyl by Drag City, which saw him exploring the potential of electric guitar and pedals to immerse the listener in seemingly endless waves of sustained tones. On Wave Field, ins…
A compilation of unreleased material from the Light Sleep and Voice Hardcore sessions alongside specially recorded new material, including a cover of “The Void” by The Raincoats. Both formats include a 20 page zine designed by Studio Tape Echo featuring photography from Masayuki Shioda and writing from both Disciples and Phew. It follows on from a limited edition cassette and digital release of Phew’s music on Disicples called Vertical Jamming, which compiled some of the cult Japanese artist’s l…
* Edition of 100. Green Radioactive cassette * Tsss Tapes presents Stien a new Philip Sulidae cassette release. Each track explores the organic dimension of the body of a different fruit: Apricot, Damson, Peach, Plum, Nectarine, Loquat... using improvised open forms with a minimalist extension.
Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.