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Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive
* 2025 edition, Gatefold edition. 2xLPs pressed on black vinyl * Ideologic Organ is proud to announce a rejuvinated version of Kali Malone's 2019 landmark album, The Sacrificial Code, featuring a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum.
Kali Malone’s landmark album The Sacrificial Code emerged from a momentous confluence of dedication and inspiration. In 2019, Malone was finishing a master's thesis in electroacoustic com…
"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …
"Water ripples in outward patterns with the slightest disturbance. Peaceful space is found within the live performance of Stephen Flinn & Bryan Eubanks, and like glassy surfaced bodies of water, their sonic energy sends waves through the conscious. The balance rests on patience and understanding. Their instruments easily have the ability to crash the tranquil spirit, but their wisdom of how these sounds are unleashed is true testament to their alluring symphony. Stephen Flinn is the force behind…
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:・Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
*2025 stock* There is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Devia…
Sewer Election started blessing the underground noise scene around 2002 and has since released tons of stuff, from harsh noise to raw musique concrète-like things and tape works. ”Sweet Distractions” is a long piece sitting comfortably in the corner of his more laid back and ambient works. Sounds a bit like William Basinski never cleaned his reel to reel machines. Broken, beautiful and strange in the best possible way. Recorded in parallell w Kassettmusik back in 2007. Same technique with crude …
"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute).
Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…
‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…
"I was almost seventeen when 'Scum' came out, lurching through my headphones sandwiched between John Peel’s warm gravy groans. It flipped me out. My punker brain, pretty much allergic to anything metal, made a series of damp connections that lodged the chaotic buzzing insect rumble in my mind forever. Thirty-odd years later this record still sounds urgent and furiously angry. It sounds more important than ever. I decided I wanted to do ‘something’ with Scum in late 2023. I listened to the record…
*Dubbed on reused ferro tapes* Music for fictive radio stations. Made as a sound installation that was part of a performance talk about fictive world scenarios. Mostly made with circuit bend radios and found music in a stack of unsorted cassettes.
*Dubbed on reused ferro tapes* Guitar music measured mostly by quietude not amplitude. Bold recording techniques - new amp. Everything recorded during a period of two nights.
Intimate guitar recordings made at C Haxholms home in the countryside. This tape to me feels like a quite unique snapshot into the Artists daily life, But at the same time the music feels very composed and thoughtful. A very sweet and heartwarming tape
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
*150 copies limited release* "Borrowed Out Of Time is the latest album by Kaurna Country artist and writer, Tristan Louth-Robins. It follows a steadily paced run of releases for labels like 3LEAVES (2013’s The Path Described) and his own Studio Maurilia which share an inquisitive spirit, informed by, but different from, influences such as Alvin Lucier and Rolf Julius. While Tristan’s compositions might be neatly situated somewhere adjacent to both sound art and acoustic ecology, they aren’t beho…