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To be heard with ears half bent, or with one side facing what Maryanne Amacher calls “the third ear”. The great reverence in which the Tanpura is held by Indian classical music, its transcendental but occulted place in the tradition alongside its nor…
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities …
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works…
The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I…
Since the early 1970s, Jacqueline Humbert has collaborated as performer, visual artist, and designer with leading innovative artists, filmmakers, choreographers and composers worldwide. Her approach to vocal performance has influenced many composers,…
The eclectic sensitivity of the composer Roberto Laneri (Prima Materia) looks unparalleled in the Italian avant-garde context. Anadyomene, published for the first time in 1987, shows the myth of Venus in a dystopian and dreamlike world. Laneri concei…
**Edition of 250 copies in tipped-on sleeves with Japanese obi, insert and postcard. Entirely handmade sleeve edition of Painted Screens – designed & assembled at Impression Lointaine.**
Music box : intimate music with a large palette of instruments …
“Mine is the Heron” is the new Tom James Scott record, the first document of his solo work since 2017. Over the past decade, the UK-based composer has released a diverse body of recordings via labels such as Bo’Weavil, Carnivals, Where To Now?, and h…
Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album "Laced With Rumour: Loud-Speaker of Truth" blooms in the cracks between Alice Coltrane, Talk Talk and Kara-Lis C…
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to b…
Tommaso Rolando and Jean Renè met thanks to Paul Goodwin (front cover painter) and Paolo Bonfiglio. After some live experiences together, in June 2018 they decided to try to record something: the result of a short term session eventually ended with a…
With L’Inattingible, Delphine Dora’s music unfolds by drawing upon a new palette of colors. It will not escape anyone, that after having sung, in foreign, invented languages, or through extended vocal techniques, the musician resorts for the first ti…
**CD version** "This is Annie Barbazza’s first solo album. She was a young drummer in love with progressive rock when Greg Lake discovered her talent as a singer and wanted her on stage with him for the concert which would later become the posthumous…
The Giving Shapes is a collaborative project between harpist/vocalist Elisa Thorn and pianist/vocalist Robyn Jacob that formed in fall 2017 at the Banff Centre for the Arts. This is the duo’s first release. This project triangulates aspects of new mu…
Martina Verhoeven has been working on the development of her own photographic style for about 20 years, almost parallel to this process Martina took up the electric fretless bass when recording the two criticaly-acclaimed 3 Seconds Of Air albums (wit…
William Engelen (born 1964 in Weert, The Netherlands) is a sound and visual artist living and working in Berlin. After having studied visual arts, his focus shifted over time from solely visual to multi-disciplinary works that oscillate between sound…
“The Piano has been an instrument that has woven its way in and out of my life since I was a child. I grew up listening to great classical and jazz players, prepared piano and electronic experiments, extended techniques and later the incredible works…
Liebestod, by Polish composer Stefan Wesolowski, consists of repetitive compositions written for piano, brass instruments, strings, and electronics. The title itself is derived from Wagner's Tristan and Isolde, which says a lot about Wesolowski's p…
Aidan Baker's (Nadja) Triptychs takes inspiration from Erik Satie's compositions Gymnopédies and his notion of "furniture music," which many consider a precursor to contemporary ambient music. Each "triptych" is based around a simple, slow-moving m…
Conrad Schnitzler is a genuine legend in the krautrock and electronic music worlds. Schnitzler studied under Joseph Beuys before joining an early Tangerine Dream. Their first album Electronic Meditation shows a band highly influenced by Schnitzler's …