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Luxinpei is a two-piece band from Beijing, formed by Ma Meng and Ma Yuan in 2007. Back to 1990s they were classmates, sharing a same desk. In 2008, Ma Meng became friends with Zhu Wenbo and they formed another another duo project Fat City. After some performance, Zhu started organized a weekly Tuesday performance series in 2009, which was the beginning of Zoomin’ Night. Both Luxinpei and Fat City were core names in early Zoomin’ Night days. Luxinpei’s work could be found in a Maybe Mar’s live co…
The Lo Yo Yo was founded in 1984 by Family Fodder’s John Pearce, aka Alig Fodder. They were active for two years and released one cassette, one split cassette with French band Look De Bouk and one full-length LP. The Lo Yo Yo’s line-up went through changes over its whole lifetime, but with some constants – most notably singer Joey Stack and drummer Carrie Brooks. Charles Bullen of This Heat occasionally played drums with Family Fodder and produced The Lo Yo Yo’s LP Extra Weapons in 1985. Alig sa…
For their second foray into the fringes of German pop, Bureau B delve deeper than before, raiding cassette culture, 7" obscurities and overlooked album cuts to further frame this free-thinking strain of sonic expression. Starting the count from punk’s year zero, this set sees a newly liberated generation get weird and wild with anything they could lay their hands on, delivering demented, detuned and disorienting tracks brimming with DIY spirit.
Editions of 500. Queen of Siam, Lydia Lunch's solo debut, was originally recorded in 1980. Featuring the noted talents of guitarist Robert Quine (Lou Reed, the Voidoids), multi-instrumentalist Pat Irwin (B-52's, Eight Eyed Spy), and the big band sound orchestra of Billy VerPlack (of Flintstones theme fame), the work proved to be a slap in the face to those critics awaiting a new Teenage Jesus-type of album from Lunch. Dirty, sophisticated, literary and raw, the album is today seen as the jewel i…
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music afte…
Editions of 500. During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field o…
* Japan only edition of their 2nd album. Comes with a bonus CD * NON BAND were formed in the early 1980s. Bassist and vocalist NON had been in a number of bands before going solo and then reconsidering her choice; NON BAND was the eventual concession, a three piece that placed NON with Kinosuke Yamagishi on violin and clarinet and Mitsuru Tamagaki on drums.
'The Japanese punk rock movement known as Tokyo Rockers began in the summer of 1978. It incubated an independent music culture as well as a …
Tip! HUH are the wild, freeform duo of Kyosuke Terada and Takuma Mori. Based in Tokyo, and playing together since 2007, HUH have released a clutch of cassettes, CD-Rs, and digital albums; they’ve toured Europe (in 2017) and Australia (2019); and they count amongst their collaborators the likes of T Mikawa of Incapacitants, ASTRO, and Government Alpha. You may know Terada from his duo with Shizuo Uchida, MAI MAO, who recently released an LP on An’archives, but he's super prolific, performing solo…
*200 copies cd-only limited edition* ‘BOH’ was a short-lived fanzine from Den Haag. ‘BOH' - short for Binnenlandse Ontwikkelings Hulp. The editors were active in various bands, and the fanzine published one compilation, 'Boh Sampler'. The fanzine is all in Dutch, and 'BOH - de Komplete Uitgaven van de Binnenlandse Ontwikkelingshulp’ reprints all of these, without a translation. Foreword by BOH boss Jos van Vliet and an introduction by Wally van Middendorp, of the Minny Pops. Book design by Studi…
2023 stock* “This is all slabs of sound, rhythm and screaming/testifying. What more do you need? In a way, it was a reaction against Punk (and just about any other music you can think of), and the conservative notion that 3 chords were somehow necessary. I used to deny it vehemently at the time, but No Wave (I “hated” that scene too, for some reason I can’t remember now) played a big role as the germ from which this music grew, along with The Stooges and Throbbing Gristle, of course. I wanted Sw…
*2023 stock* "leaving meaning. is the first Swans album to be released since I dissolved the line up of musicians that constituted Swans from 2010 – 2017. Swans is now comprised of a revolving cast of musicians, selected for both their musical and personal character, chosen according to what I intuit best suits the atmosphere in which I’d like to see the songs I’ve written presented. In collaboration with me, the musicians, through their personality, skill and taste, contribute greatly to the ar…
Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post-punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together, they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All the…
Originally released on cassette in the spring of 1985, together with the 8th issue of Komakino fanzine - included here in its original format. Relatively well- known names coexist with bands that lasted only a season. “Still Life” was and remains a half hour of pure abstraction. An intense and precious post-punk overdose!
Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances.
One of the brightest and most famous projects of the entire punk/new wave scene, No New York was released in 1978 on Island's sub-label Antilles. Featuring some of the most incredible rule breaking bands of the underground N.Y.C. art and music scene, the project - produced by Brian Eno - is a genuine snapshot of the massively creative N.Y.C. scene. Artists: Contortions, Teenage Jesus And The Jerks, Mars, D.N.A.
2CD Edition. The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real …
One of the architects of No Wave with his band DNA, a pioneer of noise guitar, sublimely inventive producer, and slinkily seductive songwriter, Arto Lindsay has worn countless musical hats. Invited to make a solo record for the Black Cross Solo Sessions, Lindsay boiled it down to essential ingredients, waxing a collection of bristling new songs and works for solo guitar; on six of a baker's dozen tracks, his angelic voice offsets the bracing dissonance of his acidic electric. Recorded at studios…
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
*Limited edition of 344 copies.* Before No wave there was China and after China there was Mars. For the first time on vinyl the complete 'Rehearsal Tapes and Alt-Takes NYC 1976-1978', an incredible document from this era. The rehearsal tapes are a chronological record of the 3 years of Mars' existence, the first year of which was spent forming their sound and musical identity, starting out with a lineup of upright piano, bass, acoustic guitar and percussion before going electric with guitars…
** Edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on David Toop’s Quartz label at a time when improvised music in London was settling into a long spell of excellence. The players here are Steve Beresford, Peter Cusack, Terry Day and David Toop. Terry had been a member of The People Band in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers…