Untitled 1991 Vol. 3
Volume 3. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replac…
Untitled 1991 Vol. 2
Volume 2. The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replac…
Phillo Jazz
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic frameworks, Merzbow improvisation occurs in texture and density, shape and duration.
The "Phillo" prefix remains mysterious - perhaps referencing philosophy, philology, or simply playing with sounds. These recordings demonstrate fluidity at its best: not…
Bluedelic+
The playful title suggests psychedelic blue - chromatic synesthesia rendered in noise. Akita has always been interested in the intersection of sound and color, titles throughout his catalog evoking visual qualities. These 1992 sessions capture Merzbow in experimental mode, the psychedelic reference connecting to traditions of consciousness expansion through intense sensory experience.
Blue carries particular associations: melancholy, depth, the infinite sky and sea. "Bluedelic" suggests psychede…
Untitled 1991 Vol. 1
The fifth chapter focuses intensively on 1991 - a transformative year for Merzbow. New sampling delay effects from Next and Digitech enabled more rhythmic, cut-up approaches, marking decisive evolution from previous decade's collage techniques. These sessions were originally produced by mixing multiple 4-channel cassettes, but for this release appear largely unedited - raw material preserved without typical layering and processing.
New mixes were created using a TASCAM MFP-01 to replace the unav…
Travelling
Travelling suggests movement through sonic landscapes - each passage a journey into unknown territory. The title invites traveler's mindset: openness to unfamiliar sounds, acceptance of discomfort, willingness to be transformed by the journey. This 1990 recording captures Merzbow testing new configurations in preparation for the decade's major works.
The traveler enters foreign territories without expectation of comfort or comprehension. Similarly, listeners approaching Travelling should abandon…
Crash For Hi-Fi Tapes
A wry commentary on audiophile culture, Crash For Hi-Fi Tapes revels in deliberate destruction of fidelity. While enthusiasts pursue ever-more-transparent reproduction, Merzbow embraces distortion, clipping, and overload as expressive tools. The title suggests violence directed at the medium itself - tapes crashed, pushed beyond design parameters.
High-fidelity recording promised perfect reproduction; Akita responds by demonstrating that imperfection and degradation carry their own aesthetic val…
Cloud Cock OO Grand (Another Mix)
This alternate version of legendary Cloud Cock OO Grand material offers fresh perspective on one of Merzbow's most celebrated early-90s works. The title's surrealist absurdity reflects Akita's Dadaist engagement - language pushed beyond sense into pure sonic evocation. "Cloud," "Cock," "Grand" - the words resist logical combination, instead creating irrational poetry.
The existence of multiple mixes raises questions about identity and authenticity in experimental music. If noise is supposed to b…
Ecobondage (Another Mix)
The provocative title merges ecological and fetishistic imagery - characteristic Merzbow juxtaposition refusing easy interpretation. "Ecobondage" suggests nature constrained by human activity while carrying erotic connotations connecting to Akita's longtime engagement with transgressive sexuality through his Pornoise label and BDSM-influenced imagery.
Ecological themes would become increasingly central following his veganism adoption, but even here, years earlier, Akita demonstrates awareness of…
Material H2
Material H2 strips Merzbow's sound to elemental components - pure sonic matter awaiting transformation. The "H2" designation evokes hydrogen, the simplest element, suggesting return to first principles. Just as hydrogen combines to form more complex molecules, these basic sonic elements combine to create Merzbow's elaborate constructions.
Akita works with sonic substance like a sculptor with clay - shaping, texturing, building structures from raw matter. The "Material" series title acknowledges …
Crocidura Dsi Nezumi
The title references the Japanese white-toothed shrew (Crocidura dsinezumi) - an early indication of animal themes that would become prominent following Akita's veganism adoption in 2003. The shrew exists in perpetual urgency, eating constantly or dying - a quality resonating with Merzbow's relentless intensity. These tiny creatures live at the edge of metabolic possibility, their hearts beating impossibly fast.
This prescient animal reference - predating Akita's formal commitment to animal righ…
Environmental Percussion Vol. 2
Continuing the percussive investigations begun in Volume 1, this installment pushes further into the liminal space between rhythm and chaos. Where the first volume established the conceptual framework, Environmental Percussion Vol. 2 explores its implications more deeply, finding increasingly complex rhythmic patterns within seemingly formless noise.
Together, the Environmental Percussion volumes document Merzbow's engagement with rhythm and pulse - dimensions often overlooked in discussions of …
Environmental Percussion Vol. 1
The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtly beat-driven work of later periods while connecting to musique concrète traditions of treating all sounds as potential musical material.
Akita transforms everyday acoustic phenomena into percussion, finding rhythm where conventional listeners percei…
Mother Tongue
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
Extensions 2 (LP)
Two versions of Miroglio's excellent composition for percussion ensemble, performed by Les Percussions de Strasbourd and released on Philips' silver covers "Prospective 21e Siècle" series. Black labels.
La Guerre Du Feu (LP)
Original soundtrack to the 1981 film by Jean Jacques Annaud with avant-garde elements performed by Les Percussions de Strasbourg. With poster and cover art by Philippe Druillet.
Espaces (LP)
Great avant-garde percussion music by a composer mainly known for his library work, a 1978 album on the short-lived Arc En Ciel's "Espaces" experimental music series with embossed sleeves.
Muir
Tip! *60 copies limited edition* kalimba snare towel homemade drum ceramic paper chain bells shakers skewers stick drums broken cymbal bass drum guitar string thing coolie hat bustelo cans concrete floor psaltery pianolette door chime washer drum metal chair elbows snare pinecones snare manual tape handheld aluminum sample hands pine cone washer drum bowls superball bow brushes kit chopsticks spatula stickerball spent drumhead snare skewers table tines bent cymbal hands pot lids water and stuff,…
Ancient Moment Part 1
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience. The project album Ancient Moment mark…
Best Wishes
Following years of activity in the UK scene and beyond, and a debut tape in 2020 on don't drone alone, Rekem is proud to present the new release by Leeds based artist, Helen Papaioannou.
Kar Pouzi is Helen Papaioannou’s solo project of electronics, baritone saxophone and vocals. Best Wishes, spans the past two-three years of Kar Pouzi’s output, featuring both longer standing pieces from her live sets alongside new tracks. The album reflects Kar Pouzi’s fascination with repetitive tasks, sounds, …