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Saxophone and laptop: the first record of Chris Pitsiokos’s project on four-channel audio, rhythms from irrational numbers and shifting polarity. Each copy with original artwork.
Solo recording by French trombonist Christiane Bopp, who uses voice, mutes, bass drum and objects to turn the instrument into a field of whispers, drones, fractured melodies and sudden eruptions.
Solo cello and voice by Julia Biłat, recorded live near Berlin: splintered harmonics, rough bow textures and resonant drones in improvised compositions that move like a passage through shadow.
Four CDs from Jon Rose's Rosenberg Museum, the decades-long project around the violin: homemade and hacked string instruments, true and invented violin stories, and 37 tracks from the museum now housed in central Australia.
Jessica Pavone's sixth solo viola album builds on the open strings and their sympathetic resonances, with electronic effects as a playing partner and guest appearances by Fred Frith on guitar and Joe Lally on bass.
Solo guitar by Swiss improviser Florian Stoffner: six pieces he recorded himself at Bee Street studio, mixed by John Butcher, stretching the instrument's vocabulary through texture, space and spontaneous invention.
'Σ [sigma]' is the new album by composer, saxophone player and improviser Antonio Raia. The first chapter of a trilogy dedicated to Berlin — where Raia spent several weeks recording alongside producer Francesco Donadello in different locations — 'Σ [sigma]' reflects on the relationship between body, space and sound, understood as a performative gesture closely linked to the space that hosts it.
Recorded inside the Wasserturm in Prenzlauer Berg—the oldest water tower in Berlin, built in 1877—'Σ …
The debut album of the French master improviser from the early 80s finally available again! her impressive release-list over the years - solo, duos, trios, big projects – shows a range of works with most of the current improvisers, to new music (Cage, Scelsi) and dance and theatre with two main constants - playing live plus the celebration of improvisation. This album here shows in a wonderful way how it all started – a strong player with her voice and her instrument. Recorded at Studio Achille,…
Solo percussion by Sven-Åke Johansson, recorded at his SÅJ Studio in Berlin in March 2010: fifteen short pieces named after Swedish surnames, rolls, cymbals and a towel flicking on the drum skin.
*50 copies limited edition* »A Grey City With Its Beast« is a solo recording for choor khuur, composed and performed by Anqi Liu and recorded in San Diego in 2026. The choor khuur is an older Mongolian bowed instrument related to the morin khuur, yet it has its own construction and behaviour: a skin-covered body, horsehair strings and bow, a sound peg, and a Mongolian knife inserted between the bridge and body permit minute adjustments of tuning and timbre. Temperature, humidity, pressure, and t…
»Memorial« grew out of Nate Wooley’s work alongside Annea Lockwood recording the Columbia River, and in particular from a visit to Kettle Falls in northern Washington, once one of the river’s great salmon fishing and meeting grounds and a place of enormous importance to the Sinixt and other Indigenous peoples of the Upper Columbia. The falls disappeared from view following the construction of the Grand Coulee Dam in 1940, submerged beneath what is now Lake Roosevelt, yet beneath the still surfac…
»Baby Ghost« is the debut album by double bassist and vocalist Jordan Sand. Released through Hallow Ground, it blurs the lines between different genres and modes of expressions, improvisation and composition and showcases the unique playing style the composer has developed. Sand blends her voice with the bowed harmonics and subharmonics of her double bass. At once conceptually rigorous and musically open-ended, Sand’s wordless meditations on death and what comes after are both visceral and explo…
*200 copies limited edition* Following the acclaimed Tectonic Plates, his celebrated collaboration with John Butcher and Mark Sanders, Alan Niblock returns to 577 Records with Sonic Breath, a striking solo work built from the elemental encounter between improvised voice and double bass. On Sonic Breath, Niblock treats the double bass not simply as an instrument but as a resonant environment for the voice. Breath, vibration, texture and gesture become the primary materials, allowing the music to …
Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.
Double bassist and composer Henry Fraser announces the release of Pneuma, a new solo album out June 12 on Kou Records and recorded, mixed, and co-produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson) and Ben Greenberg (Uniform, Marc Ribot). Across eight concise movements, Fraser explores breath, resonance, and the evolving relationship between composition and improvisation, shaping an intimate sonic landscape in which the double bass seems to inhale, bloom into overtones, and dissolve back int…
Cellist and composer Aliya Ultan announces Looks Far Woman, a new solo album out June 26 on Kou Records, recorded, mixed, and produced by Randall Dunn (Sunn O))), Jóhann Jóhannsson). The album takes its name from a guiding figure in Aliya's personal mythology — a seer who moves between worlds carrying the medicine of patience, prophecy, and transmutation — drawn in part from Jamie Sams' The Thirteen Original Clan Mothers. Structured as a six-part song cycle — Wind Song, Road Song, Mountain Song,…
Flutist and composer Taiga Ultan announces the release of Shade Zero, her debut full-length album out June 26 on Kou Records and recorded, mixed, and produced by Randall Dunn (Anna von Hausswolff, Annea Lockwood, Danny Elfman). Structured as a three-part work, the album traces a gradual transformation from virtuosic flute performance rooted in classical discipline to extended techniques, spoken language, and poetic reflection. At the center of Shade Zero is an investigation into the relationship…
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
And I sing again. This time I won’t whisper, because this time it’s for you. I hear about you on the radio, and I’ve seen the pictures of the boss and his henchmen— Hatred and determination in their eyes. Their actions leave no doubt: to them, you are garbage. The history that came before echoes faintly. And here, routine carries on. On the radio, a broadcast of your silence. 'A Broadcast of Your Silence' came about almost by accident, after several failed attempts to write for solo do…
Recorded in a neighbourhood church in the city of Ghent, Belgium. Penumbra is a fully improvised album. It was born from a personal urgency of searching for ways to keep creating sound in moments of uncertainty. It grew from a desire to move beyond the limit of a single instrument, to experiment with different materials, objects, and instruments. Merging, melting, creating, sounds, poems, and acoustics that inspire me. Penumbra is a state of uncertainty and urgency, moving with freedom and doubt…