Forgotten, Hardly Written
**50 numbered copies** "Matthew Crowe and Bob Bucko, Jr. met at a DIY basement show in Bucko’s hometown of Dubuque, Iowa in 2009. Despite living three hours apart, the two proceeded to strike up a friendship that led to endless hours of friendly jamming with various assemblages, eventually coalescing into a focused duo exchange. Sex Funeral’s sound is reflective of the interaction between two friends more than being representative of any particular genre.Early in their trajectory, there was no a…
Negoum
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
Along the Sun and the Rain
**60 copies** Based in Jyväskylä, Finland, Keijo Virtanen is somewhat of a legend in the whole finnish psych scene (on the same level as Pekka Airaksinen - in fact the two have collaborated before). He’s been working on music for ages but his work has only been starting to get attention during the last few years. This artist’s music is unlike any other, it is often based in ambient and drone and incorporates weird traditional folk instruments from around the world just as much as electronic inst…
Bern · Melbourne · Milan
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
Iowa Ear Music
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolation booths in the studio in Iowa State University’s recording studio during the ‘67 - ’75 seasons; these simultaneously-ocurring sound-events captured in real time, then collaged via tape & electronic processing by the studio-head Michael Lytle after…
Gestrupp
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
Live at Cafe Oto
The full recording of the first meeting between Bill Orcutt (USA) and Okkyung Lee (South Korea). Individually these players have focused on an idiosyncratic approach to their chosen instruments and technique. Okkyung is one of the most singular voices to compromise the cello's classical origin, while Orcutt has spent many years developing a unique abstraction of traditional guitar blues. Live at Cafe OTO is an uncompromising combination of these individual elements and an ecstatic improvised ass…
Monte Alto
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
Suite The Hen's Teeth
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…
Occupè
Alga Marghen presents one of the treasures of the French avant scene of the 1970s, published now for the first time. An ideal parallel to Jac Berrocal cult LP “Paralleles”, the realization of these pieces recorded by Daniel Deshays and produced by d’Avantage in 1977 that also conceived a very elaborated sleeve design, was mysteriously discontinued making this record one of the lost jewels of the French underground.Together with Michel Potage (voice and various instruments) and Jac Berrocal (trum…
Friday
Brand new re-release of this MEV masterpiece. For the realization of "Friday", recorded in London in May 1969, MEV were Frederic Rzewski (piano, electronics, etc.), Alvin Curran (flugelhorn, etc.), Richard Teitelbaum (moog synthesizer), Franco Cataldi (trombone, etc.), Gunther Carius (saxophone, etc.). The main theme around this MEV piece is communication. Communication by means of music can be a very efficient means of reaching quick agreement among large numbers of people, because when you cal…
Tacet
Last copies araound, long deleted..."One of the best-kept secrets in the very wonderful Futura Records catalogue of the late 60's/early 70's (remember Red Noise, Horde Catalytique Pour La Fin, Jacques Berrocal, Semool, Chêne Noir, Mahogany Brain and the others?), this album even missed attaining the cult obscurity status of some of those mentioned, remaining basically unheard because of the difficulty of even getting aware of its existence, not to mention the quasi-impossibility of tracing a cop…
Music and Words
As a member of British experimental group Morphogenesis, Adam Bohman was no stranger to wayward sound experiments when recording this solo CD. Favoring acoustic sounds over electronic he explores the minute tendrils of sounds coaxed from any number of non-musical instruments. The standout on this Paradigm CD is a cassette piece which the artist made of candid recordings of mundane experiences and conversations, using the stop-start technique to construct a collage of text and environmental sound…