Folk /
Umwelt, Room
*300 copies limited edition* With Umwelt, room, An’archives releases the first vinyl LP by Japanese singer, songwriter and guitarist, Kotonashiso. An elegant collection of seven slow-moving, free-ranging song forms, Umwelt, room is reflective, pensive, and yet has a great, expansive sense of movement, each song’s parameters feelingalmost infinitely flexible. Born in Tokyo in 1984, Kotonashiso began playing music in 2000. After taking a long break from making music between the years 2005 to 2016,…
Earl's Closet (The Lost Archive of Earl McGrath, 1970 to 1980)
2025 stock “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder ∫ gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977. Friend …
1971-72
For the very first time on vinyl a mandatory compilation with both rarities and unreleased tracks, showcasing their second line up! At the end of January 1971, lead vocalist Linda Hoyle and organist Lynton Naiff left Affinity. Instead of going separate ways, the other three members recruited vocalist Vivienne McAuliffe (Principal Edwards Magic Theatre) and ex-Tornados keyboardist Dave Watts. Reminiscent at times of Sandy Denny, Vivienne's voice was a natural addiction to the new incarnation of t…
Bert And John
Donovan includes a hearty shout-out to his contemporary, Bert Jansch, with the tracks “Bert’s Blues,” and “House Of Jansch”. This collaboration between English folk guitar legends Bert Jansch & John Renbourn of Pentangle fame is astonishing from first note to last. You can sense the intense pleasure of two gifted men not only matching one another as they play, but combining their talent to create something more than the admittedly impressive sum of its parts. It’s rare to hear two guitarists so …
Ali Toure Farka
Third LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. It comes with a replica of the original cover. Label design has been recreated based on the original release. Vinyl pressing company derived from runouts.
Special Biennale Du Mali: Le Jeune Chansonnier Du Mali
Second LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. Vinyl pressing company derived from runouts.
Ali Toure "Farka"
First LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. It comes with a replica of the original cover. Label design has been recreated based on the original release. Vinyl pressing company derived from runouts.
Ali Toure Dit "Farka"
Vinyl pressing company derived from runouts. Fifth LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever.
Ali Toure Farka
Fourth LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever.
Éthiopiques 14: Negus Of Ethiopian Sax
*2024 stock* Probably the most revered veteran of Ethiopian saxophone, Gétatchèw Mèkurya is the 'inventor' of an extremely distinctive musical style. Amongst Ethiopia's numerous vocal genres, there exists a form of singing that is purely warlik: epic and declamatory, harsh and hoarse-voiced, it is known as 'shellela'. This bellicose thunderbolt, quite strictly vocal, was improvised before each attack. Gétatchèw Mèkurya had the brilliant idea of transposing the genre to his saxophone, and here we…
Éthiopiques 10: Tezeta - Ethiopian Blues & Ballads
*2024 stock* Emptiness, melancholy, nostalgia; doom and gloom, morbid musings; heartache or homesickness: such is the stock in trade of the misery and mournful memories expressed by the song Tezeta - Ethiopia's majestic hymn to the blues. Etymologically, the word itself means memory, nostalgia, and several Ethiopian authors have used Tezeta as the title for their memoirs. For Ethiopians, it is the Tezeta genre that seems to capture the essence of the blues.
Wirlmarni
Aboriginal Australian blues, country, and gospel by the great Kankawa Nagarra, Queen of the Bandaral Ngadu Delta.
Folksongs And Instrumentals With Guitar
Elizabeth Cotten's 1958 debut album Folksongs and Instrumentals with Guitar, (aka Freight Train and Other North Carolina Folk Songs and Tunes) is best known for containing the earliest recording of her classic "Freight Train." The breadth of her repertoire and her endearing style have captivated generations of guitarists and fans of traditional American music. Cotten's self-taught, upside-down, left-handed playing style on the guitar and banjo made her a true original. Many of her deeply persona…
No Winners in the Blues
A new year beckons, and Full Spectrum Records is fixing to kick off 2023 with a hard shot of melancholia and a deluxe vinyl reissue of Wes Tirey’s whiskey-soaked folk opus, ‘No Winners In the blues.’
Iron Day
North London’s midnight man tumbles out his treehouse to deliver twelve potions of minor healing in “Iron Day”, his questing, soul-salvaging songbook. Brimming with majesty and maraud in equal parts, Genghis Cohn synthesises trad. English folk and woe with surrealist dream sequences on this debut long-player. A romance of two hedgehogs, devotional bone temples, broken shadows and sausage kings, GC conjures a grand slab of folk music that, in a warmly recognisable form, challenges its ancient rew…
Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958–1971
Big Tip! In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other’s homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert “Mack” McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians…
Live In San Francisco Late 1969
Sandy Bull’s unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric ‘Memphis…
Fireside Stories
*In process of stocking* Anti-counter culture loner folk from a teenage attic in the heart of rural Northern hippiedom. "This is music that can confidently hold its own with pioneers such as Davey Graham, Michael Chapman, Bert Jansch and Jackson C Frank, as influenced by jazz, blues and steel guitar as any of the old songbook classics from ancient Albion.” - Benjamin Myers
Today the valley town of Hebden Bridge in West Yorkshire is world-renowned as something of a bohemian backwater. It wasn’t l…
Faro Annie
*2022 stock* This is John Renbourn’s fifth and most blues influenced album, backed by the Pentangle rhythm section of Terry Cox and Danny Thompson. The singer/guitarist often takes a folk-rock approach, and often investigates American folk songs, on ‘Faro Annie’, beginning with the traditional “White House Blues”, a song about the 1901 assassination of President William McKinley. Next is “Buffalo Skinners” another traditional piece made famous by Woody Guthrie. Then there is “Country Blues”, a p…
Tance Neznámé
*2022 stock* "This album is a fantastic document of two guitarists complementing each other, giving each other space to work out ideas and while being technical top notch, they put a lot emotions into their compositions. Some of the melodies are touching something deep inside me, that is hard to explain, but I bet every music lover knows that feeling... Do not miss this album, even if you can't read or pronounce the track titles. This is pure bliss!" – Dying for Bad Music