Folk /
The Faerie Shaman
Gwydion Pendderwen was one of the more chatoyant figures of the folk music underground. Both of his albums -- Sings Songs for the Old Religion (1975) and The Fäerie Shaman (1982) -- were far above the average standard folk of his time, especially on his second album from 1982, reissued here for the first time. The Neo-Pagan and environmentalist tried a different path seven years after his haunting debut album, mixing bluegrass, country, gospel, and dixie into classic folky singer/songwriter tune…
Pesmi
Originally released in 1983 in former Yugoslavia, this album is a truly undiscovered gem of ethereal folk music. Pesmi combines the old traditional melodies of Eastern Europe and the Balkan States area with the lush and enchanting instrumentation of late '60s and early '70s folk with elements of progressive folk and singer/songwriter music from England and the USA. This results in a highly-mystifying and still easily folksy piece of exclusively acoustically instrumented music with haunting femal…
Which Way You Goin' Billy?
Which Way You Goin' Billy?, released in 1969, was the first album from Vancouver, British Columbia band The Poppy Family. The Poppy Family were the Canadian duo of Terry and Susan Jacks, who were husband and wife at the time. Terry Jacks, who four years later would release the ubiquitous "Seasons in the Sun," wrote the song whilst Susan sang lead. Terry was a big Buddy Holly fan, and started writing the song in his pre-Poppy days with the working title "Which Way You Goin' Buddy?" He had the mel…
Stvaranje
The title of this album - originally released in 1974 - means “The creation” and Serbian singer Maja De Rado together with her band create a very dreamy and colorful kind of music that merges different pop styles of their time with a folky approach. This album could have easily emerged from the late 1960s West Coast scene of the USA except for having lyrics in the musicians’ native tongue. The lush instrumentation with organs, flutes, acoustic guitars builds a multi layered fruitful soil on whic…
The Eighteenth Day of May
The Eighteenth Day of May were a six-piece, London based group. Originally formed as an acoustic trio consisting of American Alison Brice (vocals, flute), Swede Richard Olson (acoustic guitar, harmonica, sitar), and Ben Phillipson (guitar, mandolin), they combined elements of traditional and contemporary folk with a psychedelic jangle. They spent the summer and autumn of 2003 bonding over Fairport Convention, The Incredible String Band, Steeleye Span, Sandy Denny, and Trees all blending in with …
There Is a Place
**300 copies** "A new reissue of this masterpiece by The Left Outsides, originally issued on cassette in 2015, then first put to vinyl in 2017, as the long-format follow-up to the classic The Shape of Things to Come LP. The current edition is demarcated by a glossy cover and metallic gold printing. Its music remains as timeless a gust of dark autumnal wind as any you'll ever hear. Some of the music here was written as part of the soundtrack to Gus Alavrez's 2009 noir-pastoral short, Stand and De…
Folkadelic Volume One
From the curators of the Mood Mosaic series, here comes a new collection of tracks that gave rise to the Psychedelic Folk scene in the late '60s. It contains 17 seminal tracks collected together for the first time. For lovers of Devendra Banhart, Espers, and Animal Collective among others.Tracklist:1 - Rena Sinakin - Make Music2 - Linda Perhacs - Moon and Cattails3 - Injun Joe - Indian Priest4 - Breakout - Warm Up My Lips5 - Terry Brooks & Strange - High Flyer6 - Synanthesia - The Tale of the Sp…
The Nightmare of J.B. Stanislas
"Occasionally, a work of art falls into your hands with such a bizarre backstory, you just have to run with it. The implausible origins of Nick Garrie’s folk-pop album The Nightmare of J.B. Stanislas require just such a leap of faith. The Englishman recorded his masterpiece in France at the tender age of nineteen. The year was 1968 and Garrie felt ill at ease with the lavish arrangements accompanying his songs (beautiful as they may sound to our ears today). Worse still, the label owner committe…