Folk /
Rag Ramkali / Rag Jhinjoti
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the …
Two Improvisations
*250 copies limited edition* "The first full length LP by Joshua Massad and Dylan Aycock. Massad is a tabla player living in India and studying under Zakir Hussain. Massad and Aycock came together in Tulsa to record these improvisations live at the legendary Church Studio which was founded by Leon Russell in the 70's. Over a few nights they captured some moments in the studio before it came under new ownership and just before Joshua moved to India. Aycock improvising on 12-string with Massad acc…
Rag Jhinjoti, Rag Pilu - Sitar And Sarod Jugalbandi
2024 Stock. Builds slowly from the statement of the melody to intense sections of stunning brilliance
Rag Lalit
2024 Stock. The Sarangi remains not only the authentic and original Indian bowed instrument but the one which most poignantly, and in the hands of Ram Narayan, most revealingly expresses the very soul of Indian feeling and thought. I cannot separate the Sarangi from Ram Narayan, so thoroughly fused are they, not only in my memory but in the fact of this sublime dedication of the great musician to an instrument which is no longer archaic because of the matchless way he has made it speak
Rag Kaunsi Kanhra
2024 Stock. This sensuous evening raga for the bamboo bansuri flute was recorded with tabla by Sabir Khan.
Rag Miya ki Todi / Rag Bilaskhani Todi
2024 Stock. Ustad Imrat Khan hails from a great tradition of musicians called the Imdadkhani Gharana, named after his grandfather. It has produced great masters of the sitar such as Ustad Vilayat Khan and his son Shujaat Khan, Shahid Parvez and Budhaditya Mukherjee. This renowned gharana specializes in gayaki; the vocal style of sitar playing, which is obvious when listening to this recording, as I can't help singing along with the Ustad's beautiful lyrical playing. Imrat Khan is the master of t…
Rag Lalit
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia's hauntingly beautiful interpretation of Raga Lalit probably is the best introduction to that raga for listeners unacquainted with Indian music. Lalit is a serene raga with a devotional mood to be performed at dawn, before sunrise. Most sandhiprakash ragas (to be performed at dawn or dusk) feature komal swaras (flat notes), which give them a certain dreamy, longing, even …
Rag Darbari / Rag Chandra Kanhra
2024 Stock. The album presents a deeply meditative world, resonating with the mysteries of India. When it comes to sarangi - a forgotten Indian instrument that has been overshadowed by the violin in terms of popularity and accessibility - nobody can compare to Ram Narayan. Both Ram's growth and the ragas performed on this CD are deeply emotional. Additionally, the tabla playing is both powerful and precise. To experience the ethereal sarangi sound, this is a must-have.
Ram Narayan (1927-) is a…
Rag Ahir Bhairav
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia (born July 1, 1938, Allahabad, United Provinces, British India [now in Uttar Pradesh, India]) is an Indian flutist in the Hindustani classical tradition whose performances and compositions brought global recognition to the bansuri, a simple side-blown bamboo flute.
Unlike most other noted musicians of his generation, Chaurasia was not born into a family of musicians. Alth…
Rag Madhuvanti, Rag Misra Tilang
2024 Stock. Shivkumar Sharma's contribution to the Indian classical tradition is that he introduced the Santúr (hammered dulcmimer) to the classical Indian repertoire. That is no small feat, considering the conservative attitude that these performers take towards musical performance. "Sharma is credited with bringing this folk instrument, normally associated with the Sufi music of Kashmir, into Indian classical music. Indian music involves several of the elements I’ve been discussing in this lis…
Berlin 1964 - The Lost Studio Recording
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
Berlin 1964 - Live
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
Vrindavan 1982
Black Truffle presents a previously unheard performance by rudra veena master Ustad Zia Mohiuddin Dagar, recorded in the North Indian city of Vrindavan at the Druhpad Samaroh festival in 1982. The great exponents of the tradition from whom Z.M. Dagar descended were all singers, and dhrupad is essentially vocal music. However, as Z.M. Dagar explained, the veena family of instruments plays an important role in the education and practice of dhrupad singers, especially as an aid to mastering the fin…
Madhuvanti Pal - The Holy Mother (Plays The Rudra Veena)
Tip! This is the first Vinyl LP ever released featuring a woman playing the Rudra Veena. Madhuvanti Pal is from Kolkata India, teaches the Rudra Veena and builds her own instruments. The name Rudra Veena derives from two Sanskrit roots: Rudra, which is a name for Shiva, and veena, which means "instrument." The first historical accounts of the instrument are given in the Vedas, and then the Puranas. According to Hindu mythology, the Rudra Veena has a unique origin. It is said that Shiva saw his b…
Re-cycling
Tip! "In ‘re-cycling’ I distilled a true story, into its component parts, and put it back together as the narrative of this album's music. Each track represents one of five elements: a fungus, a bacteria, rocks, water, a tree. These elements come together to create a forest of sound approaches created through sitar and tabla. The album's title – ‘re-cycling’ – works on several levels. It's a reference to the cycles of life and death, familiar cycles (the water cycle, the rock cycle) and unfamili…
In delicate balance
*2023 stock* Recorded immediately following a group meditation, "in delicate balance" takes that spiritual energy and amplifies it back to listeners. The album's title refers to Raag Bhairavi where I interweave several themes "in a delicate balance" of inspiration and experience.
"J.J Gregg’s depth of passion for his music and his attention to nuance on the sitar is masterful. His study and use of traditional ragas is beautifully filtered through his own touch and personal experiences in other g…
Opening up
*2023 stock* J.J. Gregg’s 'opening up' draws listeners deep into a meditative state. Each raga provides a different mood while taking the listener on a journey unique to their state of mind. The first track, a lilting and bright rendition of Raag Rageshree, explores speed and sound in a most refreshing way. In track two, Raag Yaman offers a uniquely developed and comprehensive journey through the beauty of South Asian Classical music. In the concluding track on the album, Raag Chandrakauns, deep…
Marwa
Unique recording by dhrupad singer Marianne Svašek, a former pupil of legendary Hindustani musicians Zia Mohiuddin Dagar, Uday Bhawalkar, and Zia Fariduddin Dagar. The album consist of one track, a lengthy alap sung by Svašek––accompanied only by two tanpuras––in a complex and mysterious raga of twilight and sunset: Raga Marwa. Comes in a digisleeve featuring liner notes by Joep Bor, professor emeritus at Leiden University and author of The Raga Guide.
The Deconstructed Ego
*In process of stocking. 2022 stock. 2nd repress.* via Astigmatic Records: In Pakistan the interest in local traditional music is slowly dying. As western music and sounds are increasingly favoured, fewer musicians reach for traditional Hindi instruments, like the Sarangi, Cajon or Tabla. This a reflection of modern times, and the need for instant interaction and fast data exchange. Learning and mastering traditional Indian music is incredibly difficult and requires a lifetime of dedication. For…
Mumbai 04.02.1996
Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival, Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours o…