Jazz /
New History Warfare Vol. 2: Judges
2025 stock Colin Stetson is a horn player of uncommon strength, skill and genre- defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve- work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler. New History Warfare Vol. 2: Judges is Stetson's second solo rec…
New History Warfare, Volume 1
2025 stock No better is this virtuosic ability heard than on New History Warfare, Volume 1, Colin Stetson's first full-length solo recording from Aagoo Records. On this album, the vast musical experiences that Stetson has accumulated over a short period of time have been crafted into 12 songs that defy genres, establishing a sound that is Colin Stetson in full bloom.
Cruelty Bacchanal
Cruelty Bacchanal, the second release from guitarist Matt Hollenberg’s group Shardik, is a ferocious statement of intent. Years in the making and issued on John Zorn’s Tzadik label, the album presents a volatile and politically charged fusion of modern classical structure, metal intensity, and free jazz unpredictability. Hollenberg’s compositions are marked by intricate rhythmic architecture and an uncompromising sonic vision, alternating between explosive virtuosity and dark, layered atmosphere…
Flashing Spirits
Legendary pianist Cecil Taylor enjoyed a month-long residen-cy in Berlin in June and July 1988, during which he began anartistic partnership with drummer Tony Oxley which lasteduntil Taylor’s final public performances in 2016. Recorded at theOutside In Festival in Crawley, UK in September 1988, FlashingSpirits is a high-intensity, extraordinarily beautiful piano-drumsduo, previously unreleased and a revelation even for listenerswho followed Taylor’s long and unceasingly exploratory career.
Polarity 3
The third volume of duos between indefatigable tenorsaxophonist Ivo Perelman and adventurous trumpeter NateWooley is their most intimate encounter to date. Beginningwith mournful, almost undersea drones, it moves through avariety of subtly shifting moods, combining old-school jazzromanticism with the kind of nearly telepathic interaction thatonly a long-term creative relationship can inspire. Anyonewho’s enjoyed the first two volumes of this brilliant series willfind this latest dispatch to be a…
Ice Cold Pop
2025 stock The moment – hard to be in it, even harder to catch it. The Duo Ige*timer has dedicated itself absolutely to that search of the moment. Klaus Janek and Simon Berz let their music grow out of the situation surrounding them. They’ve been on a tour through the States and at the concerts in Baltimore, Philadelphia and New Orleans they switched their recorder on. The three pieces on Ice Cold Pop are a documentation of their perception of these cities. Nothing is preset and nothing ist reus…
Here Comes Everything
De la Catessen Records presents "Here Comes Everything," an 18CD debut by Pascoe & Martin. Inspired by Joyce’s Ulysses, each disc is a long improvisation, blending piano and saxophone in a virtuosic, playful exploration of experience and dialogue.
Shishiodoshi
Kaze and Koichi Makigami Unleash Musical Mayhem on New Album Shishiodoshi.
Fantasma (Illusions From A Surrealist Mirror)
Zorn’s compositions for classical soloists with rhythm section are among the most successful and powerful meetings of classical and jazz ever conceived—completely notated virtuosic scores for classical players augmented by improvisers who illuminate the music with surprise, support, and an imaginative unpredictability. Mining this magical world since 2010, the project reached its apotheosis in the acclaimed 2021 release “Heaven and Earth Magick.” Here that same quartet divides into different gro…
Impromptus
With “Suite for Piano” in 2022, Zorn began exploring classical forms in the context of the jazz piano trio. The second CD in the series was a beautiful collection of “Ballades,” released in July 2024. This third project presents nine Impromptus—freewheeling forms that unfold like brilliantly imaginative short stories. Brian, Jorge, and Ches outdo themselves here with telepathic interplay, endless creativity, and a courageous ability to go places that have never been discovered before. With each …
Tides Of Unrest / Berlin 2023
American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.
BorderlessSoutheastofTheNorth
"What we have here is a result of an idea ignited almost 15 years ago with its roots deep in the era of subculture 1990s, when its teenage protagonists started listening to records. But the comradeship between the three of us started in the early 2000 when I was pursuing my first Utopian idea of an art commune in the form of a counter-festival in the Southeastern Slovenian countryside on the border with Croatia. An idea from which, years later, another Utopian project was born - an international…
Plastic Sun
*2025 stock* 'From the early years of Norwegian jazz, few albums have stood the test of time as well as the venturesome and subtly psychedelic Plastic Sun. It was the Svein Finnerud's second disc, and was released on Sonet in 1970. Inexplicably for an album of such beauty, it has been a hard-to-find collector's item for decades, having only been reissued once before, in 1998, as a CD on the Norwegian Jazz Federation's Odin label. In April 2018, Odin have reissued it again, this time on CD and in…
Devoção
Lucifecit’s debut “Devoção” blends anthems, mantras, and hypnotic grooves—homage to a forgotten deity. Led by Lobo (bass), Pereira (drums), Almeida & Tembe (trumpets), it fuses spiritual jazz, punk-Gnawa bass, modal forms, and radiant horn improvisations.
Zither Suite
3d and final repress. In the intimate confines of a Kortedala apartment just outside Gothenburg, Gustav Horneij has quietly assembled one of 2024's most compelling statements in spiritual jazz composition. Organic Pulse Ensemble's fifth album, Zither Suite, represents the culmination of a decade-long creative process that transforms modal meditation and ancient Swedish melodies into transcendent chamber folk with deep connections to the spiritual jazz tradition pioneered by Pharoah Sanders and h…
Wheat Fields of Kleylehof
"Offend these people....".....said Franz West to Marco at an opening at a blue chip gallery while shoving a stack of Euros into his hand. Marco worked for him for a time when he moved to Vienna from Oakland. West & Eneidi were a great match in many ways. The world is a worse place without their dark, mischievous & hilarious viewpoints. They had a similar over the top, over-achieving approach to their work.
My first real improvised music concert was a trio with Marco and Gino Robair. I went in ri…
Unseparate
Anna Webber & Angela Morris - tenor saxophone, flute, conductorJay Rattman - alto saxophone, soprano saxophone, clarinet, fluteCharlotte Greve - alto saxophone, flute, clarinetAdam Schneit - tenor saxophone, clarinetLisa Parrott - baritone saxophone, bass clarinet
Nolan Tsang, Ryan Easter, Jake Henry, Kenny Warren - trumpets
Tim Vaughn, Zekkereya El-magharbel, Jen Baker, Reginald Chapman - trombones
Yuhan Su - vibraphoneDustin Carlson - guitarMarta Sánchez - pianoAdam Hopkins - bassJeff Davis - …
Volume 2
Secular Music Group’s Volume Two, featuring new members, was recorded live to analog tape with vintage gear. This LP tightens structures, foregrounds piano, and blends spiritual jazz, folk, and 70s library influences for a timeless, contemporary sound.
Ecliptic
Shifa is a name taken from the Arabic word for healing, شفاء. The trio's members are three of the UK's most experienced and in-demand improvising musicians.
Second Sight
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…