Jazz /
Luc Houtkamp in Chicago
** 2021 Stock ** This disc represents the first American release for Dutch saxophonist Luc Houtkamp. Here, he appears with Chicago stalwarts Kent Kessler (double bass) and Michael Zerang (drums) in a 1997 studio date. Liner notes by Ken Vandermark, and artwork by Northwoods' Mike Johnston. "Houtkamp often showcases an aural dictionary of multiphonics complete with echoing tongue slaps, colored hissing and speedy key pops, adding the coagulated vibrato of every bar-walking saxophonist's nightmare…
Live at Berliner Jazztage
** 2021 Stock ** Alternative Fox presents Live at Berliner Jazztage, Berlin, November 6, 1971. A legendary show from the Miles Davis Group recorded from SWR in Germany in 1971, and featuring a breath-taking line-up including no less than Keith Jarrett on electric piano and organ. Live at Berliner Jazztage in Berlin on November 6, 1971.
Utopic Cities : Progressive Jazz In Belgium 1968-1
** Limited Grey Marbled edition ** Sdban Records presents Utopic Cities: Progressive Jazz in Belgium 1968-1979 featuring twelve essential compositions from a highly creative period in Belgian jazz. The release follows Sdban's critically acclaimed Let's Get Swinging: Modern Jazz in Belgium 1950-1970, released back in 2017. Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne and Solis…
Night Time Is the Right Time
** In process of Stocking. 2021 Stock ** Cadillac presents Night Time Is The Right Time - 60s' Soho Sounds by Dudu Pukwana & Bob Stuckey. Recorded at the legendary Ronnie Scott's Old Place, Gerrard Street, Soho, 1967/68 - Recordings from the artists' archives. These rare recordings feature the great South African altoist Dudu Pukwana in a combo with some of the key young players on the 60s London scene at the time and playing more like a young Jackie McLean than the free player of the Brotherhoo…
Solo:Trio
** In process of Stocking. 2021 Stock ** John Fordham It would make an absorbing blindfold test to present a panel of interested listeners with a track from this disc and one from the same pianist's Little Klunk trio session for Decca, 40 years ago, and invite them to decide which one's played by the 71 year-old. Not that the early record didn't sound as fresh, witty and jostling with clamorous harmonies and sidelong melody as Tracey has done for most of his life, but that the later one is, mira…
Don't Worry 'Bout Me
** In process of Stocking. 2021 Stock ** Cadillac presents Don't Worry 'Bout Me by Bobby Wellins Quartet. Recorded At – The Vortex Jazz Club, Stoke Newington, London 16 Feb 1996. Tenor Saxophone, Bobby Wellins, Piano – Graham Harvey, Bass – Alec Dankworth, Drums – Martin Drew, Engineer, Mixed By – Dave Bernez, Mixed By – Victor Schonfield, Dave Bernez, Bobby Wellins, Producer – John Jack for Cadillac Music & Publishing with financial assistance from Shirley Thompson, Photos by Kent Matthews and …
For Heaven's Sake
Cadillac presents For Heaven's Sake by The New Stan Tracey Quartet. Recorded in Wembley, 14 September 1995. Engineered and mixed 3 October 1995. The opportunity to present this first recording by the New Stan Tracey Quartet has been an event of great importance to me for a number of reasons. It perfectly fulfils the motivation for the Cadillac Label's creation and continuance since 1973, to wit the documentation and dissemination worldwide of unique moments of creative music making by artists wi…
The Crane River Jazz Band
Cadillac presents The Crane River Jazz Band. John Jack reissued this album in 1996 as part of a projected series in honour of his friend and mentor Doug Dobell. This compilation brings together rare live and studio recordings from the early 1950s and includes extensive notes from Bill Colyer and Pat Hawes and rare photos from the Pat Hawes archive. This is the first time the album has been made digitally available.
Instruments [Suitcase], Liner Notes – Bill Colyer, Executive-Producer [Assistant]…
The Real Ken Colyer
Cadillac presents The Real Ken Colyer by Ken Colyer's Jazzmen featuring Pat Hawes, recorded live at The White Horse, Willesden, London, February 27, 1964. John Jack reissued this album in 2000 as part of a projected reissue of a number of 77 albums in honour of his friend and mentor Doug Dobell. Extra takes were added from the original session acetate. This is the first time the album has been made digitally available. Ken Colyer's life and musical career have been well documented, but many youn…
The Last Night at the Old Place
** In process of Stocking. 2021 Stock ** Cadillac presents The Last Night At The Old Place by Mike Westbrook Concert Band, recorded at Ronnie Scott’s Old Place 25 May 1968. Exactly 50 years on, a unique event featuring the music of the most exciting British jazz group of its time in full swing, released for the first time. Remembering John Jack
Mike Osborne, Harry Miller, Paul Rutherford. So many good things were contained within the Mike Westbrook Concert Band of 1968 that it’s hard to know wh…
The Birmingham Jazz Concert
The Seventies should be acknowledged as a landmark period in creative music making in Britain and a potent influence throughout Europe. Whilst not economic paradise there was quite a bit of public funding beginning to come to jazz but the most important support was (and still is) the networks of dedicated Individuals throughout the country that provided unstinting support and platforms for the artists. A prime mover amongst these was the group of people in the Midlands that in 1976 came together…
The London Concert
** In process of Stocking. 2021 Stock ** Cadillac presents The London Concert by David Murray. Remastered from the original 2LP set (released in 1979) and including 2 previously unreleased tracks, Nairobia and Flowers For Albert (and reuniting the two halves of Murray’s Steps…). Recorded live at the Collegiate Theatre, London, England on August 11, 1978.
Tenor Saxophone – David Murray, Cornet – Lawrence 'Butch' Morris, Piano – Curtis Clark, Bass – Brian Smith, Drums – Clifford Jarvis.
Design [Or…
Alone & Together
Newly discovered recording of two British Jazz Legends gets a welcome first release! This double album consists of, for the first time ever on CD, the Stan Tracey solo recording Live at Wigmore Hall, made for Cadillac Records in 1974. The re-release of this set is valuable enough in itself, but added golddust comes in the shape of the additional material - the previously unreleased second half of the evening - a duo recording with alto saxist Mike Osborne. Two of the greats of the English jazz s…
All Knavery & Collusion
** In process of Stocking ** For many years Evan Parker, one of the greatest post-Coltrane saxophonists, has played a monthly gig at the London club The Vortex. These gigs in part illustrate Evan’s close ties with the fragile ecosystem of clubs that support the jazz world; the small venues that allow an intimate and powerful connection between the artist and audience that is at the heart of jazz creativity. Evan called these events his ‘jazz’ gigs, the knowing hyphenation an indication of the pr…
Migration of Silence into and Out of the Tone World
That William Parker is a bassist, composer and bandleader of extraordinary spirit and imaginative drive is common knowledge among any with an interest in the progressive jazz / any music scene of the past 25 years and more. What's become increasingly apparent, though, is Parker's stature as a visionary of sound and song -- an artist of melody and poetry who works beyond category, to use the Ellingtonian phrase. The latest multi-disc boxed set from Centering Records/AUM Fidelity devoted to Parker…
Solo Guitar 2 / One Note
* Edition of 300. Paste on covers/Inserts screened by Alan Sherry on Stoughton Tip-ons ** Solo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. This year the record, originally released as a now (nearly) extinct cassette, is reissued without it's mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential…
Directions in Music 1969 to 1973
In 1970 Miles Davis unleashed “Bitches Brew”. It sold a million and launched a new style of music: jazz rock. It was the culmination of the work of Miles and his musicians over the previous two years. “Directions In Music” illustrates its conception and immediate aftermath.
The Futuristic Sounds Of Sun Ra
Sun Ra stated that he wanted to create otherworldly emotions on this album. These emotions are “disguised as jazz,” to quote one of Ra’s poems. The Futuristic Sounds of Sun Ra, recorded in 1961, consists of a range of simmering, swinging, riffing tunes full of deft counterpoint. On the surface, these tunes show a rather restrained side of Sun Ra and his Arkestra, yet below that surface lurk some unsettling emotions. Some might mistake those unsettling feelings for detachment, or worse, emotional…
Jazz in fabbrica
Cinedelic presents Jazz in Fabbrica by Enrico Intra. Recorded in Ratti’s Factory in Guanzate (Como) on October 31, 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter betwee the most exquilisitely jazz language and contemporary music of a cultural matrix, and for this reason he was among the first Italian musicians to develop a “European” concept of jazz. Nuova Civiltà suite, …
Sielun Veljet
** Edition of 300 ** A celebratory, expanded reissue of the 1983 debut album Sielun Veljet. Originally printed on three LP sides, the fourth side of the album features only the song Valssi, previously heard on the B-side of the single, and a previously unreleased early live version of Taas hauk kasvaa (Again the hair grows), found in the band's archives and only later released on the studio album. The package comes with a 12-page accompanying booklet containing a history and photographic materia…