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Wadada Leo Smith´s new album Najwa features four compositions in tribute to past masters of creative music, Ornette Coleman, John Coltrane, Ronald Shannon Jackson and Billie Holiday, as well as the title composition "Najwa" in remembrance of a love lost. Compared to Smith´s prior recordings, the presence of four guitarists and Bill Laswell´s electric bass create a unique sound world and fluidity for the music. Although Wadada Leo Smith has worked with electric guitars in the past, including in h…
This is the first recording of Ahmed Abdullah´s Ebonic Tones, featuring trumpeter Abdullah, baritone saxophonist Alex Harding and violinist Billy Bang in an unusual, yet highly effective front line and bassist Alex Blake and drummer Andrei Strobert as the solid rhythm section. Tara´s Song is a musical journey through a wide array of styles helping us experience and appreciate what Abdullah himself calls "Jazz: The Music of the Spirit". In addition to Abdullah´s own compositions, the ensemble int…
*Including a 52 p. booklet.* Sacred Ceremonies represents a meeting of three true giants of contemporary creative music. On this three-CD boxed set, Wadada Leo Smith joins forces with the barrier-breaking electric bassist Bill Laswell and the late, great master drummer Milford Graves in three separate one-day sessions. The boxed set comprises a duo CD featuring Smith and Graves, a duo CD featuring Smith and Laswell and a trio CD featuring Smith, Laswell and Graves. Sacred Ceremonies brings toget…
*Including a 44 p. booklet.* Trumpet is a unique extended collection of solo trumpet music. Fourteen new compositions by Wadada Leo Smith are included on this recording and spread over three CDs. The Album was recorded during a beautiful summer week in July 2016 at St. Mary's Church in the town of Pohja on the southern coast of Finland. it is a culmination of Smith's solo trumpet work to date, which totaled six albums prior to Trumpet. That legacy begins with his very first album as a leader, 19…
Piano, handmade electronics, tenor sax, couple strings. I was after something tangible. Sounds you could roll around in your palm and consider different, complex, and flawed textures. Feel the weight, maybe even smell them. This desire is probably a reaction to the dissociative nausea from the constant simulacra of these early 2020s. Like deliberately going barefoot to feel yourself grounded in a real place, as I read Andrea Needham did when facing charges for disarming a warplane. Anyway, my me…
Temporary Super Offer! 'Cecil Taylor’s whole career was a wave-front of exploration. The analogy with light is apposite enough. He evolved so fast most of us never quite caught up and relied instead on a few safe generalisations that momentarily applied around 1962 and only occasionally thereafter. Taylor rarely referenced the space programme, and admitted towards the end of his life that he had found the moon landings “banal”. Like Sun Ra, he was a cosmonaut of sound, breaking free of gravity a…
Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…
Between May 1968 and the end of 1969, Paris became the Mecca of new jazz. Many American musicians, struggling to make a living from their activity in the USA, went to live in Paris. Thus: Don Cherry, Sunny Murray, Marion Brown, Anthony Braxton, Alan Silva, the Art Ensemble of Chicago… By their side, the French musical avant-garde gained confidence and emancipated itself with Jef Gilson, Michel Portal, Bernard Vitet, François Tusques, Jean-François Jenny-Clark, Henri Texier, Jacques Thollot… Unde…
*All tracks previously unreleased. Stereophonic sound.* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respectively, 1969’s ‘You Are…
Our Swimmer present a reissue of Albert Ayler's The Hilversum Sessions, originally released in 1980. "Recorded in the Dutch city of Hilversum, The Hilversum Sessions presents Albert Ayler in all his blowzy, testifying glory, fronting a quartet that includes trumpeter Don Cherry, bassist Gary Peacock, and drummer Sunny Murray. The repertoire includes five Ayler originals, notably his signature tunes 'Angels,' 'Ghosts,' and 'Spirits.' It's easy to forget how starkly original Ayler was, given the u…
This fourth record by the long-standing improvising ensemble Rempis/Abrams/Ra, and the third featuring now-regular band member Jim Baker, was recorded in a watershed moment for these musicians during a pandemic that had gutted lives across the planet. After 15 months of being closed to the public, the band's home base Elastic Arts had re-opened for live events. And Rempis decided to relaunch his weekly Thursday-night concert series, a hub of the Chicago scene since 2002, with a performance by th…
Patrick Shiroishi returns with his second Notice album, a duo with double bassist Kyle Motl. “Apparitions” opens this album of the same name, and we are greeted with wispy and amorphous trails of wind-blown textures, as if the very first layer of an abstract painting fell to the floor of an old house and followed the contours of the walls and door frames, under shafts of light and in-between the fine cracks of floors. This is an album full of expressive and poetic phrasings, jittery movements an…
Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…
Running counter to the monopoly of white representation in music, Radio Diaspora translates the African diaspora through free jazz experimentalism and free improvisation. The musicians in the duo, Romulo Alexis and Wagner Ramos, reverberate the signs of blackness through zones of sonorous intensity, giving new meanings to the Afro-descendant musical experience. In ‘Negro Humor’, their tenth album, the duo investigates the dichotomy of humor to again reverberate their struggle through music again…
Acoustic Sounds Series edition Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…
*In process of stocking* In Motions, Vol. 1, Francisco Mela and Shinya Lin create an album of improvised textures and thrilling exploratory sounds. Using drum sets and prepared piano, they create a lush soundscape of textures, imagining a scene reminiscent of a jungle, full of life, resources, and possibility. “It was a huge pleasure to have Mela’s presence and his mentorship was amazing, free of selves, the music came out just naturally from our souls,” says Shinya about their first collaborati…
*In process of stocking* Super groups are not a riskless endeavor—but when they’re made up of longtime friends and master improvisers, they tend to work. On their collaboration, simply titled Volume 1, up-and-coming American saxophonist John Dikeman (When The Time Is Right, 577 Records, 2021) is accompanied by a group of UK-based music masters: pianist Pat Thomas, a 577 Records mainstay (Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), bassist John Edw…
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…
'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…
If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalog, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet…