We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Among the fiercest and greatest documents of Free Jazz is a lone LP - Al-Fatihah - self-released in Ohio by Black Unity Trio in 1969, the official reissue of which stands before us now. A hard cut diamond of pure fire and artistry, it’s a good as improvised music from this era gets and absolutely not to be missed
Black Saint present a reissue of Frank Lowe, one of the most powerful tenor sax voices in the post Free Jazz era and one of the main figures in the mid Seventies NY Jazz Loft scene. "The Flam" recorded and released on Black Saint in 1975 stands as one of Lowe's best albums ever. This is highly Intense music with deep meaning and timeless message performed by an amazing collective featuring Frank Lowe - tenor sax, Leo Smith - trumpet, flugelhorn & wood flute, Joseph Bowie - trombone, Alex Blake -…
The sounds of late '70s and '80s east coast avant-garde jazz, soul, and punk rock are well documented, but in Nothing but the Music Thulani Davis gives us something beyond, delivering a collection of synesthetic, transportive documentary poems that breathe anecdotal and impressionistic life into a sonic-social history about which most can only speculate. Davis' verse takes free flight with its muses, scatting and leaping off the page and the shoulders of the musicians, nightclubs, and choreograp…
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
**Seminal Spiritual Jazz from South Africa, 1970. Officially licensed and remastered re-issue**. With a unique sound founded on a persuasive mix of American and African jazz, Armitage Road, originally released in 1970, was the only studio recording released by South Africa’s Heshoo Beshoo Group. As a highly prized collector’s item, a re-issue and re-appraisal of this lost gem from the apartheid era has been long overdue. Heshoo Beshoo loosely translates from the inter-tribal lingo of the townshi…
Only a few months after recording "Ghosts“ with Albert Ayler - Sonny Murray released his first album as a leader. „Sonny's time now“ is one of the holy grails for collectors and aficionados of free avant garde jazz music from the 1960s and while original vinyl copies fetch prices up to 270,00 US$ and more ,even the first Japanese reissue from 1986 on vinyl and CD is rare as stardust these days and goes up to 100,00 US$ for a mint CD copy. Well, we will take a closer look at this album due to thi…
**Seminal Spiritual Jazz from Detroit, 1977. Officially licensed and re-mastered re-issue**. Comes with fold-out insert of Ade Olatunji’s Poetry that features on the album and never before seen artwork designed by New Zealand based designer David Broome. Oracy' by The Positive Force & Ade Olatunji belongs to the body of 1970s recordings that joined two of the great African American vehicles for expression, jazz and poetry, into a single, powerful force. A profoundly inspiring that doubles as an …
Blacknuss was a trend-setting iconic contribution to jazz. Rahsaan Roland Kirk’s creative force helped to define musical culture. From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Roland Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. A…
In the words of Emma Warren: Alabaster DePlume is not doing things properly, and this makes him very happy. DePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst mu…
Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble – featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir),…
"Now-Again Records presents limited edition deluxe reissues of the lauded black fire catalog in 2020. First up in the series, this previously unreleased live session recorded at the legendary Brooklyn venue The East in 1973. Magical, mystical, Afrocentric, progressive -- words that could be used to describe any number of musical compositions by Sun Ra or his cosmic brothers and sisters, from John to Alice Coltrane, early '70s projects on record labels like Detroit's Tribe or Houston's Lightin' o…
Black Saint present a reissue of John Carter Octet's Dauwhe, originally released in 1982. Dawhe is the first chapter in John Carter's Roots and Folklore saga. A five-part epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford (cornet), James Newton (flute), Charles Owens (soprano sax, oboe, clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis P…
Fronted by alto maestro Byard Lancaster, this eponymous 1972 recording from the Philadelphian spiritual jazz / funk ensemble marks another wonderful release from Dogtown Records.Formed in the early 70s, the Sounds of Liberation was a group of Philadelphia musicians made up of Byard Lancaster, Khan Jamal, Monnette Sudler, Omar Hill, Dwight James, Rashid Salim and Billy Mills. The Sounds of Liberation mixed jazz, funk, free jazz and spiritual jazz into a harmonious celebration of sound. With thei…
Twenty years after its first publication, Art Yard are proud to present the fully revised 2nd edition of Hartmut Geerken's long unobtainable Omniverse Sun Ra, a definitive hitch-hiker's guide to the Sun Ra galaxy. 304 full colour pages / 1850 gramms - Size: 290mm x 245mm Portrait. Revised and expanded second edition of Hartmut Geerken and Chris Trent's comprehensive reference Omniverse Sun Ra, originally published in 1994. Full-color 304-page hardcover book. French fold cover with metallic silve…
Last copies...Joseph Jarman (1937 - 2019) was a saxophonist and multi-instrumentalist best known as a founding member of trailblazing avant-garde jazz group Art Ensemble of Chicago. Jarman was responsible for the Art Ensemble’s signature face paint and elaborate costumes as well as the pioneering theatrical and multimedia elements of their shamanistic performances, which could include dance, comedy, performance art, surreal pranks, and—notably—the recitation of Jarman’s poetry. In 1977, Art Ense…
Originally released in 1974, Doug Carn's final album for the Black Jazz label, and a set that pushes even farther than his previous efforts! Jean Carn isn't in the group this time around, but the set does feature a totally great twin-vocal approach – with singing by Joyce Green and John Conner, blending their voices together in a style that's right up there with the most righteous 70s jazz experiments by Horace Silver or Billy Gault! This vocal balance really brings a new sort of power to Carn's…
Drummer, composer and poet William Hooker has been a tireless force in free improvised music for over 40 years. He emerged from New York's loft jazz scene in the mid-'70s, part of a generation of artists fueled by the social, political and cultural frustrations of their era. This second wave of American free jazz would push relentlessly into new territories – collaborating in a variety of non-traditional settings, establishing their own labels, venues, etc. – all in an effort at creative self-de…
CD Edition. Number 27 in the Jazzman Holy Grail Series. With a price of well over $1000 on the few occasions the original LP has hit the market, Infinite Spirit Music's 'Live Without Fear' is a beautiful album of humble purity and peaceful spiritual jazz vibes that lives up to the hype. With the blessing of creator Soji Ade and colleague Kahil El Zabar, we're delighted to be able to finally share their music with you, 40 years since it was recorded. As so often with private pressings, few copies…
Pan-African manifesto It's Nation Time — African Visionary Music, out of print since 1972, is available once again via Motown. A poet, writer, theater director, activist and more whose career spanned five decades, Imamu Amiri Baraka (born LeRoi Jones) fearlessly vouched for racial equality until his passing in 2014. For It's Nation Time, his first album, Baraka was backed by many threads of African-American musical expression, including a funk band led by James Mtume and a free jazz quartet feat…