Jazz /
Subterraneanact
2012 release ** "Dutch duo’s one and only release, from 2012. And quite a good album too! Henk Bakker (bass clarinet and electronic treatments) and Jelmer Cnossen (percussion, Ableton Live) somehow created a subterrestrial sonorous organism with a logic of its own. "
Trees
2014 release ** "Trees brings together an unusual quintet of string trio—viola (Ernesto Rodrigues), cello (Guilherme Rodrigues) and double bass (Gianna de Toni)—with soprano saxophone (Christophe Berthet) and electric bass/objects (Raphael Ortis). The five tracks contain a deep range of sounds from all of the instruments: Sparse textures evoking creaking wood and the rustling of dry leaves (Ancient Trees); long bowed tones from the cello and double bass and suspended harmonics (Whistling Trees);…
For McCoy
*2025 much needed repress!!!* Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order. Following on from Hyakki Yagyō (BT064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in he…
Colapesce
"Colapesce” is an album that delves into the dark and mysterious depths of the Sicilian legend, reinterpreting it through a contemporary and experimental lens. Colapesce, the legendary man-fish who sacrifices himself to support Sicily, becomes a symbol of resilience, metamorphosis, and sacrifice. The album blends elements of free jazz, musique concrète, electronic music, and radical improvisation to evoke an underwater journey into the unknown, amidst sound waves and unfathomable abysses.
This w…
Freigeweht
Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Štiri Dela
*2025 stock* "The CD surprised me because it could be listened to with many ears. At first I felt I could not separate it from contemporary composed music, soon after that I could still place it in the context of contemporary improvised music, and finally the fantasticness of a journey that takes the best both worlds have to offer revealed itself to me. Much of the merit can be attributed to the sensible arrangement of the four movements, which, despite being at least superficially similar proce…
Volume 1
Tip! Tip! Tip! *300 copies limited edition* We are about to release the debut LP from Secular Music Group, emerged from the home workshop of Christian Ruggiero, a renowned composer for film and television with a passion for classic recordings and legacy studio technology. He teamed up with long-time collaborator and multi-instrumentalist Yannis Panos to make a record in the old way; as a group of musicians in a room playing live to magnetic tape. This record would channel their shared interests …
Novoa / Kamaguchi / Cleaver Trio - Vol. 2
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume, A Bold, Experimental Fusion of Density and Dialogue
L'âme De L'Objet
1995 release ** “The music on L’âme de l’objet is strongly fed by Côté’s work for theater and dance performances, as it bears a remarkable plastic quality. One can feel the movement. All pieces (initially written by individual members and worked out by the whole band) are very atmospheric and often fitting a strange avant-gardist film noir mood, thanks mostly to the trumpet plus saxophone arrangements and Martin Tétreault’s remarkable performance (and highly original choice of LPs).”
Hémisphère / Hemisfär
"The music is never the same. It verifies its positions and conditions, its peculiar way of listening to the cavities, the motions started, the tensions between sound and silence, tone and memory. Nature is present not only as trees and clouds, light and shadows. It is a readiness for what is constantly changing, a heightened awareness on the minimal variations in the materials and processes at hand, what it means to slowly examine a rough surface, the transformation of a rhythm, a melodic phras…
List of Demands
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal …
Vagary Suite
*100 copies limited edition* The Pennsylvania improvising trio of Kevin Sims, James Searfoss, and Justin Dorsey continue to hone their fierce and potent relationship with texture, rhythm, and amorphous sound forms. This album is laced with musical paths travelled and skirted, conversant with drone, electroacoustics, and free jazz. “Glint” functions as a bit of an overture, and as “Once Threw” expands on the clatter and clamber, Dorsey’s bass becomes a focal point, taking a prominent position in …
Staged
To begin with, there was only me, and John Stevens. Not in person, of course - this was 2021, many years after he died. But I had this plugin that I liked, designed to spice up drum loops, and I wondered what would happen if I put free jazz drumming into it. I sourced a solo recording of Mr Stevens, and was very taken with the results. I put some layers on top, and contacted Richard Harding to add some Chapman Stick. A couple more layers, and I had a track I was very taken with. So taken, in fac…
The Lantern Tree
For the last couple of years Jazz In Britain’s output has largely consisted of CDs around the 75 minute mark, either single, 2 or even 3 disc releases. However, we have quite a lot of items in our archives which come up well short of the magic 75 minutes but, in our opinion, are well worthy of release. With this in mind, we have decided to launch a ‘budget’ series of releases which will come in gatefold digisleeves with simple artwork and no booklet. CDs and downloads will both be at the same p…
L’Album Vert
Tip! *300 copies limited edition* ‘L’album vert’ is a compilation of asynchronous steps for an imaginary dance foor. A strange but amusing place were eyes listen in and ears peek around. Glass breaks, someone stumbles, something always happens. The dancers inevitably hop to moments of tension of which they free themselves again and again. Almost always there is some kind of beat. Not the kind of beat that makes the hips wiggle, but rather the pulse of a crooked factory or a quirky steam engine …
Sing Me A Song Of Songmy, A Fantasy For Electromagnetic Tape
Big tip! Sing Me a Song of Songmy is an album-length composition by avant-garde Turkish composer İlhan Mimaroğlu, released in 1971. Principal performers include jazz trumpeter Freddie Hubbard and Mimaroğlu himself. The piece includes a chorus, strings, recitations of poems by Fazil Husnu Daglarca and other texts, organists and tape-based musique concrète, as well as Hubbard's jazz quintet. It is considered as one of Hubbard's most experimental albums.
Volume 1
*2024 stock* Brooklyn-based pianist Eva Novoa delivers a masterfully executed trio album of melodic themes replete with touches of swing, grooves and exquisite electronic landscapes. Novoa’s articulated playing flows with plenty of room gifting the band full freedom of improvisation.
On the track ‘Rocket Man’ you can hear the possibilities of the traditional jazz trio format as it projects into the future, combining the acoustic beauty of the piano with the electronic tapestry of modular synthes…
A Lifeboat, Part II
*2024 stock* Matthew Putman and Michael Sarian found a home in a makeshift studio, using a borrowed 20-year-old keyboard, a good microphone, and in cramped apartment acoustics, to improvise throughout the pandemic. What they called their “weekly pilgrimages” gave them a sense of much-needed sanity, grounding their friendship and keeping them afloat, as Sarian describes, “much like a lifeboat.” The resultant project was an exploration of cadences, rhythms, and full of searching and synchronicity.…
A Lifeboat Part I
*2024 stock* In the first lockdown, Matthew Putman (on keyboard) and Michael Sarian (on trumpet and flugelhorn) began to meet up (with precautions) for semi-regular sessions in Sarian’s makeshift home studio. The conditions were less-than-ideal—a borrowed 20-year-old keyboard, an inadequate microphone, and cramped NYC apartment acoustics—but they continued their “weekly pilgrimages, searching for [their] cadences, rhythms and melodies through the Fall.” The sessions gave them much-needed sanity,…