We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jazz /

Guitar Solo
The Guitar Solo album was produced by Takeshi Fujii, the producer of the legendary jazz label "Three Blind Myth", in June 1981.  Takayanagi responded to the request with "Lonely Woman" recorded in August 1982. As stated in the liner notes of this work, Takayanagi said: "In my two years of fighting against illness, my thoughts have changed, and now I'm thinking rather than making a group album. The form of solo would be appropriate to put it together" and he worked on the guitar solo as the first…
Kravis Rhonn Project
“Very strong, extremely well integrated set, Krebs and Davies meshing perfectly....next to impossible to describe to any degree of satisfaction, but that's usually the case with something as beautifully positioned as this. Mandatory.”  Brian Olewnick, Just OutsideAnnette Krebs (guitar, recordings, mixing board) and Rhodri Davies (electric harp & electronics) played together as a duo for the first time for a day at Annette’s flat when Rhodri was visiting Berlin in April 2008. Annette then spent a…
C-Section
First release on Second Layer Records. Real-time improvisations to be played at maximum volume. Recorded at Eastcote Studios, London May 2008. Mastered by Tommi Keranen. Evan Parker : tenor, soprano saxophone. John Wiese : electronics, tape, MSP. First edition of 1000 copies.
1984
New CD issue of this classic album, with bonus track and improved sound (previously issued by Mantra). Upon it's original release, 1984, with it's unusual combination of lengthy abstract sound-journeys and short, weirdly devolved James Brown-inspired pieces, gained much critical acclaim. 1984 was an extremely unusual release for 1973 and an extremely unusual project for CBS Records, who first released it. Like the groundbreaking novel after which it was named, Hopper's record was truly ahead of …
Al voltant d'un para.lel
2008 release ** Ferran Fages: electric guitar. Recorded live by Pablo Rega, january 19th 2007 at Almazen, Barcelona. Some tracks are versions or new approaches of pieces released before in the album 'a cavall entre dos cavalls'. 'Al voltant d«un paral.lel ' brings to light a tension, which matches that of the previous two guitar albums of Ferran Fages. It's probably because a parallel could also be thought of as the lanes of a horse race, as a permanent conflict, or as a trait of one's character…
Live at L'Usine
Using prepared piano (Anthony Pateras), prepared guitar (David Brown) and drums (Sean Baxter) this live concert of two improvisations was captured at l’Usine in Geneva, Switzerland in 2006, an exploratory conversation of dynamic structures and sound that implicitly references modern compositional approaches to keyboard, strings and percussion. Formed in 2002 Pateras-Baxter-Brown have performed countless concerts throughout Australia, New Zealand and Europe, developing a worldwide reputation for …
Overhang Party
Stellar duo head on collision bet ween Kaoru Abe and free hitter/ skin mangler Toyozumi. The interaction between the t wo of them creates fire works of improvisational exquisiteness, free rambling seat sniffing combustion that on some occasions instigated Abe to divert his attention from his beloved sax to wards marimba and piano hammerings joined with harmonica blo w-outs. Ferocious, ghastly and kerosene charged head slamming action bet ween t wo of Japan's first wave free jazz terrorists.. Tak…
Polka Dots & Laser Beams
1992 release ** Guy Klucevsek plays music by Steve Elson, Tom Cora, Guy Klucevsek, Joseph Kasinskas, Anthony Coleman, Daniel Goode, Nicolas Collins, Guy De Bievre, Robin Holcomb, Duke Ellington, Peter Garland, William Duckworth, Bobby Previte, Carl Finch. "Accordionist Guy Klucevsek was listening to a radio interview with Charles Mingus one day in the '70s. The interviewer asked Mingus about the racial divide in jazz and whether or not whites could create great, innovative jazz music. "Let the w…
?Who Stole The Polka?
1991 release ** Guy Klucevsek plays music by William Obrecht, David Garland, John King, Fred Frith, Peter Zummo, Bill Ruyle, Lois V. Vierk, Phillip Johnston, Thomas Albert, Carl Stone, Mary Jane Leach, David Mahler, Elliott Sharp, A. Leroy. ?Who Stole the Polka? is the second volume of pieces that accordionist Guy Klucevsek commissioned from composers ranging widely over the contemporary new music scene in the mid-'80s. For pure wicked fun, it probably exceeds its companion, Polka Dots and Laser…
Human Music
"This 1969 avant-garde collaboration between trumpeter Don Cherry and electronics pioneer Jon Appleton was originally released on legendary jazz producer Bob Thiele's Flying Dutchman label. Consisting of four compositions with the titles 'Boa,' 'Oba,' 'Abo,' and 'Bao,' Human Music finds Cherry stretching out on various flutes and African percussion instruments in addition to pocket trumpet. Original artwork. Detailed liner notes." Includes two bonus tracks, "Don" and "Jon".At the dawn of the 197…
Gateway To Vienna
This double CD pairs a studio recording from December 2003 (the Gateway part) with a May 2002 concert recording of two long improvisations (the Vienna part). When this trio released their previous Emanem CD Mercury Concert in 1999, Veryan Weston was described as "underrated and John Edwards and Mark Sanders were described as "younger, unacclaimed players who are regulars on the London improv circuit. In the intervening years, Edwards and Sanders have advanced in acclaim, to the point where they …
Mercury Concert
Digital concert recording Colchester (Mercury Theatre) - 1998 June 24 All of the music of the concert is included unedited, in the order of performance. All instruments were used without amplification or other electronics.
Ointment
Tania Chen: objects, toys, violin, piano ; Steve Beresford: objects, electronics, toys, trumpet, water. Pieces beginning with 'C' recorded by Tim Fletcher at The Bonnington, Vauxhall, London on December 18 2002. Event organised by Adam and Jonathan Bohman. All other pieces recorded by Steve Beresford in west London - pieces beginning with 'L' on August 7 2003 and the rest on June 12 2003. All pieces composed by Tania Chen and Steve Beresford. Edited by Steve Beresford in March 2004. Not to rub i…
Grammar
2004 release ** "The cast of players includes cellist Fred Lonberg-Holm, the newest member of Vandermark 5 (plus Wilco, Terminal 4, The Boxhead Ensemble, Pillow, and the Peter Brotzmann Chicago Tentet, to name just a few); Lou Mallozzi, a sound artist from Chicago who lists Mats Gustafsson, Jaap Blonk, Sebi Tramontana, Michael Zerang, and Guillermo Gregorio as collaborators; and Portuguese violinist Carlos Zingaro, who has partnered with the likes of Anthony Braxton, Roscoe Mitchell, George Lewi…
Dentro
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and extensive post production processing composition.
The contest of pleasures - Tempestuous
Having used extensive editing and some remixing for the second of their two excellent Potlatch CDs, Albi Days, Contest of Pleasures – the trio of John Butcher (tenor and soprano saxophones), Xavier Charles (clarinet) and Axel Dorner (trumpet) – returns to its initial acoustic position with Tempestuous, which launches the new British label, Another Timbre. Recorded late on a stormy November night in an old church during the 2006 Huddersfield Contemporary Music Festival,Tempestuous moves between t…
Perfect fit
2003 release ** "Justin Bennet, Anne Wellmer and Stephie Buttrich fuse minimal electronica and free improvisation in a set of 16 warped and lovely songs."
Sauter, Dietrich, Miller, Doherty
Expanded reissue of the debut Borbetomagus album from 1980 with the trio of Sauter, Dietrich and Miller further bolstered by Brian Doherty on electronics. These early recordings have a beautifully corrosive classical avant garde/Industrial edge that is as bluntly beguiling as low-grade splatter. Also features a winning shot of Donald Miller's legendary mullet on the back as well as the previously unreleased "Last Concordat" - bonus! The trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald…