Jazz /
Answers And Maybe A Question?
2025 stock ** "Udo Schindler’s Salon for Sound and Art at Krailling, Germany is the setting for this superb live duo concert, capturing Schindler and Ove Volquartz both on bass and double bass clarinet, showing the breadth of sonic possibilites and diverse approaches from the deepest of clarinets performed by two masterful musicians."
POPendingEYE
1993 release ** ""I want more POPEYE", writes Alfred Harth. "Possessing uncompromising moral standards and resorting to force when threatened". He also refers to "my artist's way through postmodernism", which at the beginning of the 90s brought him to grow tired of "all those mixes, remixes, postmodernisms and pop" that he had gone through during the previous decade: he was ready to return to a "pure" approach, essentially based on real players and real instruments. Enter Russian drummer Vladim…
Mute Songs & Drumscapes
1993 release ** "A world of percussion to sink into."
Adieu Leonardo!
1992 release ** "Robert Marcel Lepage, clarinettist, pays tribute to scientists, to today’s musicians and to this Renaissance man, little-known as a musician, Leonardo Da Vinci. Inspired by the personal history of this ingenious artist/inventor, Lepage has composed a remarkably eloquent music: a hydro-mechanic alliance of accurate writing, improvised music and sound machine. Musicians Michel F Côté, Jean Derome, Bernard Gagnon, Mario Légaré and René Lussier back him on this record. Adieu Leonar…
No Secrets
1988 release ** "Featuring Julian Priester and Gary Peacock."
Julian Priester - tromboneJay Clayton - voiceJerry Granelli - percussionGary Peacock - bass
Clusone 3
1992 release ** "The first live documentation of this, at the time, three-year-old, hard working trio. A wild romp of different jazz and world music styles connected by intense improvisation."
Michael Moore - alto saxophone, clarinet, melodicaErnst Reijseger - cello, electric celloHan Bennink - drums, percussion
Double Mirror
1996 release ** "Recorded live in 1995, Italian woodwind specialist Stefano Maltese along with fellow countryman, percussionist Antonio Moncada garner the services of modern jazz/improvising superstars pianist Keith Tippett and saxophonist Evan Parker for this engaging affair. Here, some of Italy's finest team with two musicians who respectively helped shape the oft-fabled British free jazz movement for two lengthy improvisational pieces consisting of spurious dialogue, turbulent reinvention, an…
Tecniche Arcaiche (Live At Angelica)
2025 stock ** "The beauty of this music lies precisely in the capability of transmitting echoes of the pianistic music research happened in the last 50 years, filtered by Nicola Guazzaloca's personal and unmistakeable gaze.Prepared piano, improvisation, but also lyricism and the delicacy of the touch are the ingredients of his musical landscape. The ability of reinventing and being at ease with the "piano solo", aim and test for every pianist appears to us as one of the most precious elements of…
The Magic Of Ju-Ju
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
Attikos
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
Morning Glory
*2025 stock* New recording from the free jazz trio of Agustí Fernández (piano), Barry Guy (bass) and Ramón López (drums and percussion) to follow their much acclaimed 'Aurora' album. The album includes a second ‘bonus’ disc of music recorded live in New York. "... Morning Glory rises as a monument dedicated to all music; music that has come and gone, music in the making, and music yet to come. Any genre, any emotion, any referent finds expression in this work, where introspection (“An Anonymous …
Some Other Place
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
Fox Fire
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…
Tarfala
*2025 stock* "Listening to the tapes of this live concert from Culturen Västerås, persuaded me that certain attributes of the playing of Mats Gustafsson and Raymond Strid are indeed bound with “Terroir”. There is probably a useful Swedish word describing this, but the French word nevertheless seems appropriate in describing a sense of place, something earthy and powerful. My thoughts moved to volcanoes and in particular glaciers, which of course abound in Sweden. The explosive power of the volca…
Topos
*2025 stock* When Evan Parker, Barry Guy and percussionist Paul Lytton renewed their association at l’Auditori in Barcelona in March 2006, they chose to call the resulting CD ZAFIRO, or “Sapphire”. The following day, the trio was joined by Catalan pianist Agustí Fernández at the same venue to record the Topos album. The chemistry changes to an almost microscopic world of shifting colours and densities prompted by Fernández’s mercurial articulations of the piano keys and the strings inside the in…
Aurora
*2025 stock* "In this provocative journey towards lost innocence, the pianist imposes restraint in the use of instrument not only upon himself, but also asks his colleagues Barry Guy and Ramón López, to simplify their interventions in a similar way. Who would have thought it of these three indomitable, red-hot hyper-virtuosos? However, this three-way understanding goes back a long way, for they have been generating high-voltage spontaneous combustion together in different formats for years, and …
Zafiro
*2025 stock* One live improvisation of over an hour that zips by with the velocity of a three-minute single, Zafiro confirms that one of improvising music’s most enduring partnerships – 25 years and counting – is still a potent and electrifying force. Refining their interaction every time they play together – saxophonist Evan Parker, bassist Barry Guy and percussionist Paul Lytton don’t lack for other gigs, but express instinctive rapport here. Veteran British improvisers, the three use a variet…
Pulsation
2025 much-needed repress. On May 27th 1983, drummer Masahiko Togashi and guitarist Masayuki Takayanagi, two pivotal figures in the Japanese free jazz scene that had been working together since the 1960's, performed and record this unique set at Zojoji Hall in Tokyo. At the time, Japanese jazz musicians were trying to find their own voice, welcoming creative elements coming in from the USA and Europe. The two musicians were at the fore-front of this generation, with Takayanagi developing his own …
Identical Sunsets
2025 stock After a chance meeting in a taxi line at Lisbon Airport, a surreal intertwining of tours emanated. In between the lasers, confetti and face-painted fans at Plymouth Pavillions and Wolverhampton Civic Hall, Chris Corsano left the Björk mega-tour to get down to business alongside the imaginative Paul Dunmall for some vital improvisation at Slak Bar in Cheltenham, England.
This wonderfully recorded live set begins with Dunmall swirling away on the border pipes (he may be the preeminent …