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2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…
An excerpt from Edward George's 10,000+word liner-note 8 page booklet that comes with the أحمد [Ahmed]'s double LP: They are, Seymour said, in movement, and in keeping with their claim, their music is, like a Brownian bridge, an A&J Tranean train, a Byrdian plane, or a Blountian space-time myth-machine, a way of playing themselves into the historio-graphical hands, or better yet, the loving arms, or perhaps, to be precise, the metaphysical embrace, of ‘a new creative space’, and playing is a wa…
Green-Vinyl reissue. "To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used. The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of …
One of the best of vibraphonist Khan Jamal's SteepleChase albums, this set matches Jamal with the great South African bassist Johnny Dyani, and drummer Leroy Lowe. Together they interpret five of Jamal's originals (plus John Coltrane's "Equinox"), performing colorful inside/outside music full of surprises and variety. Out of the 70s and 80s’ super creative Philadelphia jazz scene emerged Khan Jamal (b. 1946) the vibraphonist to grab the attention of world jazz audiences. He was a key figure in S…
*2024 stock* Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term. Don Cherry -- the brilliant American free jazz trumpeter -- had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but also within his own constantly expanding musical palette that had begun to incorporate elements of African rhythms, Turki…
** Gatefold 2 folders with booklet 24 pp. and Cd with black sleeve ** From Gleam Records, one of Italy's most engaging imprints dedicated to the outer reaches of jazz - comes a true marvel: the first ever vinyl reissue of Modern Art Trio's lone self-titled LP, originally released by Vedette in 1971. A rare and thrilling artifact that utilizes serialism and 12 tone technique within the idiom of freely improvised jazz and hard bop, its absolute singularity and distinct sound has placed it as one …
This album is the sonic representation of diverse episodes experienced by a being called Sameer during their life. Chronologically, the music heard in this work was created before such events, without conscious awareness of those who produced it. This is also the recording of the first time Felice Furioso, Jorge Nuno and Felipe Zenicola played together. All tracks were arranged and produced by the 3 musicians.
"Cloud at rest" is the long-awaited debut record from the trio formed in 2016 by Pedro Alves Sousa on tenor saxophone, Rodrigo Pinheiro on piano and Gabriel Ferrandini on drums and percussion. The music is the result of a five days residency at the Goethe-Institut Lisbon in 2019, where the band tried to find a different approach to its playing in order to distance themselves from the fast and highly energetic music normally associated with them. This record shows a different perspective of thei…
This recording happened during a two gig tour with Leo Genovese and Drew Gress. We had a day off and since I had written new music for the occasion, I thought it would be a good opportunity to record it. I've known Leo for almost 20 years and we've played together many times ever since, and I've been a huge fan of Drew since I remember and it was a blast to play for the first time and share these musical moments with him. Over the years I've recorded different formats of my bands, from trios to …
Common Ground explores new sonic possibilities in a quintet format. There is dialogue and interaction in a searching mode, as the musicians are looking to find unity in language and sound within their different approaches and backgrounds. Intense and soft music at the same time. Contemporary, abstract, but also free and groovy.Emotions delivered with honesty and passion by José Lencastre on alto sax, Carlos Zíngaro on violin, Clara Lai on piano, Gonçalo Almeida on double bass, and Joāo Sousa on …
Hyper.object was formed in 2019 by three veterans from the Lisboa free improvised scene (Rodrigo Pinheiro on the piano, Hernâni Faustino on the double bass and Carlos Santos on the electronics) and by two young musicians (João Almeida on trumpet and João Valinho on drums). Since its beginnings. the group had frequently joined for rehearsals but as soon the pandemic hit, the gatherings were restricted to only when there was an opening on the frequent lockdowns. During one of these openings "inter…
*2024 stock* Made of Bones was formed in 2020 with: Duarte Fonseca on drums, João Clemente on guitar, Nuno Santos Dias on waldorf, and Ricardo Sousa on double bass. Drawing from rock, experimental, and noise influences, their music captivates listeners with its unique blend of genres. The members of Made of Bones have been playing together for over 15 years in various bands, including Slow is Possible and Cat in a Bag (both released on Clean Feed), Salad Ensemble, Sideways, TMR & The Sea Wolves,…
Huge Tip! Out of print since 1981, this pressing features a full LP’s worth of unissued music, including what may be Jessica’s only vocal recording. Includes extensive liner notes by musician Jennifer Leitham and jazz historian Scott Yanow. Jessica Williams was one of the greatest jazz pianists of all time, but she was also a victim of geography. Her technical brilliance, complete control of the piano, creative imagination, wit, and constant desire to stretch herself put her at the top of her fi…
Wewantsounds is delighted to reissue Fumio Itabashi's sought-after album "Watarase" hailed as one of the great Japanese jazz albums and featuring Itabashi on piano playing an inspired mix of standards and originals. Recorded in 1981 for Denon and released the following year, the album has since reached cult status among jazz connoisseurs, thanks to Itabashi's inventive piano playing and to its cult title track, a superb soulful and spiritual composition. Newly remastered by Nippon Columbia using…
Pianist-composer Abdullah Ibrahim ( formerly known as “Dollar Brand“) has long ranked among South Africa’s giants alongside Hugh Masekela, Miriam Makeba and the late Kippie Mokoetsi. A master of improvisation with a distinctive African edge, the exiled Cape Town musician has developed a musical style over the past 30 years that defies categorization.Rather, it is a fascinating mosaic of diverse traditions including African rutal and township rhythms, classical jazz, and gospel. South African fol…
Master pianist, New York-based, originally from Argentina, Leo Genovese, just won a grammy as a ‘Best Improvised Jazz Solo’ - an award considered by many as ‘mainstream’. This certainly did not stop his creative path, only to encourage him towards further researching creative music. His debut album ‘The Art of Not Playing’ with fellow musicians John Lockwood on bass and drummer Nat Mugavero proves it. The trio celebrates the practice of disappearing during the process of creating. Trusting the ‘…
Bluesy, aggressive, typically expressive. Splashes (subtitled Tribute to Wilbur Little) is an album by saxophonist Archie Shepp's Quartet which was recorded in Holland in 1987 and released on the L+R label. With Horace Parlan (p), Harry Emmery (b), and Clifford Jarvis (d). It's one of those deep European records that gets missed because Shepp was recording so much and in so many ways overseas in his later years. The style here is a great distillation of the modes he was exploring in the years a…
Archie Shepp, a saxophone tenor icon, collaborates with keyboardist Jasper Van't Hof - of Toto Blanke's Electric Circus (it was while with Blanke that van't Hof co-founded a group called Association P.C.)in a creatively innovative record. Jasper incorporates elements from his 70s electronic work into the song, blending them with acoustic piano in a way that resonates well with Archie's spirit, a departure from his previous style.
*2024 stock*"Yellow brings together acclaimed LA-based musicians Kozue Matsumoto, Patrick Shiroishi, and Shoshi Watanabe. With total expressive command of their instruments, the trio unfurls a brilliant and impassioned free improvisation of the highest virtuosic caliber that is at once anguished, defiant, and vigorously hopeful. An astonishing musical work, Yellow is also a powerful political statement. The musicians came together on the basis of a mutual interest in exploring Japanese-American …
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…