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2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
“A large tree thousands of years old, like Akira Sakata, seems to sway a variety of creatures as if they were being drawn to it. Is it a festival with Ming as a Shinto priest? Takeharu Hayakawa, who has a strong thud, changes his behavior like a ninja, and Masataka Fujikake wraps everything up and makes a deep rumbling of the earth. As for me, I'm on the same level as the piano and electronic sounds. Let's just say that it organically connects the past and the present. A rare improvised world th…
A live recording by Akira Sakata (alto sax, clarinet, voice), Masayasu Tsuboguchi (piano, synthesizer), Takeharu Hayakawa (bass), and Masataka Fujikake (drums). An improvisational giant, Akira Sakata, is a direct hit to the brain.
Huge Tip! First LP reissue in 50 years! A cutting-edge collage of the Muhammad Ali vs. Mac Foster documentary held at the Budokan in April 1972, with performances by the Yosuke Yamashita Trio (w/ Takeo Moriyama and Seiichi Nakamura). An incredible album, and an incredible cultural moment as well – as Japanese avant piano legend Yosuke Yamashita pays tribute to the great Muhammad Ali – on the occasion of his visit to Japan for the World Heavyweight match in 1972! Half the record features instrume…
The tape recorded in a studio by Yuji Takahashi (synthesizer, sampler) and Masahiko Togashi (percussion) on November 23, 1988 was found for the first time in 34 years, and is now available for download. This album is the culmination of the Takahashi-Togashi duo that began in the spring of 1988 at the Shinjuku Pit Inn, and is an improvisational performance in which Togashi responds to Takahashi's lead. Each member's different musicality is inspired by the other's, and the music is built up in dia…
All compositions by Scott Fields. Artists: Scott Fields, guitar; Stephan Rath, theorbo. "On this recording Scott Fields plays a 1999 Robert Ruck guitar and Stephan Rath plays a 1988 Hendrik Hasenfuss 14-string theorbo, after an instrument of Tieffenbrucker/Edlinger. Our duo was formed for the 2007 Cologne Music Triennial (MusikTriennale Köln) series 'Solos for duos, improvisation from yesterday and today' (Solo für Zwei, Improvisation gestern und heute). Festival yentas matched six early music s…
"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…
Featured works: "Ripples From The Bang" (2007) composed by Elliott Sharp. "Paranoia" (2007) composed by Bernhard Lang. Performed by: LaTasha N. Nevada Diggs, text & vocals; mixmastertodd, electronics & vocals; Philip Jeck, turntables; Hans Koch, reeds; Bernhard Lang, keyboard/electronics; Elliott Sharp, 8-string guitarbass/electronics; Fredy Studer, drums/percussion. Bernhard Lang on "Paranoia": "'Paranoia' is a sequence of eight semi-improvised blocks that were extracted from the sketches to Ac…
"The title Composer in Dialogue stands for a biennial cooperation between the ICI Ensemble and a contemporary figure, the aim of which is to create a kind of 'work in progress' through composition itself but also by involving improvisational forms. Performances of pieces thus created remain the intention. The present recording documents an ICI concert with the composer Olga Neuwirth. Olga Neuwirth began her musical career on the trumpet, before she embraced composition as her favoured means of e…
This is the first collaboration by the two Nurse With Wound collaborators - Paris-based Quentin Rollet and Melbourne-based James Worse. Quentin has played with many musicians including the Red Krayola, the Legendary Pink Dots, and Nurse With Wound. He plays the alto sax and the sopranino, the smallest saxophone in the original saxophone family. James Worse has also worked with Nurse With Wound, Andrew Liles, Expose Your Eyes, and more. He plays percussion and spoken word on some of the tracks he…
Temporary nice price Eargong Records present a reissue of Mike Osborne's Outback, originally released in 1970. Alto saxophonist Mike Osborne has been one of British jazz's most intense players. A unique alto sax voice that enhanced the music of great bands such as Chris McGregor's Brotherhood of Breath, Mike Westbrook, Harry Miller's Isipingo, Mike Gibbs, and many others. Originally released in 1970, Outback is Mike Osborne's debut album. This is open, passionate, and adventurous music performe…
Temporary nice price Eargong Records present the first vinyl reissue of Howard Riley's Flight, originally released in 1971. This landmark recording sees pianist Howard Riley with two of the greatest European improvisers Barry Guy on bass and Tony Oxley on drums literally reinventing the piano trio format. This is deeply explorative music beyond time and space. Comes in gorgeous original gatefold cover. Licensed from Turtle Records/Cherry Red.
This new album was recorded in March of this year, as The Rempis Percussion Quartet made their debut in France after 15 years of touring almost everywhere else across Europe. At the generous invitation of programmer Antoine de la Ronciere at Le Petit Faucheux in Tours, the band was the test pilot for a collaborative project amongst five venerable venues for improvised music in France. In a tightly packed week-long schedule, the band performed in Tours, Poitiers, Brest, Nantes, and Lyon, while a…
Black Truffle is pleased to welcome free jazz legend Joe McPhee back to the fold with Oblique Strategies, a wild trio recorded in Antwerp in 2018 in the company of Mette Rasmussen’s fire-breathing alto saxophone and Dennis Tyfus’s post-Fluxus antics on tape, voice, and percussion. Rasmussen and Tyfus have previously recorded together as Bazuinschal, and some similar strategies are on display here: mysterious metallic scrapes, extended tones in which voice and sax become indistinguishable, comic …
Black Truffle is pleased to announce The Leisure Principle, a new solo LP from London-based bassist and sound artist Otto Willberg. A key player in the London underground, Willberg is often heard on acoustic and electric bass in free improv settings and bands with Laurie Tompkins (Yes Indeed) and Charles Hayward (Abstract Concrete), as well as the fractured No Wave unit Historically Fucked. His previous solo releases have ranged from extended technique double bass to explorations of the acoustic…
Reissue, originally released in 1971. The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd, and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea an…
Critical Mass is the second album from the unique duo of Chicago reedist Mars Williams and percussionist Vasco Trilla, following his album SPIRACLE which received excellent reviews in the international press. In his second album the duo use their technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended techniques; a beautifully balanced music experience.
Critical Mass is the second album from the unique duo of Chicago reedist Mars Williams and percussionist Vasco Trilla, following his album SPIRACLE which received excellent reviews in the international press. In his second album the duo use their technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended techniques; a beautifully balanced music experience.