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Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Alleycat was the last Nucleus album recorded for the V…
American jazz bassist, composer and producer Jaco Pastorius was a member of Weather Report during the Seventies and also recorded albums as a solo artist. As of 2017, he is the only electric bassist inducted into the Downbeat Jazz Hall of Fame and has been lauded as one of the best electric bassist of all time.
He recorded five albums in total with acclaimed drummer Brian Melvin, including the 1989 Jazz Street. This body of work is one of Pastorius' last studio dates and features session musicia…
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Afric…
This double LP release features one of Miles Davis final great bands: John Scofield on guitar, Bill The Other Bill Evans Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums, and percussionist Mino Cinelu. Miles was back in amazing form (incandescent and iridescent as ever, critic Greg Tate noted), when he mounted the stage at the Theatre St-Denis during the Festival International De Jazz De Montreal in July 1983, and this revelatory performance has been loving…
The Munich band Embryo was founded in 1969. "Opal" was her first album. Released on the OHR label in 1970. The band led by Christian Burchard (2018) combined numerous genres into one huge crossover project. Jazz rock, folk, blues, soul, contemporary music, and world music. Even if "Opal" doesn't sound as perfect as later recordings, the album is considered to be very influential. Embryo themselves describe their style as follows: Pop music is the appropriate level of communication for Embryo, ju…
*All tracks previously unreleased. Stereophonic sound. In process of stocking* Composer/bassist, Graham Collier’s career was littered with “firsts” – Britain’s first jazz graduate, first jazz musician to be awarded an Arts Council grant, founder of the first full-time jazz degree in the UK. More to the point for our purposes here, he was the first British musician to perform his own music at the Hamburg Jazz Workshop. Collier opened doors to opportunities for himself and other British musicians …
*In process of stocking* Semantics was a jazz supergroup consisting of Elliott Sharp, Ned Rothenberg and Samm Bennett. Elliott Sharp, born in Ohio in 1951, began playing the piano at the age of six and started to perform concerts two years later. He soon gave up the piano, first in favour of the clarinet and later for the guitar. Sharp became intrigued with all types of experimental music, from contemporary classical to free jazz and sophisticated rock. He studied anthropology at Cornell Univers…
*2022 stock. In process of stocking* Futura Marge presents Parisian Concert, vol 2 by: Archie Shepp (tenor and soprano saxophones), Siegfried Kessler (piano), Cameron Brown (double bass) & Clifford Jarvis (drums)Recorded live on 18 October 1977 at the Palais des Glaces in Paris
*In process of stocking* Produced by Jimmy Curtiss, who is best remembered as lead singer of the great psychedelic folk rock band the Hobbits, Century Expanded’s “Concerto For Wah Wah” was released in 1971 but staged very little impact at the time. Finding original copies of the disc is a real chore, so how cool it is the Gear Fab label will soon reissue this super rare album, which features all instrumentals duly drenched in wah wah guitar action.
The opening track of “Concerto Wah Wah” measure…
*2022 stock* Futura Marge presents Chloé by Ray Mauger trio. Ray Mauger (guitar), Alain Raman (electric bass) & Chris Dailey McCraven (drums) - guest on two tracks: Félix Perron (curved soprano saxophone). Recorded in Paris on 12 January 2007 at Studio Mesa, and on 8 June and 16 July 2007 at Studio Border.
"Garden of Secrets is a very successful and varied disc with electronic-folk-jazz-progressive soundscapes, and thus another remarkable album from the Discus, which is highly recommended for friends of electronic sound journeys around the world." – Achim Breiling
An electroacoustic work by Hervé Perez taking the form of a suite of compositions which combine Hervé's software based sounds with a host of beautiful and unusual sounds from a wide range of instruments played by Hervé and collaborator …
"The group plays a ground breaking mix of psychedelic progressive rock, mesmerizing electronics, avant-garde classical and jazz improvisation. Effortlessly combines acoustic and electric instruments along with captivating vocals to deliver a fascinating set of adventurous musical pieces." - Progressive Rock Central The fifth album by this adventurous improvising rock group. This time round an expanded 8 piece version of the band improvised in the studio for two days in October 2019. These live r…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
Temporary Super Offer! 'Was there more than one Miles Davis? Could he be both the Prince of Darkness and the purveyor of cool? A drug addict and an athletic boxer? A hip bebopper and a protohippie? A flamboyant dresser and a shy vulnerable soul? A brutal misogynist and an insecure romantic? The answer is yes, and yes. Miles Davis was both a creator and a destroyer. His chameleon-like nature can be explained by the times in which he lived and created his art. These live recordings in Stockholm, S…
*2024 repress! LP version* "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by th…
In the early seventies, pianist Frans Elsen (1934-2011) and alto saxophonist Piet Noordijk (1932-2011) formed a unique septet to play funk jazz. Their material was never released and is now available on a double LP. In 1970, pianist Frans Elsen spent part of the summer in Norway. Inspired by the desolate surroundings and the small towns, he wrote and arranged a 'Norwegian cycle' that he performed with his brand new electric septet. A star-studded line-up: altoist Piet Noordijk, trumpeter Eddie E…
In 1973, four Englishmen who loved Jazz, Rock and Groove decided to record an independent album at Zelia Studios in Birmingham. The result was Poliphony, which had few hard copies and became a rarity among Jazz Rock collectors. The core of the jazz rock quartet Poliphony came together in Birmingham around 1971 on the initiative of the young student and pianist Dave Bristow, who invited guitarist Richard Bremmer to join the line-up that also included Bob Boucher. The last musician to join Polipho…
Released way back in 1974, the lone, self-titled effort from Spirale is an album notable for its lack of electronic instruments. It also has some of those loveable low-budget production flaws that are so often heard in obscure 1970s Italian progressive music, and the bass quite often seems charmingly out-of-tune. But this was an earnest and quite energetic jazz-rock ensemble excursion, with excellent brass arrangements and improvisation. Other instruments used include violin, drums, piano and va…