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Black Vinyl edition. Reproduced in original style packaging and pressed on black vinyl. Mastered from original tape. Belgium, not the first place you’d think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc. Ritual was originally released in 1971 on the Dutch label Omega International (Gomez was born in Holland before moving to Belgium in the late 40s)…
For the third release in our Mr Bongo Cuban Classics series, we reissue the iconic 1974 debut album by the mighty Grupo Irakere. Led by Chucho Valdés, son of Cuban pianist and bandleader Bebo Valdés, the band would go on to become of the most influential and successful groups emanating from Cuba in this period. Their debut ‘Teatro Amadeo Roldan Recital’ is an in-demand and incredible Afro-Cuban, jazz-funk masterpiece originally landing on Cuba’s state-owned imprint, Areito. One of the jewels of …
*Limited Edition* Japanese drummer George Ohtsuka reunites with the Maracaibo group, creating a fusion of Latin influences on extended tracks that diverge from the smoother sounds of the contemporaneous scene. The ensemble includes Mabumi Yamaguchi on tenor and soprano sax, Tsunehide Matsuki on guitar, and Toshiyuki Sekine on Fender Rhodes. Special guest appearances by Miroslav Vitous on bass and Nana Vasconcelos on percussion and vocals add depth to the musical landscape. In contrast to other J…
Considered by some to be trumpeter Donald Byrd's last worthwhile jazz recording, Electric Byrd is a high-flying relic from 1970. This album can be understood as Byrd's formidable response to the musical challenges set down by trumpet-rival Miles Davis with his epic Bitches Brew recordings from a year earlier. Clearly Miles is the ghost presence here, with distinct echoes of his sound permeating the vibe of this exploratory set. Byrd demonstrates on his three originals that he, too, was a force t…
Latin music, with all its spirit, all its intensity, and all its magic, expresses itself in the decade of the seventies as a cultural revelation. Europe recognizes, listens, and dances to our music, the United States jumps to the sound of it. Latin America is letting its roots be felt. Elegua is a part of this happening. It originated in Boston as a result of the collective efforts of musicians concerned about the direction to be taken by the Latin American musical forms. Elegua essentially deal…
*2023 stock* From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby.
She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included recording with DJ Yoda and Chip Wickham and touring Wickham's latest album including upcoming appearances at Ronnie Scotts and Le Petit Halle, Paris.
Whiting's first album was recorded as a trio…
100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…
Songs of resistance and gratitude in a Latin pop mode from Chicago’s Dos Santos, one of the longest running groups on International Anthem Recording Company. Vintage-sounding, but polished to modern tastes, ‘City Of Mirrors’ feature the septet playing to their latin heritage in a style that will appeal to all members of the extended family. It’s rich with melody and impassioned vocals, driven by coolly urgent tresillo rhythms and equally given to elegiac ballads that wouldn’t sound out of place…
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…
"Hey, there's this new guy around that plays like Herbie Hancock!!". When Chilean pianist Matías Pizarro arrived in Argentina fleeing Pinochet's dictatorship, word spread like wildfire in the local jazz scene. In the two short years that Pizarro spent in Buenos Aires, he became one third of the Viejas Raíces project alongside local jazz heroes Jorge López Ruiz and Pocho Lapouble, recorded with famed Italian trumpeter Enrico Rava and released his own solo album, Pelo de Rata ("Rat's hair"). Pizar…
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…
Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger. Special guest on this super rare funky jazz outing is Mike Longo who says a few words on behalf of the group on the back cover, and sure enough he contributes scorching Rhodes in the style of his early 70s Greasy Groove sides for Groove Merchant and Mainstream. Also on board are Kelton Champion on guitar, Gary Champion on Bass, Mickey McGann on keys and David Winters on Congas a…
A superb Jazz Flavoured Latin Funk Soul album recorded in 1977 by Grammy Award Winning Carlos Franzetti when he was a struggling musician trying to get his first breaks in a tough New York Jazz scene. With a Top Notch grouping including Percussionist Ray Mantilla, Victor Venegas on Bass and Dick Meza from the Tito Puente Orchestra. Carlos played all the Keyboards, wrote the numbers and was also responsible for all the arrangements. Released by Guiness Records (No relation to the Drink) and swift…
Often affectionately referred to as the "Godfather of British Latin music" Robin Jones was truly one of the great performers on the international Latin scene. Denga, his first recording from 1971 is a scintillating fusion of Afro-Cuban and Afro-Brazillian rhythms laden with heavy Fender Rhodes sounds and no less than three Afro-Latin Percussionists. The hard-to-find album has now been reissued by legendary London jazz DJ Paul Murphy's Jazz Room Records imprint. It should be an essential purchase…
*Limited edition of 500 copies.* Sonor Music Editions team was able to rescue from oblivion the lost tapes of this incredible recording, composed and orchestrated by the great Italian arranger and pianist Paolo Ormi. Originally conceived in 1972 at RCA studios in Rome, the album has been never officially released on any commercial/physical format until now. A promo Stereo-8 was only issued at the time on a ridiculous run, and only distributed for non-commercial purposes among the TV circuits. "P…
*Remastered reissue from original tape transfers* Piero Umiliani's 1968 album Playtime was originally issued on the Omicron label. It has been remastered by Noah Mintz at Lacquer Channel Mastering. Licensed from Liuto Edizioni Musicali.