Jazz /
I Don’t Care Who Knows It
** 180 gram audiophile quality double LP. Gatefold cover artwork features previously unpublished original Blue Note session photos. All Analogue mastering: taken from Rudy Van Gelder tapes; transferred by Grammy-Award winning mastering engineer Sean Magee at Abbey Road Studios ** Wallen Bink presents I Don’t Care Who Knows It - The Complete 68’ to ‘70 sessions by Duke Pearson. This collection of performances, previously unissued in their entirety, drawn from five recording sessions from 24 June …
Plays Bossa Nova at Home and Away
** 2021 Stock ** Primarily known as a conductor and composer than a performer, Vic Lewis was an important figure in British jazz from the early 1940's onwards. Born in North London July 29th, 1919, he started out as a rhythm guitarist (playing at three years old!) and also held the occasional cornet and trombone. His debut recording was in 1938 on a New York session featuring Eddie Condon, Pee Wee Russell and Bobby Hackett. During World War Two Lewis served in the Royal Air force and formed a ba…
Esperanto
Favorite Recordings proudly presents a reissue of the first and eponymous LP by Esperanto, a Venezuelan Jazz-Fusion masterpiece originally released in 1980. This rare and sought-after album recorded in Caracas by talented musicians could be likened to the best of the South American scene with strong Funk & Latin influences. Following the recent reissue of Sacbé, this one is a little wonder and a must-have for anyone interested in Latin Jazz-Funk & Fusion. Fully remastered and available as Gatefo…
Percussion Spectrum
They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled wit…
Aquila
**2021 stock. In process of stocking** Ltd vinyl pressing. “3D” shaped cubic sleeve / Heavyweight Vinyl, 300 Gram White-White Double Coated Paper. Originally released in tiny numbers in Chile in 1974. The album’s opening track, ‘Alba’, bathes the listener in a warm glow of vibes and electric piano with a groove evoking the laid back soul jazz of classic Ramsey Lewis Trio. Horns build up as the track lopes along, adding a punchy rawness to the languid head nodding slo-mo funk. A change of gear as…
B.A. Jazz
Vinyl Only / Original artwork / Black Vinyl / 400 mcn paper / 30x30 cm insert with notes by Tony Higgins and graphic elaboration printed on 250 gram G.F. Smith Colorplan / PVC outers. Jorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films. Like many of his fellow artists of the late 60s and 70s, Ruiz found himself i…
Jazz En La Universidad
**2021 stock. In process of stocking** Jazz trios have an economy that makes them risky. Yet it’s that risk that makes them exciting; how to get the most out of three musicians. Trios made up of rhythm instruments – piano, drums and bass – are particularly special. In the case of Ruben ‘Baby’ López Furst, the Argentinian pianist, and the trio session for ‘Jazz en la Universidad’, that special feeling is abundant. The balance of lightness and air with muscularity and drive makes the album worthy …
Pelo De Rata
**2021 stock. In process of stocking** Heavyweight Vinyl, 300 Gram White-White Double Coated Paper, Handily Gluing, PVC Outersleeve. Originally released in tiny numbers in 1975 on the Promusica label, ‘Pelo de Rata’ was the debut outing for a considerable talent in South American jazz, Matias Pizarro. A pianist and composer of some skill and flair, his output sadly falls far short for someone who exhibits such a natural ability to conjure up such an idiosyncratic style of jazz, replete with thou…
Live at Haight Levels Vol.2
The second instalment from Tramp of unearthed, long-lost recordings made in San Francisco during 1967 by the Afro-Blue Persuasion - led by jazz / funk mastermind Ulysses Crockett - Live at Haight Levels Vol. 2 captures the heights of afro-cuban jazz at its very best. Issued in a highly limited pressing of 500 copies, with the first volume already commanding high numbers on the secondary market, this one is bound to fly.
Heritage of the Invisible II
"Heritage of the Invisible II" follows Navarro and Holmes’s rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglements’ fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmes’s duo work, though their duo finds them much more wholeheartedly and jubilantly…
Bossa Nova Carnival
Here's another beautiful example of the great impact of Brazilian music on American Jazz in the '60s. Vibraphonist Dave Pike, mostly known for his work with the likes of Herbie Mann, Bill Evans, and Paul Bley, displays a marvelous sextet performing music of Brazilian composer João Donato. Recorded and released in 1962 on the New jazz Label, and considered as one of Pike's essential albums, "Bossa Nova Carnival" sounds like a perfect combination of Brazilian sensuous flavor and Jazz-swing sensibi…
Stitt Goes Latin
Musically born in the great tradition of Charlie Parker, Sonny Stitt was one of the alto sax giants in Jazz history. Recorded in 1963 and originally released on the Roost label, "Stitt goes Latin" catches him at the head of an all-star line-up, a highly distinctive combo in full Latin mood, featuring Thad Jones on trumpet, a young Chick Corea on piano, Larry Gales on bass and a fabulous drums + percussion section with the great Willie Bobo on drums, Carlos "Patato" Valdes - congas, bongos and Os…
Music For Small Hours
*2022 stock* Had it not been for the post-war migration of many top American jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never have come into existence. As it happened, when Gigi Campi set up the first big band record date in Cologne on December 13, 1961, (Jazz Is Universal for the Atlantic label), he was able to call upon such distinguished self-exiled jazz stars as Benny Bailey (originally from Cleveland, Ohio), Sahib Shihab (Savannah, Georgia),…
Treasures
**1.000 copies** Soul Jazz Records release flautist Lloyd McNeill’s album Treasures (1976). Originally issued on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep and spiritual jazz sensibilities blended with Brazilian and Latin rhythms and melodies."Lloyd McNeill is a cultural polymath - a multi-disciplinarian flautist, painter, academic, poet, and photographer - who as a musician has worked with every…
Una Mas (One More Time)
On the occasion of the 80th anniversary of Blue Note, here comes the first releases of a new series of LPs, entitled Great Reid Miles Covers, that celebrates the extraordinary and famous covers created by graphic designer and photographer Reid Miles, the artist who gave an unmistakable image to the albums of the blue label and also wrote an unforgettable page in the history of graphic design of the 20th Century. For this series, the new masters were processed by Kevin Gray from the original anal…