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First ever vinyl reissue of "Postones", an astounding body of recordings by Vito Ricci with Rashied Ali and Byard Lancaster, originally issued as a tiny cassette on Ricci's own Creation imprint in 1984. Moving between free jazz fire and percussion-driven theatre scores, this document of downtown New York in the early 1980s pulls the rug from beneath the expected historical narratives. One of the most revelatory releases of 2026.
Special discounted Bundle. Two of the greatest free jazz records ever laid to tape, back where they belong. Superior Viaduct reissues Noah Howard's The Black Ark and Julius Hemphill's Dogon A.D. — both from 1972, both inexplicably scarce for decades, both essential.
The Black Ark finds Howard backed by a towering ensemble — Norris Jones (Sirone), Arthur Doyle, Leslie Waldron, Earl Cross, Juma Sultan, Mohammed Ali — in four tracks that move from hard-blown spiritual fire to lyrical catharsis. Des…
Huuuge Tip! In the pantheon of classic free jazz, Noah Howard's The Black Ark looms large. Recorded at Bell Sound Studios in New York City in 1969 - just prior to the alto saxophonist's relocation to Europe - the album was eventually released in 1972 on Alan Bates's Freedom label, and has since acquired near-mythical status among collectors and devotees of the music. Now, Superior Viaduct presents the definitive remastered edition on vinyl, restoring this landmark to the visibility it has always…
One of the most important jazz albums of the 1970s - finally on vinyl in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis - no heat, malfunctioning equipment, some musicians didn't even show up - and yet what emerged was nothing short of a masterpiece. An "almost accidental classic" that has haunted col…
Limited to 450 copies. Includes two-sided postcard insert. A much needed reissue of drummer Stephen McCraven's astounding 1979 debut as a leader, originally issued on Marion Brown's Sweet Earth label. A holy grail of private press loft-jazz, bleeding the lyricism of spiritual jazz and the ambitious expressions of free improvisation. McCraven — father of Makaya McCraven — studied with Max Roach, Archie Shepp, Philly Joe Jones and Kenny Clarke, and worked as sideman with giants like Sam Rivers, Da…
Few copies available. Exclusive translucent red vinyl. Limited to 500 numbered copies. Includes In Concert At Yale University and Nommo with reproduction of hand-painted sleeve and historical inserts.
The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the v…
Bomb! Sourced from the master tapes. First-time vinyl reissue Black vinyl single LP version. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny …
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…