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*2024 stock* "Some of Lester Young’s sessions made in the mid-1950s find him in bad shape, due to a combination of personal problems and alcoholism that would prematurely end his life on March 15, 1959 at the age of 49. However, when producer Norman Granz had the brilliant idea of reuniting him with his old musical companions Roy Eldridge, Vic Dickenson, Teddy Wilson, Freddie Green, Gene Ramey and Jo Jones, the result was a highly spirited and happy date that is presented here in its entirety." …
*2024 stock* "Jimmy Guiffre 3 features the first version of Giuffre's 3. With guitarist Jim Hall and either Ralph Pena or Jim Atlas on bass, Giuffre is heard on clarinet, tenor, and baritone. The generally introverted music is wistful, has a fair amount of variety, and is melodic while still sounding advanced. In addition to the nine original songs (including the earliest recording of Giuffre's classic folk song "The Train and the River"). An excellent introduction to Jimmy Giuffre's unique musi…
Following the highly-acclaimed release of Feeling Good and Inner Peace compilations, Wewantsounds is delighted to announce the reissue of two superb classic albums in our new mainstream records original classics series. The releases will be crammed with bonus material. Wewantsounds has gone back to the original negative to reconstruct the original artworks and will add many jaw dropping never-seen photo sessions and CD Bonus material with new liner notes. LPs will be released in glorious gatefol…
Big tip! Leading a dynamic trio with virtuoso bass player Leroy Vinnegar and drummer Donald Bailey, piano player Hampton Hawes released one of his best effort in 1970, focusing on an original blend of post-bop and rare groove. The record opens with a rendition of Bacharach "The Look Of Love" and offers a deep soulful voyage with the 11 minutes title track. Hampton Hawes was one of the finest jazz pianists of the 1950s, a fixture on the Los Angeles scene who brought his own interpretations to the…
The package includes reflections by producer Zev Feldman and acclaimed jazz writer Adam Shatz, as well as the testimonies of the concert’s bassist Reggie Workman, and drummer Andrew Cyrille. The extensive booklet also contains interviews with Jane Bunnett, David Virelles, David Liebman, Vijay Iyer, Evan Parker, and Mal Waldron’s widow, Hiromi Waldron, as well as never-before-seen photos from the actual concert taken by Hugo Peeters.“Lacy and Waldron first shared a stage at the Five Spot in 1958 …
First Complete, Authorized Release of alto sax giant’s 1972 Olympia performance transferred from the original tape reels recorded by the ORTF and housed in the INA (the Institut national de l'audiovisuel). Released by Elemental Music in cooperation with the Cannonball Adderley Estate and INA France. Includes an extensive booklet with rare photos; essays by acclaimed jazz author and historian Bob Blumenthal and producer Zev Feldman, plus testimonies by Tia Fuller, Lou Donaldson & Vincent Herring,…
First complete, authorized release of alto sax giant’s Bordeaux performance transferred from the original tape reels recorded by the ORTF and housed in the INA (the Institut national de l'audiovisuel). Released by Elemental Music in cooperation with the Cannonball Adderley Estate and INA France. Cannonball is featured with a stellar band including his brother Nat Adderley on cornet, pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy. "It’s my hope that this music will live on thr…
A truly sensational find, Atlantis Lullaby presents a never-before-heard performance recorded in Avignon, France. Featuring Yusef Lateef in a quartet set with fellow stars Kenny Barron, Bob Cunningham and Albert “Tootie” Heath. Among the highlights are a fantastic flute/piano duet by Lateef and Barron playing the pianist’s beautiful ballad, “A Flower,” as well as extended readings of the classic, “I’m Getting Sentimental Over You,” Lateef’s “Yusef’s Mood,” and Barron’s “The Untitled.” This proje…
After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’…
Absolute killer session recorded at Vanguard Studios, New York, September 24 and 28 in 1984, with an intense line-up of some of our all-time-fav players of free music, including of tenor-saxophonist Frank Lowe, trumpeter Don Cherry, trombonnist Grachan Moncur III, pianist Geri Allen, bassist Charnette Moffett, and drummer Charles Moffett, ensures that this music is worth going for. Phrasing is super articulated and the whole vibe is just contagious. Outstanding interaction. The tandem communicat…
Frank Lowe was a very dynamic tenor saxophonist who derived inspiration from the initial and subsequent movements of free jazz throughout the 1960s. Lowe is most known for his collaborations with drummer Rashied Ali and a few of the many albums released under his own name. Throughout his career, he has often been overshadowed by the influence of John Coltrane and Albert Ayler. He has left behind an outstanding collection of solo and leader work, including contributions to Don Cherry's Ralativity…
*2024 stock* "This album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style" - Alexander Gelfand
*2024 stock* "Classic jazz in construction and execution. The place to begin appreciating the many and great virtues of one of jazz's finest aggregates" - Douglas Payne
"In terms of seminal Modern Jazz Quartet entries, it is hard to exceed the variety of styles and performances gathered on Django." - Lindsay Planer
*2024 stock* "Someone at the prestigious Verve jazz record company had an idea last summer: to re-release a compilation of recordings by legend jazz pianist Ahmad Jamal’s trio at the clubs of Chicago in 1958, it was a very good idea!
Ahmad’s Blues is a must have for Ahmad Jamal fans and all Jazz fans for that matter. Throughout his long and storied career, Ahmad has demonstrated both technical virtuosity and amazing style and creativity, this early live recording is no exception. With a title tr…
** High Quality reissue. Gatefold Edition ** One of Yusef Lateef’s best albums from one of the finest periods of his esteemed career, the 1964 LP Live at Pep’s showcases the reedman backed by trumpeter Richard Williams, pianist Mike Nock, bassist Ernie Farrow, and drummer James Black. Taped at a live performance at Pep’s Lounge in Philadelphia, Pennsylvania, the album was so successful that a full second LP was culled from the same sets. The program alternates between hard bop originals and cove…
Since 2008 our Spiritual Jazz series has presented unlimited horizons. Each album celebrates the rich tradition of African-American songs based on the belief in a higher force than oneself and has also focused on geographical areas, such as Europe or Japan, thus recognizing that these territories have immense cultural riches. Religions, like Islam, whose musical traditions have vivid Arabic and North African resonances, have also been highlighted. The stylistic range of all the above is wide. Ye…
"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…
John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded …
2024 stock. Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grac…
It’s Monk’s Time is probably the most appropriate title for a Thelonious Monk album. The fact that he was on the cover of Time Magazine in February of that year (1964) shows how important the jazz composer and pianist was. It is also an essential part of his discography with the impressive jazz classic “Stuffy Turkey” and the amazing interpretation of “Nice Work If You Can Get It”, originally composed by George Gershwin. Monk recorded the album together with Butch Warren, Ben Riley, Charlie Rous…