Jazz /
Belonging
Tip! "Belonging is a studio album by American jazz pianist Keith Jarrett, recorded over two days in April 1974 and released on ECM later that year—the debut of Jarrett's "European Quartet", featuring saxophonist Jan Garbarek and rhythm section Palle Danielsson and Jon Christensen. Because Jarrett's contract with ABC/Impulse! prevented him from performing with the quartet under his own name, the group became known as the 'Belonging' quartet." - Wikipedia
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Live at the Hillcrest Club 1958
This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.
Ballet Etudes
Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism.…
Hip Harp / On A Minor Groove
Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene a…
The Legendary Trio At Birdland 1960 „Revisited"
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Live in Paris – The ORTF Recordings 1966/67 (3LP)
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Sahib Shihab And The Danish Radio Jazz Group
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
Paris ’76
A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Antibes '75
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
Hum Dono
Released in 1969, 'Hum Dono' is a legendary 'lost' British jazz plate, described by Trunk as the best modern British jazz LP of all time that will set you back a good £2000 second hand - if you're lucky enough to find a copy. Its beguiling mix of East meets West rhythms, ideas and joy pits Jamaican free jazz virtuoso Joe Harriott and Indian guitarist Amancio D'Silva against some of the UK jazz elite's most essential players. Blending library-style exotica with tabla rhythms, cascading vocals and…
Mephistopheles To Orgasm (Revisited)
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was
an original, as original as you can get. He didn’t want any academic guidelines to equip him to
reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
Tension
This rare 1963 recording showcases the incredible early work of German trombonist Albert Mangelsdorff and his quintet. Featuring Heinz Sauer on tenor saxophone, Gunter Kronberg on alto saxophone, Gunter Lenz on bass, and Ralf Hubner on drums, the ensemble creates a groundbreaking modernist groove comparable to the innovations of Ornette Coleman and Joe Harriott. The absence of piano and the three-horn frontline contribute to a bracing and powerful sound, striking a dynamic balance between freedo…
Matrix
Esteemed pianist Masabumi Kikuchi enjoyed a long and illustrious career in jazz that encompassed many forms. After playing in Lionel Hampton’s Japanese touring band, he played on five Sadao Watanabe albums in mid-1960s and backed Sonny Rollins before studying at the Berklee College of Music. Matrix was the first of five albums recorded with his Sextet and is rightly rated one of the greatest of his entire career, the album mixing well-executed covers of songs by Chick Corea, Miles Davis, Watanab…
Thelonious Monk With John Coltrane 1957 (Revisited)
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Evolution
*2024 stock* "This release Shintaro Quintet’s private press release ‘Evolution’. It’s another well-chosen release that comes with superb packaging, high sound quality and some interesting sleeve notes which give a fascinating in-depth insight into the music and the musicians in Japan within the specified time period.
Recorded in New York, the one-off recording by bassist Shintaro Nakamura and his quintet features the brilliant trumpeter Shunzo Ohno, who has played on many of the quintessential J…
East Plants
*2023 stock* "A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, ‘East Plants’ is now available once more, reissued as CD and digital formats. Originally released in 1983 on the Japanese VAP label, ‘East Plants’ is an essential album in the J Jazz canon. It’s an album that distils several key characteristics of Moriyama’s music: clearly articulated and inventive rhythms, open yet orderly arrangements, and an accessible groove balanced with a graceful control. …
Rebirth of "TBM" - The Japanese Deep Jazz (Compiled by Tatsuo Sunaga)
Tip! Three Blind Mice revitalized the Japanese jazz scene during the 1970s and 1980s. Its initial mission was to proactively produce albums of new musicians. Another goal was to expand its fan base, which was done by releasing albums of famous musicians. Through these efforts, TBM has greatly contributed to enriching the Japanese jazz scene. Tsuyoshi Yamamoto and Isao Suzuki were two of the leading figures who gained prominence by their works on TBM. Yamamoto quickly became a star in the Japanes…
Live In Paris, 1970
This is the one and only Rahsaan Roland Kirk caught Live in Paris in 1970 with one of his best lineups ever. A distinctive quintet featuring Ron Burton on piano, bassist Vernon Martin, drummer great Jerome Cooper, mostly known as member of the mythical Revolutionary Ensemble, and the colourful percussion work of Joe Habao Texidor. Rahsan displays a fine set list including original compositions like the anthemic "Voluntary Slavery" and a wide selection of standards, from Cole Porter to Stevie Won…
Black Orpheus: Date In Daté
*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…