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A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
Released in 1969, 'Hum Dono' is a legendary 'lost' British jazz plate, described by Trunk as the best modern British jazz LP of all time that will set you back a good £2000 second hand - if you're lucky enough to find a copy. Its beguiling mix of East meets West rhythms, ideas and joy pits Jamaican free jazz virtuoso Joe Harriott and Indian guitarist Amancio D'Silva against some of the UK jazz elite's most essential players. Blending library-style exotica with tabla rhythms, cascading vocals and…
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was
an original, as original as you can get. He didn’t want any academic guidelines to equip him to
reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
This rare 1963 recording showcases the incredible early work of German trombonist Albert Mangelsdorff and his quintet. Featuring Heinz Sauer on tenor saxophone, Gunter Kronberg on alto saxophone, Gunter Lenz on bass, and Ralf Hubner on drums, the ensemble creates a groundbreaking modernist groove comparable to the innovations of Ornette Coleman and Joe Harriott. The absence of piano and the three-horn frontline contribute to a bracing and powerful sound, striking a dynamic balance between freedo…
Esteemed pianist Masabumi Kikuchi enjoyed a long and illustrious career in jazz that encompassed many forms. After playing in Lionel Hampton’s Japanese touring band, he played on five Sadao Watanabe albums in mid-1960s and backed Sonny Rollins before studying at the Berklee College of Music. Matrix was the first of five albums recorded with his Sextet and is rightly rated one of the greatest of his entire career, the album mixing well-executed covers of songs by Chick Corea, Miles Davis, Watanab…
Temporary Super Offer! “Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
*2024 stock* "This release Shintaro Quintet’s private press release ‘Evolution’. It’s another well-chosen release that comes with superb packaging, high sound quality and some interesting sleeve notes which give a fascinating in-depth insight into the music and the musicians in Japan within the specified time period.
Recorded in New York, the one-off recording by bassist Shintaro Nakamura and his quintet features the brilliant trumpeter Shunzo Ohno, who has played on many of the quintessential J…
*2023 stock* "A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, ‘East Plants’ is now available once more, reissued as CD and digital formats. Originally released in 1983 on the Japanese VAP label, ‘East Plants’ is an essential album in the J Jazz canon. It’s an album that distils several key characteristics of Moriyama’s music: clearly articulated and inventive rhythms, open yet orderly arrangements, and an accessible groove balanced with a graceful control. …
Tip! Three Blind Mice revitalized the Japanese jazz scene during the 1970s and 1980s. Its initial mission was to proactively produce albums of new musicians. Another goal was to expand its fan base, which was done by releasing albums of famous musicians. Through these efforts, TBM has greatly contributed to enriching the Japanese jazz scene. Tsuyoshi Yamamoto and Isao Suzuki were two of the leading figures who gained prominence by their works on TBM. Yamamoto quickly became a star in the Japanes…
This is the one and only Rahsaan Roland Kirk caught Live in Paris in 1970 with one of his best lineups ever. A distinctive quintet featuring Ron Burton on piano, bassist Vernon Martin, drummer great Jerome Cooper, mostly known as member of the mythical Revolutionary Ensemble, and the colourful percussion work of Joe Habao Texidor. Rahsan displays a fine set list including original compositions like the anthemic "Voluntary Slavery" and a wide selection of standards, from Cole Porter to Stevie Won…
*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…
Delight in Hiroshi Fukumura's live brilliance, where his unusual approach to the instrument shines. This quartet, featuring Hiroshi Tamura on piano, Tsutomu Okada on bass, and Shinji Mori on drums, delivers open, flowing tracks reminiscent of Japanese piano trios. Fukumura's solos, crafted like trumpet lines, boast a gritty yet lyrical power, this live session captures the essence of Fukumura's unique artistry and musical strides.
A 1978 piece composed by pianist Fumio Karashima with legendary drummer Elvin Jones. The trio with bassist Andy MacLeod will feature original songs and standards, including the title track. This is the work that gave Karashima an opportunity to become active on the world stage.
Psychicemotus was released in 1965 and features Yusef Lateef on various flutes and tenor saxophone, Georges Arvanitas on piano, bassist Reggie Workman, and drummer James Black. And while the Coltrane era of modal and free jazz was in full swing, Lateef always followed his own muse, and continued looking forward while looking back to ancient musics. His use of bamboo and Chinese wood flutes on the title track and "Bamboo Flute Blues" added not only dimension and texture, but rhythmic invention to…
*2023 stock* "John Coltrane's Crescent from the spring of 1964 is an epic album, showing his meditative side that would serve as a perfect prelude to his immortal work A Love Supreme. His finest quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones supports the somewhat softer side of Coltrane, and while not completely in ballad style, the focus and accessible tone of this recording work wonders for anyone willing to sit back and let this music enrich and wash over you.
While not quite at th…
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Infinitely adaptable, DeMerle's power and rhythmic elasticity underlines his bold presence and command of modern jazz drumming. By the time of 'Spectrum,' Les DeMerle's dynamic 1969 United Artists debut album, Les was a known, prodigious young drumming talent who had been wowing audiences through club and TV performances since he was a teen. The unheard gems was a recorded in 1967 by his band, Sound 67, which was lost in the confusing era at Atlantic Records, never to see the light of day. The a…
In the World is an album by jazz saxophonist Clifford Jordan which was recorded in 1969 and released on the Strata-East label in 1972. "Whether at the helm of a record date or as a sideman, Clifford Jordan was known for giving his all. These studio recordings were originally made for Strata East, a label known for its adventurous spirit" - AllMusic
Demon's Dance is an album by American saxophonist Jackie McLean recorded in 1967 for Blue Note, but not released until 1970. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Jack DeJohnette.
"The record retreats a bit from McLean's nearly free playing on New and Old Gospel and 'Bout Soul, instead concentrating on angular, modal avant bop with more structured chord progressions... While Demon's Dance didn't quite push McLean's soun…