Jazz /
Did You Tell Your Mother
Released in 1979, Tete Mbambisa's Did You Tell Your Mother delivers the ultimate blend of African groove with American modal grace, making it one of the all-time classic albums of South African jazz. With Mbambisa presenting original compositions at the piano alongside Basil "Mannenberg" Coetzee on tenor sax and flute, the acoustic quartet featured here is rounded out by Zulu Bidi from the band Batsumi on bass locking in with Dollar Brand drummer Monty Weber. This 2026 reissue presents a flat tr…
African Day
Awarded an honorary doctorate from the University of Cape Town in 2023, pianist Tete Mbambisa (84) is a legendary figure in South African jazz. Supported by the cream of the local scene, his albums from the 1970s are among the most cherished vinyl documents from this golden era. A monumental archival undertaking, African Day compiles unreleased recordings from 1976 to resurrect a "lost" Tete Mbambisa double album that falls between his seminal works Tete's Big Sound (1975) and Did You Tell Your …
Allen's Soul Bag
Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.
Broken Shoes
Broken Shoes, the reissued LP from Soweto, thrives on the vibrant interplay of jazz and funk, capturing an era where rhythmic conversation takes precedence over polished surfaces. With each groove, the band conjures a sense of lived experience, reframing classic township forms in a manner both contemporary and respectful of the genre’s roots.
Joshua Sithole's Africa
The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Origi…
Spirits Rejoice!
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
Hard Top
Hard Top assembles the previously unreleased 1975 recordings of legendary South African saxophonist Kippie Moketsi (also spelled Moeketsi). The 2LP vinyl edition is presented in a gatefold sleeve featuring artwork by Mafa Ngwenya and comes from As-Shams Archive on the heels of the Tete Mbambisa's previously unreleased African Day album in 2024.
By 1975, at the age of 50, saxophonist Kippie Moketsi had already earned his stripes as a South African jazz figurehead. His tenure with the Jazz Epistle…
A Dance More Sweetly Played
Join the Kyle Shepherd Trio on “A Dance More Sweetly Played” as they explore, collaborate and improvise on the ‘songs we like to play’. The album’s title is a dedication to the celebrated South African artist William Kentridge, with whom Shepherd collaborated on a joint-work “Waiting for Sybil” that has toured world-wide. In addition to ten Shepherd originals, perhaps most unexpected is the inclusion of an exquisite reading of Massive Attack’s ‘Teardrop’ and a deconstructed take of Journey’s ‘Do…
Black Disco 3
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari.
On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
Black Disco
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari. On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
Mbaqanga Songs
‘The South African folk music that makes people glad to be alive!’
Kabuzela
*2024 stock* Available for the first time since its original South African release in 1979, Outernational Sounds presents tenor giant Mike Makhamalele’s monster excursion into funktified disco jazz, Kabuzela. Despite a peerless run of groundbreaking fusion and funk albums through the 1970s, the great South African tenorist Mike Makhamalele has remained somewhat unsung. It’s hard to know why – the music he made at the end of the 1970s is some of the finest jazz fusion made anywhere on the planet.…
The Last Special
*2024 stock* Outernational Sounds very proudly presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’.
Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long…
Afrika
2024 Stock. Reissue on 180 grams vinyl. For “Afrika”, originally released in 1984, South African expatriate bassist Johnny Dyani enlarged his group to a septet from the quartet formation he had used on prior Steeplechase recordings and, in the process, shifted gears slightly from the deeper, beautifully bitter songs that had been his forte (such as “House Arrest” on Mbizo) to a somewhat lighter fare, replete with catchy, skipping melodies and funky electric bass. Dyani unfortunately passed away …
Alex Express
Hailing from Cape Town, tenor saxophonist Winston Mankunku Ngozi (1943-2009) is a venerated figure in the pantheon of South African jazz. Inspired by Coltrane while rooted in indigenous folklore, he released the classic album Yakhal’ Inkomo at the outset of his career with the Mankunku Quartet in 1969. Backed by the Cliffs, Alex Express documents Mankunku’s return to the studio in 1975 with a handful of new and original compositions and his inimitable tone on full display. Shaking off the burden…
The Peacemaker
Hailing from Alexandra and nicknamed "Ratau" (meaning "lion"), saxophonist Mike Makhalemele (1938-2000) was a force of nature with a robust yet soulful tone and seemingly endless breath. He embraced the pop music scene as an enthusiastic collaborator and staked his territory at the intersection of township grooves with modern currents in soul, funk and disco. As a solo artist, he delivered a formidable run of albums in the 1970s that that made him the most prolific recording artist in South Afri…
The Bull And The Lion
Bringing together Johannesburg’s two saxophone titans for a supergroup recording project was a visionary move by Jo’Burg Records in 1976. Following the success of Makhalemele’s debut The Peacemaker and Mankunku’s long-awaited sophomore release Alex Express, which both appeared in 1975, the bar had been set very high. Enamoured by their jazz contemporaries, the session was concocted by members of an exciting new South African rock group called Rabbit, who formed a backing group consisting of guit…
Discovery 1975-1976
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in the mid-1970s as the bandleader and composer of Black Disco, creating a hip melange of chill-out jazz with futuristic drum machine sounds and spiritual overtones. His cosmic organ transmissions were accompanied by two of the most sought-after session players on the South African scene, the sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, …
Down Lucky's Way
First issue since 1969 of the Malombo Jazz Maker’s unknown third album, fully licensed from Julian Bahula, with liner notes featuring interviews with Julian Bahula and Lucky Ranku. ‘Malombo music is an indigenous kind of music,’ says Lucky Ranku. ‘If you listen to it, you can feel that it can heal you, if you’ve got something wrong. It’s healing music.’Lucky was one of the greatest African guitarists of his generation. The deep and hypnotic Down Lucky’s Way was the Jazz Makers’ third album. Reco…
The Gospel According To Dudu Pukwana
Those lucky enough to have been exposed to Dudu Pukwana's music will forever be in the grip of of a rare and beautiful musical spirit. More than 20 years after his death, his uniquely original music lives in a powerful and inspirational way. This album is a tribute to Dudu helmed by American musician/producer Andrew Scott, who first heard the Blue Notes in 1966 at Leeds University - the genesis of a personal musical journey leading up to this special project. Duduvudu has been a family affair - …