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Two new archival LPs from Formalibera, Alga Marghen's free jazz imprint, both drawn from the same circle of Copenhagen musicians around 1970, gathered here as a pair.
On one LP, More Peace: Tordenskjolds Soldater (Jesper Nehammer on tenor saxophone, …
Live at Copenhagen's Café Montmartre in April 1970, Tordenskjolds Soldater (Jesper Nehammer, Ole Matthiessen, Henrik Hove, Jon Finsen) stretch out the four Matthiessen pieces from their Spectator album Peace, restored from the original tapes.
David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.
Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.
Unreleased recordings by Danish tenor saxophonist Carsten Meinert, with the Danish Radio Jazz Group on side A and his C.M. MusicTrain on side B, Coltrane-rooted fire with Ole Matthiessen and Pierre Dørge. Liner notes by Mats Gustafsson.
Miguel Atwood-Ferguson marks John Coltrane's centennial on Impulse! with a 21-piece collective (Brandee Younger, Shabaka Hutchings, Flying Lotus, Jeff Parker, Azar Lawrence), recasting Naima, Giant Steps and A Love Supreme as cosmic, spiritual music.
Three CDs pairing John Coltrane's early modal recordings, from My Favorite Things and Naima to India and Impressions, with Ravi Shankar ragas from his 1956 and 1961 Abbey Road sessions.
CD version. This album is a tribute to the person and spirit of John Coltrane. It was produced by musicians who not only admire Coltrane but embody similar values.While it’s always a good time to honor Coltrane’s memory, this particular moment seems …
Jazz recordings by the Malaysian trumpeter and composer Johari Salleh from the 1970s: modal grooves and jazz funk with Malay folk themes, until now available only on a few dozen locally pressed copies.
Paris, 1969: Grachan Moncur III's second album for BYG, cut with a Brazilian rhythm section and bassist Beb Guerin. Samba sway meets American creative jazz, with Fernando Martins' wordless vocals on the title track.
Gustav Horneij’s Organic Pulse Ensemble blends jazz tradition with modern groove, inspiring unity & protest, uplifting listeners in the fight for freedom and justice for all.
Lonnie Liston Smith's second Flying Dutchman album, April 1974, and the first with the Cosmic Echoes and his brother Donald's voice. Produced by Bob Thiele. Electric piano funk on the title track, Shorter's Footprints, Mtume's Sais, and a sung versio…
Studio 44, Monster, Holland, 11 March 1987. One day. Pharoah Sanders with John Hicks on piano, Curtis Lundy on bass and Idris Muhammad on drums, a band he kept for years. Produced by Wim Wigt for Timeless.
The record is built around Coltrane. Loewy a…
Lonnie Liston Smith's first album under his own name, 1973, straight out of the Pharoah Sanders band and the Thembi sessions where the title track was born on a Fender Rhodes. Cecil McBee, Joe Beck, Badal Roy on tabla, Mtume on congas, a tamboura. Si…
New York, 21 and 22 October 1969. Leon Thomas's first album under his own name, made months after Karma, with Pharoah Sanders credited as Little Rock, Lonnie Liston Smith, James Spaulding, Cecil McBee, Richard Davis and Roy Haynes. A shorter Creator …
Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 197…
Jan Garbarek's 1998 double album with Rainer Bruninghaus, Eberhard Weber, Marilyn Mazur and Bugge Wesseltoft, on vinyl for the first time in ECM's Luminessence series: tip-on gatefold jacket with booklet.
Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.
Ahmad Jamal's 1973 album for 20th Century, his first on electric piano, with an orchestra arranged by Richard Evans and versions of Superstition and The World Is A Ghetto. Verve Vault reissue, all-analog, 180 gram.
Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.