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Jazz /

Ink Folly, Orchid Gleam
"Ink Folly, Orchid Gleam is a piece in two movements for alto saxophone, upright bass, and drum set. Each movement was transmuted from a two-part poem of the same name, which was first drafted on a bus to my home of Northeastern Pennsylvania. The pang to return to where nature is abundant wasn't something I expected would be so strong when I moved to New York, but Ink Folly, Orchid Gleam is a product of those emotions. Written with my dear friends Mathias Jensen and Eliza Salem in mind, I knew I…
Reaction
*2023 stock* "That this is the first release by the courageous pianist Mario Rusca, born in Turin in 1937, and thus not that young anymore, can only be explained (and not justified) by circumstances such as described above. But there’s more to it. Though I really strive to support Italian jazz and to discover new talents, often by going against the tide, I hadn’t yet heard the name of Mario Rusca three years ago. It was Joe Venuti who introduced me to him in the spring of 1971, while he was stay…
Ostro
Temporary Super Offer! 'The music on this CD is an impressive document of such a search for meaning and artistic legitimacy. It doesn’t want to add something even louder to the supposedly spectacular. On the contrary: Here, it is about the subtle intimacy and emotionality of human relationships, about breathing as one. It is about being interested in each other beyond ever new superlatives. This is where the unobtrusive authenticity of this music comes from, what makes it special and thoughtful.…
Tesserae
Drummer Tilo Weber joins forces with bassist Petter Eldh (Koma Saxo) and Elias Stemeseder, who plays harpsichord and keys here on Weber's We Jazz debut, "Tesserae". The three musicians plus guests present a unique jazz trio sound for all times, without boundaries. Weber, based in Berlin, came to the attention of We Jazz Records with his his highly inspired drum work on Otis Sandsjö's Y-OTIS, and has since then also been awarded with the prestigious Deutscher Jazz Preis for the arrangement of the…
One-Eyed Daruma
Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound. One-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the…
Sketches
"If music really is a form of rapid transportation, then I have found my mode of transport. Suspense brings apprehension before something happens. It’s a fact. The next time you’re in a snappy nightclub, tap your foot to the memories of your day fading out under the blue lights. The fiercest way to walk anywhere is on your toes. “Here I am,” you blurt out, but everyone already knows you, because a bass is a foghorn that guides us out of exhaustion. The days are doing a little number on us all of…
STRG + X
Temporary Super Offer! 'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this carefully thought-out yet anything but cerebral music: it is aware of its means and can twist and turn and rearrange them as it pleases, in which case improvised contexts create their own forms and play with original material in a fresh, new way. This is …
The Reel
"The multifaceted drummer Chad Taylor, who proves to be as much virtuosic as practical in his chops, returns with his bass-less trio - featuring saxophonist Brian Settles and pianist Neil Podgursky - for a sophomore album whose program is a jewel. As a sideman, the drummer has been contributing to some of the most compelling projects by the Chicago Underground Quartet, saxophonists Avram Fefer and James Brandon Lewis, and bassist Eric Revis, just to name a few. He brings two of his own compositi…
COCO
We are all the time thirsty for music played by legendary clarinet master Perry Robinson! Fortunately, before he passed away about four years ago, he leave some music recorded with his musical partner and also an excellent clarinet virtuoso Michael Marcus. Together, Mr. Robinson and Marcus, and the iconic drummer Jay Rosen established The New York Clarinet Society and now we received one of the latest recordings in the band’s history!  "We came together as a family in sound - a perfect triangle.…
Basket of Knives
*Limited edition of 200 copies.* A trio of violinist Alex Cunningham, drummer Thom Nguyen and saxophonist Patrick Shiroishi delivers a new release titled "Basket of Knives" on Astral Editions.
Next Time Could Be Your Last Time
Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty. This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring…
Were We Where We Were
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
Three Tsuru Origami
Three improvisers having fun and taking risks. The classic piano-less jazz trio reinvented by mixing melodies, dirty sounds, noises, extended techniques and references to tradition with a quasi-punk approach.
Inversi
An all-round musician, Cristiano Calcagnile defines his trio with these words: "Anchored low and hanging high, the trio vibrates in the belly like a single string". A trio with double bass and drums that takes into account the more modern sonorities of this classic formation but at the same time insinuates and welcomes sounds and attitudes that come from the freest experiences in the history of improvised music. Giorgio Pacorig pianoGabriele Evangelista double bassCristiano Calcagnile drums, per…
De Repente
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).” The style is very much influenced by the harder post-Bossa Nova…
Like A Child
We Are Busy Bodies reissues Sadayasu Fujii Trio's 1977 album, Like A Child. Led by pianist, Sadayasu Fujii, the album includes jazz standards "A Sleepin' Bee" and "If I Should Lose You", along with original compositions.
Spurious Correlations
Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."
Gravity Without Airs
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…
Introducing Paul Bley
*Limited edition of 500 copies.* Originally released in 1953 on Charles Mingus's own "Debut" label, this is Paul Bley's historical debut album. Here the young talented and technically strong pianist appears as leader of a super-trio with nothing but Mingus himself on bass and Art Blakey on drums. This is a beautifully varied set including both  renditions of classic standards such as "I can't get Started", and Bley's early originals like "Opus 1" and "Spontaneous Combustion" This is where you ca…
Western Suite
*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
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