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"The inspiration for Winter Resort Music is derived from a childhood passion for winter sports. It's all about the spooky synths, mainlining radiophonic electronics, subconscious TV memories and an awe about what these athletes could do on the slopes when you were living in the suburbs. Can anyone forget the glowing figure-skaters, dancing into the public consciousness? The perfect beauty that melted girl's and boy's hearts around the world. Sunday afternoons spent watching guys flying on long j…
Back in print ! Edward Artemiev's re-recording of his scores to Andrei Tarkovsky's classic films Зеркало (Mirror) (1975) and Сталкер (Stalker) (1979), reissued on 180-gram vinyl. When Artemiev recorded these scores in Moscow in 1989 and '90, there were no legitimately available releases of the original soundtracks. Artemiev chose to fill that void himself with these recordings, released on Torso Kino in the Netherlands as part of a 1990 double-LP set also containing re-recordings of Artemiev's s…
Ivan The Tolerable: The Sonic Alchemist Returns to Library Of The Occult with a Mind-Altering Sonic trip, "Under Magnetic Mountain". Known for his innovative approach and dedication to pushing the limits of sonic experimentation Under Magnetic Mountain is a sonic kaleidoscope that delves deep into the psychedelic kosmische realm, offering listeners an exhilarating and transformative experience through 10 mind-bending tracks forged within the sanctum of the Ivan The Tolerable Sound Laboratory.
In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band climbed the 1975 US and UK charts with their infectious “(Are You Ready) Do The Bus Stop” hit, Japanese label Victor put out the following year the first Japan made Disco tune with “Sexy Bus Stop”, released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. “Sexy Bus Stop” became an instant hit in the country and, taking this o…
Tip! Soundtrack of the old direct-to-video film "They like to kill" (known in Italy as "I Maniaci di Los Angeles") directed by Harold Fuller (19XX). Broadcast in North of Italy by Docuvideo TV. The short story by F. Chevron and A. Shreds that inspired the movie is included in the tape. Originally published in "Night Pleasure" adult magazine, 19XX.
Ivy Chalice unveils their spellbinding album 'Nachtmahr'. Drawing inspiration from the duality of dreams and nightmares, Ivy Chalice crafts an auditory journey that beckons listeners to embrace the allure of the unknown. The album's title itself is a nod to the intricate interplay of darkness and fascination that resides within our deepest thoughts. Just as there are dreams we yearn to awaken from, there are those we secretly long to fall back into, and 'Nachtmahr' embodies the latter, seamlessl…
*2023 stock. 300 copies limited edition* “A psych/folk/Giallo ménage à trois, The hologram People’s ‘The Village Of The Snake God’ locks into the heart of 60s acid burnt freak outs and the 70s long, dark hangover. This dizzying album delivers jazz-inflected grooves, fuzzed guitars, and just the right amount of hazy, occult vibes. Black Mountain meets Popol Vuh meets Rajneeshpuram. Lavish, lush, and lurid.” - John Hubner
The new album from Italian duo Dressel Amorosi, comprising Federico Amorosi and Valerio Lombardozzi, is a fervent homage to the realm of Italian soundtracks and library music from the late ’70s and early ’80s. Navigating effortlessly through a spectrum of scenarios and atmospheres, it conjures up vivid images of action-packed sequences, wistful retro vibes, chic party scenes, and hair-raising horror chills. With a refined, contemporary flair, Spectrum celebrates early ’80s cinema and its unmista…
Sharpen your sword and light the torches, Gnoll is back! The dungeon music masters hidden behind the monicker of Gnoll have created a bleak, sepulchral, eerie album... the soundtrack of a true underground exploration. Designed as a soundtrack of the solitary role-playing game titled "Dungeons" edited by Dungeoneer Games & Simulations, the second chapter of Gnoll is ideal for those who love dark vibrations and sense of wonder. With its analogic synthtizers and its thundering percussions will tran…
'Tema di Susie' is one of the main themes from the soundtrack composed by Alessandro Alessandroni for the 1976 Italian noir Sangue di sbirro, known in English as Blood and Bullets, as well as Knell, Bloody Avenger (the Susie in the original title refers to the female love interest of the film's hero, who is on a mission to seek revenge for the gangland murder of his policeman father). At once sweet and sentimental, haunting and melancholic, 'Tema di Susie' stands out from the other tracks in the…
After Kobold, another half-human dungeon-synther took its place in HDK catalog: here's the barbaric... Gnoll! Beware the powerful percussions, the blows of icy and sharp sounds, the brutal attack of analog synthesizers! This first release of Gnoll is the the soundtrack of an epic descent into a dungeon populated by weird creatures and unfathomable threats. Gnoll is devoted to the visionary and bloodthirsty 70's heroic-fantasy literature, overflowing with baroque magic and arcane mystery, to Lin …
*2023 repress!!* Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Ele…
First 7'' release from Dressel Amorosi, the duo of Federico Amorosi (bass) and Valerio Lombardozzi (keys, synth & programming). Halfway between cosmic-funk and Italo-disco, the two tracks on this release are infused with the fusion- and electronic-oriented spirit of late '70s and early '80s Italian soundtracks and library music. "Synthporn", on side A, is a midtempo instrumental with a voluptuous electronic feel, a mixture of glamour and retrofuturism driven by Amorosi's pulsating bass and Lomba…
This film is a time travel/supernatural drama. The soundtrack is one part big band jazz, one part electronica and one part rock. The “Spectropia Suite” features a guest appearance from Blondiechanteuse Debbie Harry singing the future-noir ballad “This Time That Place”. No stranger to the Downtown avant-garde, Debbie has long had a connection to such artists as The Lounge Lizards.
Waxwork Records is proud to present the debut vinyl release of The Sentinel (Original Motion Picture Soundtrack) by Gil Mellé. The Sentinel is a 1977 American supernatural Horror film directed by Michael Winner (Death Wish, Death Wish II). The plot focuses on a young model (Cristina Raines) that moves into a historic Brooklyn brownstone that has been sectioned into apartments, only to find out that the building is owned by the Catholic diocese and is a gateway to Hell. The film features early ac…
A cult classic of sci-fi dystopia, Decoder saw Neubauten’s members working alongside Genesis P-Orridge and William S. Burroughs. It’s one of the strangest (and most prescient) films of the decade
Also known as a chanson artist in the late Sixties under the name Ted Scotto, French musician Edouard Joseph Scotto Di Suoccio began making incredibly diverse music under the alias Yan Tregger in the mid-Seventies. ‘Space Oddities 1974-1991’ is a spectacular selection of fourteen of his tracks, which span library music to experimental music via disco, pop and funk.
Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.
*Limited edition of 200 copies.* "Not the walls that should collapse is that passive place and "of craftsmanship" that the market has given to the Latin American. Today, for a Latin American artist to be recognized in the global art markets, he must be able to say "from here I speak". Recovering myths, traditions, ancestral cultures and popular are some of the twists that artists seek to be legitimized. "And I wonder: why? Already when you start working with record labels, you realize that it is…