Musique Idiote
180-gram vinyl. Roger Roger (August 5 1911 - June 12 1995) was a French film composer and bandleader. His aliases included Eric Swan and Cecil Leuter, the latter a pseudonym he used for his electronic productions. He was one of the first, along with Pierre Henry and Jean-Jacques Perrey, to experiment with the Moog synth; his Pop Electronique album was released in 1969, five years after Bob Moog put his synth on the market. Musique Idiote is his super-rare experimental Moogy LP with beautiful cov…
Quarta Pagina
Another amazing find of our research - this obscure LP by The Braen's Machine is dated 1971 and is part of one of the most fascinating and enigmatic periods of Italian music history. Library Music, made for radio and TV mainly, pressed on a few vinyl copies..."Quarta pagina" portrays with great ability some possible - who knows if they ever had been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the Psych-Funk rides that have always characterized many of the pro…
Teddy Bar / Lilith
A set of gloriously eccentric cues recorded by electronic jazz visionary Bruno Spoerri for Kurt Aeschbacher's experimental film Liltith (1978) and Rolf Lyssy's comedy Teddy Bar (1983). Exploring quirkier, more varied territory than last year's Dead-Cert excavation, AX+BY+CZ+D=o, the two scores featured here will particularly delight fans of Gluckskugel, the 2007 Finders Keepers comp that first brought the Swiss composer to the attention of us mere mortals. Musically-speaking, the only rule is th…
Kamasutra - Vollendung Der Liebe OST
Gatefold 2LP version. An unreleased soundtrack from 1968 composed and recorded by Irmin Schmidt and The Inner Space. A precursor to Krautrock pioneers Can, Schmidt's 1968 recording assembles Can's original line-up -- Michael Karoli, Jaki Liebezeit and Malcolm Mooney -- who later went on to craft the band's seminal debut, Monster Movie. The film Kamasutra: Consummation of Love switches between India and Germany and stars Bruno Dietrich and Barbara Schöne. A prime example of late-1960s German erot…
Film Scores
Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries.
Je Suis Vivant, Mais J'ai Peur De Gilbert
LP Edition...from 1974. Amazing, underground concept Lp with musique fantastique behind spooky spoken word text / science fiction related narration. The music is superb, deep / gothic / weird and funky like the best J.P Massiera / William Sheller / Igor Wakhevitch productions. Strange arrangements and clever variations on a theme with lots of thudding hip hop style rock beats / fuzz distortions / Maledictus Sound style studio FX / filtered heavy breathing / electronics and other trippy instrumen…
Tonal Image Films 1968-1991 CD
Rolf Aamot (b.1934) is a Norwegian electronic painter, graphic artist, film director and tonal image composer. Since the early 60s he has worked with the relationship between image and sound and he is regarded as one of the pioneers of audio-visual art in Scandinavia. Aamot has collaborated with artists and composers such as Bjørg Lødøen, Arne Nordheim and Bjørn Fongaard and his work Evolution, made together with Nordheim in 1966 was the the first time the television was used as a creative mediu…
BaraMon
The Tenjo Sajiki Company was an avant garde theater troupe formed by Terayama Shuji & was an audience participation street theatre designed to shock along the lines of the Living Theatre. Popular music was always incorporated in their projects, and so lots of rocker runaway teens were quickly attracted. By the early 70s, J.A. Ceazer and Kuni Kawauchi (of the GS group Happenings Four) had joined, and the music got really fucking weird along with the performances. Instead of just staging a version…