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*2024 stock* Lotte Lenya (1898-1981) is the outstanding interpreter of Kurt Weill - to whom she was married - and Bertolt Brecht's songs. As an actress at the Berliner Ensemble at the end of the 1920s, she was directly involved in the creation of the…
A slightly revised & edited take of Death Is Not The End's Jamaican Gospel special for NTS Radio, originally broadcast for the station back in late 2016. A dusty heap of JA gospel from the 60s and early 70s. Split across two sides - all vinyl and all…
Tip! Shidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film so…
The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Dorothy Ashby by David Mittleman, Don …
Two years after the Speaker Crackle In The Garden publication which focused on New Zealand lathe cuts, Discreet Music publishes a new deep dive into fringe culture. The Unearthed Puzzle is written by Martin Nilsson and is chronicling 47 James Ferraro…
The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Makaya McCraven b…
Shidaiqu literally means "songs of the era", a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtr…
The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's conte…
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka reco…
Tip! Death Is Not The End present the first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which …
The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Black Jazz Records by …
A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling o…
*bilingual French/English* The crazy story of the mythical avant-garde rock band Etron Fou Leloublan (1976-1985), pioneers of the European Rock in Opposition movement. "My whole life has been built on a childish lie. It's strange for me to think back…
Hidden but not forgotten, hinted at through piecemeal reference after the fact, the creative efforts of the members of this West-Coast-centric cadre of art mutants first took shape in the early 1980s in Chico, California, home to a state university i…