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Library/Soundtracks /

Vase de Noces
The venerable Sub Rosa returns with one of their most curious and revelatory releases to date: the first ever release of Alain Pierre’s visionary soundtrack for Thierry Zeno’s 1974, controversial and widely banned avant-garde film “Vase de Noces” (Wedding Trough). A radical and entirely singular, not to mention virtually unheard, effort of electroacoustic music, rooted heavily in field recording and extreme tape manipulation (and who knows what else) - feeling sophisticated and refined while ret…
Santa Sangre - 30th Anniversary Limited Edition
*In process of stocking* Santa Sangre is a 1989 film directed by Alejandro Jodorowsky and written by the director himself in collaboration with the screenwriter Roberto Leoni and the well-known producer Claudio Argento; a surrealist and avant-garde work, hallucinatory and psychedelic and horror-tinged, whose themes include that of childhood trauma and the relationship between mother and child. All the typical ingredients of Simon Boswell's style are in this album, multi-instrumentalist, music pr…
Non Ho Sonno (Original Motion Picture Soundtrack)
*2022 stock* "Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique…
Schock (Transfert-Suspence-Hypnos)
*2022 stock* Back in '76 or so, Mario Bava wanted in on some of Argento's azione in the film music department. For his movies, Dario had enlisted some homegrown twentysomethings fresh from sessions in England as an outfit alternately called Oliver and Cherry Five. The quartet, rechristened Goblin, had cranked up their amplifiers to score Dario's two very popular films, the bloody Profondo Rosso and the supernaturally-inclined Suspiria. Bava wanted the same kind of sonorous edge for his next fora…
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