Library & Soundtracks / Synth Effects

**Edition of 500 copies, killer afro-dark electronics masterwork** Recorded by composer and multi-instrumentalist Giuliano Sorgini between 1974 and 1976 in his studio in Prati district in Rome, a stone’s throw from Italian television offices, Africa Oscura is a set of tracks inspired by the wildest and most obscure secrets of those lands, intended to be the background of some tv documentaries.Some tracks were recorded during the same session of Zoo Folle, the album widely recognised as his maste…

Originally released in 1955. One of the very earliest and most important examples of electronic tape music to be pressed on vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic 1953 Strange to Your Ears novelty record), this privately pressed 1955 10" was released on a one-off label owned by businessman Gene Bruck to document a custom-made performance at the Museum of Modern Art in New York in 1952. This facsimile edition of t…

From the very first second, "Impact – Synthesized Sound And Music" is a difficult, icy release, embracing many cornerstones of what would become known as industrial music. These 16 sonic experiments are totally devoted to synthsizers, which are the main architects of whirling escapes, white noise and sonic landscapes in the mood of early Warp releases. "Impact – Synthesized Sound And Music" was originally released via Armando Sciascia’s Vedette label in 1971, under the alias H. Tical: it’s a rea…

Shipping next week! An extraordinary, acid, counterculture take on The Wizard of Oz created under the auspices of electronic producer, Bernard Krause and  combining Jacques Wilson’s inventive lyrics with the moog synthesizers of the legendary Mort Garson. Even in the heady, drug-fuelled  atmosphere of sonic exploration that ruled the late Sixties, there was never another album quite like The Wozard of Iz; a psychedelic  masterpiece both of and ahead of its time. A psychedelic concept album of es…

Last copies, sold-out at source. Milestone. Edition of 1500 with 300 on gold vinyl; the LPs will be mixed randomly -- there will be no way of telling which color is which as all LPs will be sealed.Basil Kirchin's Worlds Within Worlds: Part I And II is one of the most important experimental and improvised jazz-based recordings of all time. Released in 1971 it sold just a handful of copies, but has become a keystone in the development of ambient sounds; originals now fetch £1000+. This is the firs…

Extraordinary unreleased homemade electronics from the late 1960s made by a pioneering ballet dancer and musician. There are very few Ernest Berk recordings. As a pioneering ballet dancer, instructor and electronic music artist he was surprisingly prolific. He made music for all sorts of uses -- he even made library music -- and of course this very album of his music for two of his ballets. Towards the end of his life Ernest Berk gifted his entire collection of works, tapes, documents, and all t…

**Edition of 500. 180 gram vinyl** Fantôme Phonographique present a reissue of Daphne Oram and Vera Gray's Listen Move & Dance, originally released in 1962. The British composer, musician, and audio engineer Daphne Oram was a pioneering figure in the use of electronic music. Coming to prominence through her work with the BBC Radiophonic Workshop, which she co-founded, Oram was one of the first British composers to feature electronic instruments in her work and has been rightly hailed as he…

Shukai presents its debut release -- music for television film The Air Seller by Victor Vlasov, which has never been released before. Recorded in 1967, the same year as the film was broadcasted on Soviet television. The Air Seller, directed by Vladimir Riabtsev, is a black-and-white film based on the eponymous sci-fi novel by Alexander Belyaev, first published in 1929. What is "Shukai"? Shukai in English means "to hunt" or "look for". Shukai focuses on bringing back to life the lost tapes from '…

Fully remastered and licensed reissue, limited to just 350 copies on black wax. This killer Italian library album by Luciano 'Arawak' Simoncini was only ever released on the elusive Orrery Records label, and is now very hard to find. Still very much under the radar, Explosive reveals itself as a swift tangled web of beats for the discerning DJ. Tracks includes the driving cosmic funk Hardware with sharp hip-hop breaks and spaced-out abstract synth keys. Kangoroo Court is an even better alternati…

"Choreosonics" was what Alwin Nikolais called his musical accompaniments to his choreography -- a unique theater exposition that modern dance scholar Isa Partsch-Bergsohn describes as "a whole new theater of motion, light and sound." In 1953, Nikolais began drawing audiences to his dance concerts at the Henry Street Playhouse in New York City, in which dancers became sources for sculptural shapes; by moving through changing atmospheres of light and sound, their relationships to the stage el…

Pioneering electroacoustic and tape music by Henk Badings assisted by Dick Raaijmakers (Kid Baltan) from the Hanover Opera Ballet production of Evolutions choreographed by Yvonne Georgi. Premiering in Hannover in 1958 then in Rome and Vienna in the following year the ballet Evolutions (Evolutionen) by Yvonne Georgi was the second of three groundbreaking collaborations with Henk Badings (bookended by Cain and Able aka Elektronisches Ballet in 1957 and Die Frau Von Andros in 1960) in which electro…

**One-off edition of 200 copies. Heavyweight 7" EP**  Unreleased before music from the cult 1973 horror film 'Messiah of Evil'. One of the earliest fully electronic feature-film scores, Phillan Bishop's Moog-y mood music for Messiah of Evil is an avant garde suite of modulated shrieks, drones and pulses which whirl a discordant vortex around the bizarre on-screen images. With only three early-70's budget horror movies to his credit, this represents the first release of music by the mysterious Ph…

​Originally available only in sex shops in the Netherlands, this is one of the rarest psychedelic LP’s ever to be recorded in Europe. Consisting of only two long tracks, one covering side A and one covering side B, this album is probably the most mind-bending stuff we’ve heard from around this time. Side A starts with fast-paced free-jazz-rock with intense drumming and Anita’s growing involvement (first giggling, then moaning and finally screaming in all sorts of terrifying ways) Most instrument…

Unusual Russian library LP of electronic interpretations of ‘classical’ pieces by Claude Debussy and Monteverdi among others. Yuri Bogdanov features on every track, on some tracks together with Edward Artemiev, composer for Andrei Tarkovsky and others. Other tracks feature Vladimir Martynov. The record is made on the basis of a kaleidoscope: it interspersed with pieces of various styles, genres and eras. For example, these pieces the authors wanted to show a variety of ways to use a synthesizer,…

**Limited edition of 500 coloured LP** « It's stressfull! It's shocking! It's everything a disturbed mind can imagine! » A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directe…

Dagored present the first time reissue of Piero Umiliani's Musica Dell'Era Tecnologica, originally released in 1972. This killer experimental LP recorded by maestro Piero Umiliani in his legendary Soundworkshop Studios in Rome is on every serious electronic/Italian library wantlist. Enter the fourth dimension with Musica Dell'Era Tecnologica! 180 gram vinyl; Edition of 500."Piero Umiliani has taken things too far with Musica Dell'Era Tecnologica. Way too far. And since he dares to visit inne…

Recent claims made re: Tod Dockstader’s absence from the public eye since releasing his owl-label lps in the late 60s are somewhat off. In 1979 this and another “companion” volume were released on the boosey & hawkes library music label; consisting of a spate of sound-queues made by mr. dockstader for production/documentary use. this sounds like no other dockstader recording you’ve heard. There are a couple of “fat brass synth-fanfares for sci-fi” kind of queues, but for every one of those there…

Sublime unreleased score for the weird cult/brutalist thriller I Start Counting! (1970). Charming, odd, and affecting score by Basil Kirchin, made "in association" with his regular cohorts, Jack Nathan and John A. Coleman. The film was directed by the multi-talented and quite radical David Greene. Greene was also an actor, a successful producer and had already employed the services of Kirchin for his 1967 horror The Shuttered Room and quirky crime thriller The Strange Affair (1968). I Start Coun…

Tusco is one of the many pseudonyms that legendary composer and producer Piero Umiliani uses to not overcrowd the synchronization market with his name. Umiliani was a well-known Italian soundtrack composer and jazz musician. He was one of the pioneers of styles such as exotica and lounge and used a lot of funk moves in his soundtracks, too. He also composed a lot of library albums, covering genres such as Spaghetti Western, Giallo, sex films, and documentaries. They were all self-produced in his…

Aside from having attained legendary status through their own solo material, Germany's timeless Popol Vuh were instrumental in the development and cult-like status of director Werner Herzog's most respected pictures. Throughout the 70s and 80s, guided by a legendary Klaus Kinski as his main actor, Herzog and Popol Vuh were responsible for a new outlook on cinema and, importantly, on the importance of soundtracks. Through a mixture of pioneering electronics, Krautrock and komische, the ban…

Four Flies Records keep on researching Alessandro Alessandroni’s limitless archive, compiling this time an LP of tracks composed between 1972-1978, All the tracks were previously unreleased and are presented here for the first time - a truly ‘Lost & Found’ treasure that sees the light for the first time!After the incredible success of Afro Discoteca (Four Flies Records, 2017), Pierpaolo De Sanctis compiles a 15-tracks LP of forgotten soundtracks and library music treasures from the Italian Maest…

Remastered reissue of Georges Boutz' two recordings originally released on tape cassette. "Amber 7" was originally released in 1983 (Private Press Cassette Not On Label). All titles composed, arranged, recorded live, engineered and produced at home studio, from July 1981 to April 1983, on Moog, Oberheim, Roland and Sequential Circuits Synthesizers. Remixed by Phil Singher at Telstar Sound, No. Hollywood, California. "Silver Eagle" Originally released in 1984 (Synthesizer Music Records ‎Cassette …

Nearly a decade ago some serious Russian synth music communities on the web rediscovered a couple of electronic themes from the music score to the soviet drama «Flights in dreams and reality», which appeared on the screens back in 1983. One of them, often named as "dance at the sculptor's party" after a corresponding movie scene, was of particular interest due to its rather simple but memorable space tune with a pulsating disco beat. Since the soundtrack was too diverse, including different genr…

From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums.

Originally released in 1969, this LP features music by BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson alongside David Vorhaus, an American born composer and musician with whom they formed the experimental electronic cult band White Noise. It was put out by the Standard Music Library label, set up in 1968 by Bucks Music and London Weekend Television, which supplied production music for use in TV, commercials, radio and film. Many of these tracks were used in the 1960…

**few copies back in stock, sold out at source **Sonor Music Editions proudly presents an absolute Italian mood music grail and one of the best Library Music recordings ever - Alessandro Alessandroni Ritmo dell'Industria n. 2, a true legend in the field. This is the maestro most prized and sought-after album, produced in 1969 on the small Grand Prix label, part of the Leonardi publishing group. A mindmelting record featuring some of the most killer driven beats ever! - dark vibes and haunting at…

** 300 copies only, sold out at source ** Goblin, Dario Argento, Suspiria. Never as in this case any possible noun or adjective is superfluous, in an effort to describe with words what can be simply addressed to, in the end, with just a single essential term: Masterpiece. Even more than with the previous "Profondo Rosso" (1975), it is with "Suspiria" (1977) that the legendary bound between the Argento and Goblin reached its peak, to a level that has never been reached before to date.Four d…

«... The Azmari are singers and musicians wandering through the territory of Ethiopia. They carry the stories of different worlds, the sagas of cold lands with wispering winds, of flying islands, of ancient dances on the top of red mountains, of the demoted Ethiopian Princes and their doubles ... " by chronicler Tekle - Ēzānā (1698) Vespero, the southern Russian wonder band formed in Astrakhan, time and time again refining  their means of expression from a intricate blend of space- and retro-pro…

Death Waltz Recording Co. is ecstatic to whisk you far into the future to the end of the 20th century with the truly out of this world Ennio Morricone score to Spazio 1999, starring the late, great Martin Landau. Produced by the legendary Gerry and Sylvia Anderson, the feature was constructed out of three episodes of the revered Space: 1999 television show to introduce Italian audiences to Commander Koenig and his crew, and thrilled audiences with nuclear explosions, parallel universes, a…

When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…

Still sealed copies of the long sold out 2014 on Schema LP+CD re-issue of the ultra-rare 1970 psychedelic experimental album by no less that the Gruppo d'Improvvisazione Nuova Consonanza in disguise.

Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole. The …

Daniel Bacalov is a composer of music for theater, cinema, and dance who has studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on Lp were Il Ladro Di Anime, presented at the Venice Biennial of 1984, and Diario Segreto. The label Soave proposes these two fundamental documents of the period reprinting them for the first time in a limited edition on double Lp.The composit…

Beat Records is proud to present the world premiere CD release of Space:1999, featuring the original motion picture soundtrack of the Italian theatrical version composed by two-time Oscar-winner Ennio Morricone. Space: 1999 premiered in Italian theatres on January 14, 1975, and was created through the process of editing together three episodes from season one of the TV series: “Breakaway,” “Ring Around the Moon” and “Another Time, Another Place.” The theatrical release of Space: 1999 predated th…

CD digipak. WRWTFWW Records announce the release of the complete soundtrack of cult French animated TV series Les Shadoks (1968-1974) by Robert Cohen-Solal, available for the first time ever in its entirety. It's the right in time to celebrate the 50th anniversary of Jacques Rouxel and René Borg's legendary television cartoon. Electro-acoustic pioneer and eminent member of the illustrious GRM (Groupe de recherches musicales, the French equivalent of the BBC Radiophonic Workshop), Robert Cohen-So…

Mort Garson is well known as one of the pioneers of electronic music in the late '60s; some may have heard of his contributions to quite a few pop hits back in the day, when he wrote and conducted orchestral arrangements for one or another popular artist. During the second half of the 1960s Mort Garson and his sidekicks Paul Beaver and Jacques Wilson, among others, discovered Robert Moog's synthesizer and made it an integral part of their future-pop music even before Wendy Carlos released her fa…

**already sold out at source, few copies available** Unreleased baroque jazz horror score to controversial lesbian sex cult witchcraft exploitation drama from 1973, composed by the man who wrote the Catweazle theme! Hell yeah! Ted Dicks is not that well known as a composer these days, but back in the mid 1960s he was composing library music as well penning some of the greatest comedy songs of the era, including 'Hole In The Ground' and 'Right Said Fred'. His work was performed by Kenneth William…

Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordina…

At the beginning of the 70s, in Italy, the revolutionary surge of 1968 was beginning to turn into something grimmer (and definitely not linked to left-wing ideology) but the concept of “factory” still had a key role in the economic and social life of the country. It was not just an alienating workplace, where you often spent your whole life, but also – and overall – the place where demands were made and political struggles took place. Therefore, a feasible imaginary soundtrack for the factory wa…

Ten tracks, one subject. Edmondo Giuliani's Il Mare: Musica Con Strumenti Elettronici was originally conceived in 1972 as the score for an obscure sea documentary, recorded in Amedeo Tommasi's own studio and issued on the near-invisible micro-label Dischi Egede as part of a library series titled "Brani Per Sonorizzazione". The brief couldn't have been simpler - music for the sea - and what emerged from it is one of the more singular electronic records of the Italian library era. Sonor Music Edit…