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Known by a select few as one of Canada's most intriguing cult artists, Bruce Haack always strived for mainstream acceptance. But Haack's true ambition may have been fully realized when it was discovered that he left behind a whopping 213 reels of recordings after his death in 1988. Preservation Tapes confusingly collects just ten of these tracks, with the majority coming from a session recorded for American Christian label, Sparrow Records, during his creative peak in the early '70s. In 2016, af…
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab…
Jean-Jacques Perrey has long been recognized as a pioneer of electronic music. Along with his musical partner at the time, Gershon Kingsley, the duo recorded a landmark album: The In Sound From Way Out, which was released by Vanguard Records in 1966. Perrey went on to record over 24 more albums of electronic music during his lifetime. But prior to this seminal electronic album Perrey already had an impressive career as an electronic music pioneer, having been the demo man for Georges Jenny's Ond…
LP version. Bureau B present part two of their Filmmusik double release. In 1975, Conrad Schnitzler recorded various pieces of music to accompany films which had yet to be made. Fittingly, he labelled this collection of songs Filmmusik. Only one of the tracks - "Gute Fahrt" ("Nice Journey") - would ultimately be paired with a film, now traceable on the internet for all to see. The music is included on Part 1 of Bureau B's Filmmusik double release (BB 244CD/LP, 2016), erroneously entitled "02/198…
In stock! Anguished atmosphere, obsessive mechanical patterns, dark disturbing music: in short, this is what we call a Masterpiece! "Back in 1971, when this real gem of electronic experimentation was released, the term “cybernetic” was used to refer to the future. Or, at least, to an obscure science in the hands of a few experts, conducting experiments in rooms filled with huge electronic calculators. Automated controls, auto-regulation, information theory… those were abstract, uncommon and rare…
Yes, you’re reading this correctly. A legit, non-bootleg vinyl reissue of one of the holy grails of fourth-world avant-ambient synthesis, and believe it or not, this was a Record Store Day release in Japan this year. Originally released a few months after Haruomi Hosono’s 1978 Paraiso LP — famous for featuring the first trio grouping of the band that would become Yellow Magic Orchestra — Hosono’s Cochin Moon, an album credited to himself and famed graphic artist Tadanori Yokoo, who provid…
First vinyl reissue. Limited edition of 500 orange LPs (vinyl only; no digital release). Remastered from the original reels. The sought-after experimental gem Il Mondo Dei Romani, by soundtrack and avant-garde maestro Piero Umiliani, is now available on vinyl for the first time since its original release in 1972. Originally recorded for a TV documentary about ancient Rome and released on Umiliani's Omicron label, Il Mondo Dei Romani finds Umiliani experimenting with electronic instruments (Suoi …
*2022 stock* Synthi Time is perhaps one of the most suitable albums - within Umiliani's incredibly vast discography - to fully appreciate the composing and experimental genius of the Maestro. For once away from the classic soundtracks that made him popular, this project veers away also from refined works of library music such as Genti e paesi del mondo (People and countries of the world) or Problemi d'oggi (Today's issues), released under the moniker of Zalla. In this case, we like to imagine hi…
Another lost gem of French underground music, Delired Cameleon Family was originally conceived as the soundtrack to Pierre Clémenti's "Visa de censure nº X", and was originally released as an LP in 1975. It was a host of reputed experimentalists who took charge of producing this soundtrack. Under the direction of Cyrille Verdeaux we found the likes of Yvan Coaquette (Musica Elettronica Viva, Spacecraft...), Gilbert Artman (Lard Free, Urban Sax...), Christian Boulé, Tim Blake (Gong, solo recordin…
After changing the world in the late '60s with In C and A Rainbow in Curved Air, legendary American composer and father of minimalism Terry Riley abandoned tape manipulation and written composition to concentrate on longform keyboard cycles and improvisations. In the early '70s, while in Europe, he was invited to create scores for two films. The first, in 1972, was Joel Santoni's Les Yeux Fermés, a feature-length art film that instantly became a cult classic by virtue of its never having screene…