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** Limited edition of 300 ** Certainly Amlux is a very cohesive and well-constructed piece; starting more softly than usual, the record slowly builds into the chaotic harsh sound that Merzbow is well known for, but this time adding some actual recognizable music elements (like rhythms), and constructing various surprisingly well-texture soundscapes, that made of this album a more focused and immersive piece that effectively keeps engaged during 40+ music of primal noise. Records like this are t…
*60 copies limited edition* Studies in depravity via mic, electronic and cassette recorder. A climax of pleasured vox and looped brutality. Clear blue C20 cassette with full-body sticker labels and 4-panel insert.
"There was a time where i thought that anything was possible"
*In process of stocking* Roman Marble is an exciting under the radar project from Japan, who I first discovered after their submission to the "Hidden Promulgation" compilation awhile back (and that track actually ended up being one of my favorites on there). I have been eagerly anticipating this full length release ever since, and it does not disappoint.
Past efforts were more HNW based (and equally good) but this one is a departure from the confines of that style in favor of a more free and exp…
Tip! *In process of stocking* Maranata is Jon Wesseltoft and Dag Stiberg, a Norwegian duo active since the mid 2000s with releases on distinguished labels such Picadisk, [OHM] Records, New Forces and Abhorrent A.D. “Tarmac” consists of two long-form barrages of sharp hellfire - the first being a tight slab of density and frenzied purge; the second a nest of fractured pressure and restrained intensity, eventually giving in to total implosion. Stiberg’s baritone sax sits perfectly along the spinal…
**Limited Edition of 299 copies.** Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise. Embracing technology …
Tip! "Expect the unexpected. Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does. Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date. Why? Because, amidst the stalk and squeal noise,…
*300 copies limited edition* Like Weeds: "After a friendship of over 25 years, a couple of collaborative tracks, and sharing bills in New York, Los Angeles and Tokyo, it's an honour to finally present a full length split release between myself and Bastard Noise in the year of their 30th anniversary. Bastard Noise recordings demand a lot from the listener. they demand patience. They demand concentration. They take me on a journey, both illuminating the actualities of my surroundings and propellin…
*2022 stock* Japanoise legend. Killer Bug is the alias of Kazumoto Endo of Tokyo, Japan. Since 1994, Endo has been eviscerating the minds and ears of his audiences with his trademark fast-paced harsh noise, stop-on-a-dime editing, and interspersed bits of playful absurdity. Killer Bug influenced a generation of harsh-noise artists with classic releases on Mother Savage Noise Productions, Bloodlust!, Self Abuse, Troniks and more. For the last 20 years Endo has predominantly performed under his gi…
Human terrain systems. Operational art. Combat maneuver. Unrelenting harsh electronics exploding at a breakneck pace. The first Breaking The Will full-length since 2015's "Choosing Death" is faster, rougher, and far deadlier. Tactical innovations driven by a world on the brink. Super-heated auditory munitions across six new tracks.
Lusty harsh noise from this long-running Finnish project. Thick crunch combined with a dynamic, fast-paced sound and an active stereo field. Riding the razor's edge between precision and chaos. Moozhead presents a fresh take on a classic style. Noise as obsessive sensuality.
1996 release on Jim O'Rourke's old label, surprisingly repressed for 2008. First non-reissue on this label - an unreleased companion to the 1990 Alchemy label masterpiece. The designation 'Rainbow' contrasts with the odd colorlessness of the many noise records. Like Voice Crack, this is power electronics at its most detailed, most subtly varied, and most exhaustively kinetic. It doesn't stop. It's a thrill every two seconds, for seventy-five minutes... It splits into halves, quarters, and more u…