Noise /
Traumantra
Reissue of 1998 CD release originally via Solipsism
Recorded at Less Than Zero Studio and Oncosonik Laboratory Dec. 1996 - Feb. 1998.Edited Feb. 11, 1998.
Originally released as Solipsism-05, 1998Archival materials courtesy of Kyle Wright
Regency Place
Tip! Realistic Minisette 11, Circuit-Bent Discman ESP, Lanier Advocate III, voice and amplifier, turntables-
True Love Electronics
Harsh noise / experimental from Finland. Printed cardboard wallet with additional inserts inside sealed bag
Vivere In Città
TIp! *80 copies limited eidtion* released September 21, 2024
Forest Defense Is Self Defense
*80 copies limited edition* Released September 21, 2024
Shock Rock
Tip! Masonna is the solo noise project of Yamazaki Mazo, who, along with Merzbow and Emergency Staircase, has earned the respect of the entire world as an iconic figure of Japanoise. In 2002, Masonna, Christine 23 Onna, and Space Machine, the three units Yamazaki Mazo is involved with, released three albums simultaneously as the "Yamazaki Maso 15th Anniversary Freakout Triplex Series" to celebrate the 15th anniversary of their activities. The albums of these three units, Masonna, Christine 23 On…
Relentless Agony
Reissue of 1994 cassette originally on Art Konkret. A notable deviation from the earliest Macro tapes yet still building up to the sonic form of the '95 era. Last track features voice samples from Keith Brewer.
Faults
Latest material after an inaugural disc on Flag Day and follow-up collaboration with Confounder.
Trench Trapped
Americanoise act Heat Signature return in 2025 with “Trench Trapped”, a new full-length assault for Input Error. Never-ending labyrinths of mud-caked tunnels and ditches are traversed and dissected one-by-one, and the first glimpse of enemy combatants along the way is met with rampant, clip-emptying fire. War is both hell and the unknown.
Additional mercenary support sounds are included from Keith Brewer, Ahlzagailzehugh, and Diaphragmatic.
Peoples Person
A nugget of gold originally released on cassette in 2017 on Team Boro Tapes, now finally on CD in a more generous quantity. Sluggish yet straight forward noise in the more rough Swedish school - any of these tracks would have fitted perfectly on comps such as Underground Sweden, Fuck Money Fuck Life, Piller Thriller etc - but there's just something slightly off with everything Peoples Person does, and therein lies the charm. A nasty brew for sure.
"The split with Stall Man was good and all but t…
Lake Of Fire
Tip! Lake of Fire is the 11th studio album by American harsh noise artist Jason Crumer. It features deep textures and a carefully crafted palette of harsh frequencies, all set within a grand cinematic scope, with bold and decadent walls of sound, true to the spirit of rock'n'roll. Rawness, immediacy, intensity, and brutality surge through every moment.
Hatonal
Nobody feels the sound fracturing as Masami Akita, nobody understands noise better than Merzbow. This Japanese artist is for more than forty years the maximum exponent of a style that has been catalogued and denominated with perhaps, the most descriptive word of modern music. Noise can have very diverse connotations, however, when we transfer this term to the pleasure and enjoyment that a piece of music generates in the listener, when we treat non-music as music, we understand that sound express…
Shinsen Na Clitoris
*300 copies limited edition* Masonna is one of the early peeoners of Japanoise. This CD is the combined re-release of two classic first-era Masonna albums: Masonna Vs. Bananamara - very first vinyl release originally produced by Vanilla Records / Japan in 1989 and Shinsen Na Clitoris = 新鮮なクリトリス - very first CD release originally produced by Vanilla Records / Japan in 1990
Masonna sound is true harsh Japanoise but always inspired by Psychedelic-Music and mainly perfomred using distorted vocals, a…
Tämä On Suomelle
Vincent Dallas is one of the best things that happened to the noise underground in recent years, plain and simple. Passionate no frills approach harsh noise often reaching mesmerizing levels of intensity, always done with visionary talent, enthusiasm and love by a great guy. These recordings are fantastic, it's all I can say about them. They're possibly my favorite from Dries, and i've played these tracks over and over since he sent me the master.
''There was an idea, a purpose to forget everyth…
Enjoy The Pleasure
Finnish craftsman Moozzhead - active since '94, resurfaced with a vengeance in recent years after a long hiatus, releasing a string of flaming hot tapes on great labels. Here he offers five tracks of joyful and vibrant harsh noise, to take you back to those magic early 90s summer nights spent by the blue light of softcore tv transmissions.
Comes with two sex cards.
Midnight New Yoshikawa City
Two sidelong tracks of perfectly crafted psychedelic noise from the master Fumiyuki Nagura, truly legendary japanese noise artist of the 90s.
Playing Harsh Noise on the Saxophone since 2012
Tip! “Desperate death throes roaring from a man playing the saxophone with more agony than anyone has ever seen before.” - Toshiji Mikawa “A gem, a badass. One of the most talented saxophone players I have ever met.” - Otomo Yoshihide This is Martín Escalante’s solo CD debut (not counting a few homemade CDrs and tapes or a 12” produced by Lasse Marhaug). The title of the album and the liner notes tell us that its content is harsh noise played on a saxophone acoustically without any electronic ef…
Peony Crackers
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
Eternal Paralysis
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…