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Released alongside the reissue of Steve Maxwell Von Braund’s milestone Australian kosmische classic, Monster Planet, the Dual Planet label offers you another taste of the antipodean cosmic trip. This time Von Braund had re-grouped as the electronic duo, Cybotron. Most collectors are familiar that the legendary Cybrotron released three cosmic classics at the tail end of the 70s and early 80s. Cybotron (1976), Colossus (1978) and Implosion (1980), but most are unaware of an unreleased live recordi…
Mental Experience present the first ever vinyl reissue of Bomis Prendin, a collective of experimental “noisicians” from Washington DC formed in 1978, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects, and cheap keyboards, they recorded and released in the late '70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being…
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
** 500 copies only reissue, housed in its original artwork with the addition of a bonus 7" EP, a reproduction of a giant original poster and 3 inserts** Giacomo “Mino” di Martino started his musical career in several early 1960s Italian beat bands. By 1968 he had found enormous success with pop superstars I Giganti. After a brief split in 1970 –during which Mino formed Il Supergruppo with Ricky Gianco and other greats of the Italian scene– he came back to I Giganti in 1971. With them and with ne…
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. 'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. '…
**Small repress available, with new cover** Reissue with unreleased tracks from the only one tour of this super group assembled in 1975 by Franco Battiato, Lino Capra Vaccina, Juri Camisasca, Mino Di Martino, Roberto Mazza, Terra Di Benedetto. Presenting a remarkable range of his country’s visionary musical minds. The album encounters Battiato at the height of his powers and in the midst of crucial juncture in his career - the transition between his early experimental rock efforts from the firs…
LP version. Bureau B present a reissue of Heldon's 6 - Interface, originally released in 1977. A brilliant moment occurs right at the end of Heldon's sixth album, Interface. The album's final song, its side-long title track, builds up slowly into a roaring tornado of fiercely mutating drum patterns, effervescent synth work, and guitar licks that wail into the atmosphere like an abandoned astronaut. Then, after nearly 19 minutes of highly futuristic avant-garde space rock, this ultramodern music …
LP version. Bureau B present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released in 1976. Heldon's Richard Pinhas has never been shy of pinpointing his influences while, at the same time, making music that is noticeably distinct from any of his designated sources. He has, for instance, made it clear that a significant font of inspiration was Robert Fripp's guitar style and melding of rock music with cutting-edge electronics (especially in collaboration with Brian Eno). I…
** New edition + new mastering of 1968 album in deluxe A5 Digipak (DVD Format)** Rotorelief present a reissue of Silver Apples' second album Contact, originally released in 1969. Their first, metallic cover gets first nod amongst collectors, but the 1969 follow-up might be even better as a whole: you can't get over "I Have Known Love,"or "Ruby" sounding like archetype of the Stereolab sound, and yes in fact it was sampled by the band on their debut album. If those two credits don't stress the im…
New edition with new mastering of 1968 album in deluxe A5 Digipak (DVD Format) - Rotorelief present a reissue of Silver Apples' self-titled debut, originally released in 1968. Formed in 1967 as an electronic rock duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk, the band quickly gained a reputation as New York’s leading undergro…
2019 Repress. New York avant-garde luminary Joe Byrd had been the leader of pioneering ’60s electronica band The United States of America until given the heave-ho by his own creation. His riposte was to create this in turns beguiling and bizarre album, which if anything is even further out on a limb than his previous band’s sole groundbreaking LP. While obviously a ’60s sounding record, its many unexpected twists and turns along with Byrd’s stunning production leave it sounding undated, existing…
Special Friends Edition - limited to 99 copies Orange box with clear vinyls Each gatefold sleeve includes a large format b/w photo. Heavyweight 8LP boxset with four gatefold/ double album jackets including liner notes by Conrad Schnitzler, plus official, individually numbered certificate of ownership, housed in a huge heavyweight canvas box and limited to 500 copies... "The Ensemble Kluster was found by Conrad Schnitzler in 1969. It can be considered as one of the most radical and influencial ge…
This is the first re-issue of the first Silver Apples 7“ vinyl single. Originally released in 1968 on Kapp Records. Re-mastered and fully authorized by the band and the record label. The Silver Apples were one of the most influential electronic music groups of all times."Silver Apples are THE electronic group of all time… Silver Apples are to electronic music what Thomas Edison is to Facebook." (Trebuchet Magazine)"Silver Apples… a beautiful and mysterious artifact." (New York Times)
Pioneering synthesizer soundscapes originally issued in 1974, available again. The electronic duo of Robert Margouleff and Malcolm Cecil aka Tonto released their influential debut, Zero Time, in 1971, showcasing what they described as "the world's first and largest multi-timbral polyphonic analog synthesizer." Three years later, they released this classic follow-up, recorded in Malibu. Building on their earlier achievements, it incorporates guitar, bass and drums into the unique sound of Tonto: …
Brothers Manfred and Wolfgang Schunke were pioneers of the Kunstkopf Stereophonie (artificial head, dummy head) binaural recording system. This recording technique was created in the Technical University of Berlin in 1974 with the aim to reproduce real stereo sound as the human ears perceive it. Human ears listen to the sounds in a concrete way that is affected not only by the sound frequencies themselves but also by the position of the listener in respect to the different sound sources. The Sch…
P version on 180 gram vinyl. On the Red Album Rot, Conrad Schnitzler laid down the direction his musical artistry would take. His second solo , The Blue Album Blau, originally released in 1974, offered confirmation of his intent. Maybe the "Red" and "Blue" tracks were recorded in the same session. The structure, sound and timbre of both LPs are so similar as to suggest that this was the case (an unverified assumption nevertheless!). Far more important than this historical pedantry is the fa…
** mini-lp replica, housed in a gatefold cardboard sleeve with an OBI ** Out of the mysterious mind of Andrea Centazzo came Elektriktus. Originally released on the PDU label in 1976, the LP Electronic Mind Waves offers a collection of eight synth-fueled songs that sound very close to what kraut/cosmische heads were doing at the time, think of Conrad Schnitzler, Deuter or Cosmic Jokers, and also other European experimentalists like Richard Pinhas' Heldon, Spacecraft, Didier Bocquet, Seesselberg, …
Heldon's Live recordings in Paris 1975 to 1979. Disc 1: "Live Electronic Guerilla," live 1976 (featuring: Richard Pinhas (g, moog), Patrick Gauthier (mini-moog, moog bass), Francois Auger (drums). Disc 2: "Well And Alive In France," live 1979 (featuring: R. Pinhas, P. Roussel, F. Auger)." This 3CD set is a special reissue of two previous Captain Trip releases that were issued separately: Live Electronik Guerilla (CT 550CD) and Well And Alive In France (CT 551/52CD). A terrific electronic powerdr…
First ever CD reissue of one of the most extreme Krautrock-era albums ever made. Originally released by Philips Germany in 1970, the triple LP edition came in an elaborate 'mirror' sleeve and has been near-impossible to find for 35+ years; there have been a handful of suggested reissues over the years, but finally Captain Trip has brought it to fruition, in collaboration with founding member Suzanne Doucet. Incredible fold out packaging emulates the original, with front embossing and silver-foil…