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La Mosca
*In process of stocking* Released towards the end of 1989, La Mosca was the last job by the mythical Eduardo Mateo (1940-1990), one of the most influential artists in Uruguayan music. Although Mateo was a remarkable percussionist and was very well known for his short songs, with simple lyrics, where Uruguayan roots are mixed with Brazilian, African, Indian and Arabic influences, on his last album, his work took a turn on a brand new direction. Alongside the multiinstrumentalist and sound enginee…
Botija de mi Pais
**300 copies. 140 gram vinyl with OBI & Insert** Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadn´t collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released “Cuerpo y Alma” and Rada, “La yapla mata” (which included the classic song ‘Tengo un candombe para Gardel’). 140 gram vinyl with OBI & Insert This initiative sprang from the art…
Cuerpo y Alma
**500 copies, 2019 stock** Cuerpo y Alma was Eduardo Mateo's second record as a soloist, recorded between 1981 and 1984 and originally released by Sondor in 1984. It finds Mateo experimenting with percussion and drawing influence from Hindu music. Eduardo Mateo was one of the most important figures in the history of the Uruguayan music, known for mixing beat, jazz, bossa nova, and candombe. He created the "candombe beat" and was a member of the legendary band El Kinto. This first-ever vinyl reis…