Rock /
Apostrophe (')
“apostrophe (‘)” is a testament to Frank Zappa’s genre-defying approach and ability to blend seamlessly rock, jazz, funk, and avant-garde, letting his virtuosic guitar work shine through. The opening track, “Don’t Eat the Yellow Snow,” sets a whimsical comical tone, while “Cosmik Debris” and “apostrophe (‘)” emphasize intricate solos and quirky techniques that demonstrate Zappa’s musical dexterity. The album is a cohesive musical voyage in which the musician explores societal issues such as cons…
Qul Na Qar / Alysum
*50 copies limited edition* "Packed with psycho-lounge atmospheres, enticing sounds between liquid and scratching, and well thought out quasi-narrative developments, the album immerses the listener in enveloping volutes of sound, amid melodic suggestions and robust quasi-punk waves." - A G Bertinetto, Kathodik As vinyl lovers from our younger days, Discus Music always hoped to revisit the format when economically viable and here is a "toe in the water" release. If it's a success, more may follow…
Laik Tors
Play this thing over and over because one solitary spin won’t come close to doing it justice—you can go down this disc’s labyrinth of ingenuity for years and hardly ever come up for breath." - Darren Bergstein
Is A Friend?
Welcomed reissue of the rare 1972 Progressive Rock album "Is a Friend?" by The Parlour Band. Issued by Decca's Deram imprint in 1972, this highly sought after release has been finally delivered on the vinyl format again. Featuring Craig Anders (guitar, vocals), Mark Anders (bass, vocals), Peter Filleul (keyboards, guitar, vocals), Pix (lead vocals) and Jerry Robins (drums), The Parlour band was a melodic Progressive outfit who excelled vocally and toured extensively as support act to bands such …
Il Fantastico Viaggio Del Bagarozzo Mark
*2022 stock* Year 1978. The Italian Prog was beginning to lose ground. They were times of punk and new wave. Area, in that same year, published a disc from the title rather explanatory: Gli Dèi se ne vanno, Gli arrabbiati restano: The Gods go away, The angry remain. The "Gods", at the time, could be understood as the champions of progressive and experimental rock. The "angry" ones, instead, were the "irreducible" protesters who, shortly thereafter, would have given life to other seasons of under…