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Restocked, reduced price Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with…
New and somewhat cheaper version of this box set first released in 2007, in only slightly less elaborate packaging. It is certainly surprising that until now an exhaustive recognition of the work of Charlotte Moorman has not been undertaken. The cellist can be numbered among the most charismatic and influential protagonists to have appeared on the avant-garde or experimental music scenes since the early '60s. A documentation of her activities as a performer is generally available only in various…
First vinyl reissue of composer and Fluxus artist Yoshi Wada's second album, Off The Wall, originally released in 1985 by famed free jazz label FMP. Recorded in Berlin on May 11 and 12, 1984, by a quartet featuring Yoshi Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ (hand-built by Wada), and Andreas Schmidt Neri on percussion. Edition of 750. Mastered by Rashad Becker and housed in old-style gatefold jackets printed by Stoughton. "Off The Wall belongs somewhere between the e…
Dorothy Iannone (b.1933) tells her Fluxus Story. Recorded in Berlin in 1979. Edition of 300 copies. CD with 20-page A4 offset-printed booklet. "There, Maciunas and I looked deeply but impassively into each other’s eyes, not knowing then that we would meet again on these pages. Perhaps he was thinking, “Who is this woman?”. Perhaps it might even have amused him, somewhere far back in his mind, to know that I am she who is the Fluxus women artist who is not the Fluxus women artist.“Dorothy Iannone…
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…
Edition of 450 copies. Comes in fullcolour gatefold-sleeve with printed innersleeve. Co-released with Edition Telemark. Recording of Wolf Vostell's happening / Fluxus Concert 'Sara-Jevo', realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain. Wolf Vostell - actions/electronics/tapes, Nancy Bellow - soprano, Mercedes Guardado - ximbomba. Wolf Vostell (1932–1998) was a German painter, sculptor, noise music maker and Happening artist. He is one of the pioneers of video art, …
Philip Corner is one of the greatest American avant garde composers, an American outsider, a unique philosopher redefining what we call music and art, bringing together different cultures in a new kind of harmony, inviting all of us to experience music as a whole and be a crucial part of it. MoreMars Team can proudly announce the release of this amazing LP with 4 unpublished works spanning 30 years of pure creation. The beauty of these recordings lies on their lo-fi, hissy, raw quality.''Gong (c…
One person says, sings or recites in any language. After the first minute, a second person joins the first one and they say, sing or recite in any language. After the two minutes, a third person joins the first one and the second one, and they all say, sing or recite in any language. And so on...The 'Zaj concert for 30 or 60 voices' from Esther Ferrer (member from group ZAJ since 1966) dated at the beginnng of the eighties in Spain under the aegis of Franco's system. The Concert has been…
Fylkingen Records in collaboration with the Swedish Radio released a series of LP records with text-sound compositions between the years of 1968-77. All of these were documentations of the international festival Text-Sound Compositions. A Stockholm Festival, which Fylkingen presented in Stockholm several times during these years. Most of the LPs were only pressed in batches of about 400-500 records, and most of the LPs sold out during the festivals. A re-release had long been planned, and this 5…
With Viking Eggeling : Symphonie diagonale (1921-24), Hans Richter : Rythmus 21 (1921-24), Hans Richter : Fimstudie (1926), Man Ray : Retour à la raison (1923), Fernand Léger & Dupley Murphy : Ballet mécanique (1924), René Clair & Francis Picabia : Entr'acte (1924), Hans Richter : Vormittagsspuk (1927) et Man Ray : Emak Bakia (1926). Contains a 36-page booklet about the films and the Dada movement, with texts by Philippe-Alain Michaud and Hans Richte
Rare Edition by conceptual artist artist Arthur Köpcke (1928-1977) who was one of the most relevant German Fluxus artists. Köpcke’s Piece No. 2 is a very complex fusion of music, poetry, and visual art. This piece represents what is very characteristic for the Fluxus movement: the destruction of barriers between music, poetry, and visual arts - or any other discipline. Between 1963 and 1965, the key work reading/work-pieces-manuscript emerged, marking a turning point in Köpcke’s oeuvre. While …
Collected here are three radioplays from three Fluxus affiliates, Philip Corner, Alison Knowles, and George Brecht. Each piece is built from a simple element and features a text recited by the author and sometimes others. Corner's piece is an homage to Erik Satie, built from a sparce two chord piano figure and a recitation that teeters along the stereo field. Knowles' piece, which she delivers along with Brecht, Hanna Higgins, and Jessica Higgins, is built from a long list of bean names on top o…
Historic release. Originally released as an LP in 1966 by Mass Art, this is Allen Kaprow, father of The Happening explaining how to do it, and what is - and is not - a Happening. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, an movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form. On the first track, Kaprow speaks plain…
Rare and long out of print LP...This album, featuring solo piano compositions, was released in 1983. The work draws inspiration from Modest Moussorgsky's 1874 composition "Pictures at an Exhibition," which was based on ten etchings. Klaus Peter Brehmer reissued these etchings, while Philip Corner contributed his own interpretation. The repetitive melodies and rhythms reflect Russian folklore and minimalism, while the spatial arrangement resembles Japanese interiors. The succession of images in p…
2004 release; essential overview of the various fluxus artists’ dabblings w/ sound, covering work recorded between 1961 and 1995. Highlights include: Dick Higgins’ 1961 “in memorian” (”the piece was made by assembling loops of a dub of a phonograph record of 16th century dance music. the dance is heard, simultaneously, up the 16 times as slow as the original, backwards as well as forwards, giving a sort of cinematic effect”). Robert Watts’s 1969 “string record composition” (simply astounding ear…