Klangi
*2024 Stock * English/Finnish Hardcover book, 52 pages with audio CD, documenting a sound art exhibition held at Museum of Archaeology and Contemporary Art Aboa Vetus Ars Nova in Turku, in 2010
El Hotsaren Espazioa. Begiradaren Denbora - Espacio Del Sonido. El Tiempo de la Mirada
*2024 Stock * English/Spanish Hardcover book, 128 pages with audio CD catalogue, documenting a sound art exhibition held at Koldo Mitxelena Kulturunea, Donostia - San Sebastiàn (Spain) in 1999.
KlangRaumLichtZeit
*2020 Stock * Christina Kubisch is part of the first generation of sound artists to develop their own techniques, such as magnetic induction, in the course of realizing their installations. Since 1986, the trained composer has added light as an additional formative element to her work with sound. This book compiles works that can be viewed as straddling the border between music and visual art.
The book also contains elements about the history of her work from 1980 to 2000. This is the bookstore …
The Sound Sculptures of Bernard and François Baschet (Book)
This book is a classic in the history of art. In it François Baschet recounts the research and creation of his Sound Sculptures, with which he began a pioneering career combining art and science, sculpture and music. The willingness to share his findings inspired another breakthrough: participatory exhibitions, spaces where everyone could explore and play with sound. François Baschet’s conception of acoustics—a method of understanding the functional relations between form, matter, action and sou…
Works 1984–2019 (Book)
A comprehensive survey of electroacoustic sound installations by Robin Minard
Rot - Oder wie Laut ist Schwarz?
English/German. Kunsthalle Fridericianum between 1 April and 10 June, 2001. The booklet includes many images, a foreword in German by René Block; an essay entitled "Pictures of Sounds" by Volker Straebel in German with a side-by-side translation by George Goodman; a transcription of a conversation between Julius, Straebel and Aki Takahashi in English; Julius' chronology up to 2001, in German; and credits in German
Für den Blick Nach Unten (Book)
German/English. First edition. Softcover. 36 pages. Exhibition catalog for a show that ran March 11 through April 22, 2007. From the exhibition press release Rolf Julius is one of the most important representatives of contemporary sound art. His nuanced, mostly small-format sound installations explore the visibility of sounds, the audibility of images and the aesthetic and ontological potential of silence in the most subtle way. Since the 1960s, Julius, a constant border crosser between music a…
Schwarz Bleibt Stumm. (Book)
German, English. Rolf Julius's rare exhibition catalogue. Paperback, 22 cm, 79 pp. Ills.: b/w and color illustrations.
Wind (Artist' Book)
English/Japanese. Small naked speakers, iron plates, glass plates, and sand were some of the materials Rolf Julius used to create a sound space. The sky-like tranquil space was filled with whispering electronic sounds that somewhat resembled the songs of crickets.
Small Music (Book)
Rolf Julius has frequently been compared to John Cage for his attempts of integrating the world of common noises into the realm of sounds. "The surface of a sound interests me. Is it round or angled, grinding and raw, or smooth, etc." Julius thus creates extraordinary sound installations which can be described as "music for the eyes" and have secured him an unmistakeable place in the spectrum of contemporary art.
Walzer Für Ein Dreieck
Art-Record / Handmade Art Edition of 100 Copies in Box with 4 Prints & 2 Inserts. This is the first vinyl record by the legendary Rolf Julius (1939-2011) whose work is largely focused on “small music”, or sounds so subtle they’re barely discernible. One of the most significant artists in the border areas of music and fine art, Julius, like John Cage, works with the term of "silence", and sound is a liminal listening experience. The sounds in Julius' works have spatial and physical qualities such…
Inaudible, Invisible (Book)
An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s. This book is part of a series of monographic publications co-published with the Espace multimédia Gantner devoted to women artists in connection with technology. Christina Kubisch (born 1948 in Bremen, lives and works in Hoppegarten, Germany) studied painting, music and elect…
Stratosphere Sound -Last Tracks-
Limited 100 copies with download cord. Toukaseibunshi is Hironari Iwata's solo project. 1985-1988, 2009-2018. He died in 2018. He is musician & photographer. And He runs self label "Angakok", in 80's. His solos always featured a "stratosphere"sound. It was dazzling, deep, sometimes sad, and filled with endless hopes and prayers. These 3 tracks are his last recordings. It's so cool and emotional, deep drone music.
Recorded 2017, his last recordings. Limited to 100 copies.
"Toukaseibunshi (Perme…
Seven Common Ways of Disappearing
Andrius Arutiunian’s debut album »Seven Common Ways of Disappearing« was first conceived as an installation for the Armenia Pavilion at the Venice Biennale in 2022. The Armenian-Lithuanian artist and composer uses hybrid forms of music, focusing on sonic vernaculars, hypnotic musical forms, and aural cosmologies. Arutiunian is known to work with installations, sound objects, and time-based collaborations with ensembles and performers. The piece on this record was written for two musicians, a ret…
Early Sound Installations
* Special Edition is added a CDr consists of two tracks, sound installations at Striped House Museum and his important work in late years Background Music. Special brown box, limited to 60 copies * In the early 1980s, several artists such as Satoshi Ashikawa and Hiroshi Yoshimura, who were pioneers during the early days of Japanese sound art, began to display their works at exhibitions. Ashikawa, who passed away at the young at the age of 30, worked at Art Vivant, a store affiliated with the Sei…
In Là
Timed in celebration of his 80th birthday, the venerable imprint, Alga Marghen, releases “In Là”, a stunning LP comprising a brand-new work by the groundbreaking English composer Gavin Bryars.
Lament For The Rise and Fall of the Elephantine Crocodile
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
Linkage
First-time vinyl reissue is limited to 750 numbered copies. Comes with booklet. Terry Fox was a first generation Bay Area conceptual artist. Beginning in the 1970s, he worked extensively with sound, especially the use of piano wires detached from their native instrument and anchored between opposing walls of the performance space. Linkage, Fox's first album, was originally released in 1982 to accompany an installation at Kunstmuseum Luzern in Switzerland. The record would mark Fox's first attemp…
Tonarm, P.S.
Edition of 50 copies, signed and dated by the artist. Anna Schimkat (b 1974) is a Darmstadt born media artist and trained sculptress, living and working in Leipzig, Saxony since 2006. The first side of this release documents one of Schimkat's site specific sound installations, one of her main fields of work during the past years. »Spinhouse« is based on a 4-channel live installation, which took place in Dresden in 2014. The piece was created from and with the inherent sounds of the office build…
Dirty Ear
Brandon LaBelle's Dirty Ear was recorded and produced over the last year using dirty field recordings, found sounds, sound effects, archives, and sonorous dramas. Composed as a series of micro-narratives each designed to intervene onto imagined settings or spatial locations, as a counter-sonorities. Initially tracks 1-4 were composed for the installation work Prototypes for the mobilization and broadcast of fugitive sound shown at the Enrico Fornello Gallery, Prato.