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Original copies, few in stock, long out of print. This anthology of Canadian and Swedish soundpoetry is a numbered editon of 300 copies. Packed in a paperboard case with attached 4-page booklet (side 4 is glued to the box). It features contribution by legendary artists such as Four Horsemen (sound poetry group of Canadian poets composed of bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery) Susan Frykberg, Paul Dutton as well as Lars Gunnar Bodin, Arne Mellnäs and many more
A reissue of Antibarbarus, issued as a compact disc in 1998, was the first edition Walter Marchetti released on Alga Marghen. The Antibarbarus cycle of five pieces makes use of original tapes coming from the same recording sessions that originated some of Marchetti's major musical works realized in the '80s. This former series of works presented some homogeneous and untouched sound sources in the "concrete" status of their inner - and necessarily chaotic - level of entropy. Nevertheless this ope…
Monster Holy-Grail Sound-Art / Sound-Sculpture / Live-Electronic / Drone Masterpiece by German Composer Hans Otte, one of two titles issued by the Kölnischer Kunstverein's in-house imprint - the other being the Nam June Paik / Takis "Duett Paik/Takis / Klangraum Takis" LP - featuring excerpts of a staging of the piece "On Earth" given there on June 13th, 1979. Bookended by a narrative / descriptive overlay spoken by Elisabeth Weber & Wilfried Grimpe, the piece quickly ascends into a whir of subt…
CD version. After nearly 40 years of silence, Harry Bertoia's Sonambient label has been resurrected in order to release the best of Bertoia's unheard recordings from his recently preserved archive of 1/4" tapes. "Clear Sounds" b/w "Perfetta" was cut straight from the original reels and is a true analog pressing. These two pieces were selected for their minimal, meditative and lush harmonic qualities; lacking in the abundance of dynamics and contrasts found on the original Sonambient records, the…
Edition limited to 20 copies of which only 12 are available for sale, last copy left. Your chance to own now this uniquely resonating art multiple. Luxury metal box hand made by artist and sound sculptor Michel Vogel. This art edition, limited to 20 numbered copies, includes the first two record LPs by Vogel, or “Une petite musique de nuit” as well as the new “Ronde matutinal à Amillis / Berenice”. The box also includes an LP-size metal gong contructed by the artist, protected by a silk bag. Hi…
Petra Dubach and Mario van Horrik have been working together as an artistic duo in Eindhoven since 1983. Originally, they combined dance and music in concerts, performances and theater pieces, Dubach being a dancer and van Horrik making music. He is also a long-time member of the Maciunas Ensemble alongside Paul Panhuysen et al. Dubach's and van Horrik's starting point was the notion that movement and sound are essentially the same: If there is no movement (vibration), nothing can be heard; if t…
Few copies back in stock, sold-out at source. First ever vinyl release of the works by Italian maestro Mario Bertoncini, relentless experimental composer, philosopher, artist and builder of sounds (as well as former member of the "Gruppo di Improvvisazione Nuova Consonanza"). The LP presents a selection of his compositions for aeolian constructions: in the early 70s he started to produce sound aggregates, true 'sound sculptures' based on the Aeolian sound principle. Amongst his more spectacular …
Harry Bertoia's Complete Sonambient Collection features all 11 of Bertoia's original records newly restored from their master tapes and housed in replica jackets. A heavy duty box, printed with metallic inks, holds the 11 discs as well as a 100-page book containing a lengthy historical essay, an interview with Harry Bertoia from the Smithsonian Archives of American Art, exclusive Sonambient-era material from the Bertoia archive, modern and archival photos of the Bertoia barn, and reflections on …
Needless to say, Akio Suzuki is one of the representative sound artists in Japan. Many of his previous releases are sometimes interpreted as the work of a hermit or wizard creating beautiful sounds with his self-made musical instrument called "Analapos," glass harmonica (De Koolmees), and stone flute, but the title of Suzuki's first sound piece, aidan ni Mono wo Nageru (Throwing Things at the Stairs) at Nagoya Station in 1963, reflects his perspective on the noises in his work. This LP consists …
A special bundle edition for this double CD-set with accompanying 4 books that provide an outline of the programme series as het Apollohuis from the fall of 1980 to the mid 90s. Four catalogues and the two discs with thirty-eight excerpts are arranged in chronological order and give a truthful and appealing view of the width, the depth and the diversity of the concert programme of Het Apollohuis. The CDs feature Derek Bailey / Ernst Reijseger, Tom Johnson, David Gibson, Group 180, Rolf Juliu…
Lovely second release by Austrian Edition Bierammer (after the Joseph Beuys / Nam June Paik 'Coyote III' LP). This time a long-overdue reissue of Jean Tinguely's 'Sound Sculptures' cassette from 1983. Presenting recordings of 13 of Tinguely's kinetic sculptures at the Tate Gallery exhibition in 1982 including a 18 minute piece performed by 'Meta-Harmonie'. Essential document of one of the important artists in this field. Edition of 150 copies with gold on white silkscreen cover.
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relation…
This 2CD is essentially a retrospective of Max Eastley's Installation work. As such, it updates and adds many new examples to the 1975 release 'New and Rediscovered Musical Instruments', which was released as a split LP with David Toop on Brian Eno's Obscure Records. This is Eastley's first solo CD. Of the 35 tracks, only the last 2 have any guests or 'playing' (the most virtuosic moment being George Lewis playing a grass blade). All the other pieces are either powered by the natural forces of w…
Since performing in the late 1960s and through the early '80s as half of the German duo Anima (with Paul Fuchs), Limpe Fuchs continues to explore music-making as a part of everyday life. Her vibrant live performances are numerous and consist of solo as well as ongoing collaborative works. On Vogel Musik (or "Bird-music"), Fuchs is heard performing a series of duos with multi-instrumentalist Christoph Reiserer (saxes/clarinet) (recorded in 2002). The duo then extends to a trio with Julia Schoelze…
It is no exaggeration to say that Limpe Fuchs' musical creations really have a life of their own, whether the sounds are produced by conventional instruments, vocal chords, or even from objects she found or constructed specifically for that purpose. Her music is characterized, especially when she is playing the ballastring instruments, by the reverberating humming of the strings, rich in overtones, and by the mysterious echoes emanating from stones. For Limpe Fuchs, music means setting out on a …
New CD from German sound artist Christina Kubisch on Semishigure, a similar exploration of sound & silence as the first one, Diapason (SEMI 002). On Twelve Signals Kubisch used original miner bells from a German mine to produce an hour long piece of bell tones. Several electrical bells were hit with small hammers each giving forth a sequence of clear bell tones that hover in the air. This live recording was made in the St. Matthaeus-Kirche in Berlin: halfway through the recording the original ri…
2002 release. Gong + presents three previously-unpublished compositions by Philip Corner recorded in New York City, 1974. "Metal Meditations with Listening Center," a 29-minute long piece, is a collaboration between Philip Corner and Bill Fontana. At that time Bill Fontana was very interested in the resonance properties of every object, putting his ear to everything, and sometimes recording what he called "Listening Centers," a microphone placed in a resonating space (for example a jar, or a pip…