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"If we recognize that each composer tends to privilege one dimension of musical discourse or another (for example: timbre, harmony, or instrumental virtuosity) in his work and thus conjure up a ‘style,’ listening to the music of Alain Thibault is like listening to a game of rhythms but mostly a game of attacks. The constant and abrupt contrast between silence (or an harmonic background serving a similar function) and the sound itself—cutting and incisive, percussive, vigorous and energeti…