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*Deluxe limited edition* "Originally released in 1973, Black Pearl's overall sound is the epitome of cool, orchestral funk / dramatic styles of the 1970s (e.g. “Next Stop LA”, “Collect”, “Oh! Militia”, “Choctaw”, “Black Pearl”, and “Blue Shadow”). Also featured are several more romantic, laid-back, emotive pieces such as “Miraculous Dream”, “Tryst”, “Sunny Monday”, “Melody and Lace”, “Monochrome”, “No Return”. Not to mention a couple of surprise solo honky-tonk piano jaunts – “The Vamp” and “Nig…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Hawkshaw's The Road Forward,
originally released in 1977. A comprehensive collection of descriptive
contemporary scores, the track titles swoon just by their names:
"Strangelands", "A Man Alone", "Sheer Elegance", "Mystique Voyage",
"Cruising". Don't you just want to hear those? The maestro Alan Hawkshaw
really spoils his listeners on this, one of the most sought after KPM
greensleeves. …
All the eleven new Kpm groundbreaking LPs in bundle! Be With Records have worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship. Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century. These records were nev…
Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.Their new album, …
Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good. This is one of Hawkshaw and Benne…
Hot Wax is an assured KPM masterclass from a dream team line-up of Brian Bennett, Alan Hawkshaw and John Fiddy. Here we’re treated to what happens when all three decide to explore “the latest trends in production music”. The latest as of 1976, of course. John Fiddy’s numbers are sumptuous, string-led and light. Floaty soft-psych underpinned by a solid groove, particularly on Taste For Living and Fresh Start. If you're into Koushik and those early Manitoba/Caribou records - and you should be - yo…
The “vivid contemporary sounds for a fresh visual image” make up the now canonised Synthesis from Alan Hawkshaw and Brian Bennett. These two greats go deeper than usual on this collection, and the end result is a synth concept record of sorts. Released in 1974, it’s an essential companion piece to their Synthesizer and Percussion LP, released on Themes International Music in the same year.Like most of our favourite library records, Synthesis has that gloriously funky, “weird electronic music” vi…
The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads. The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital Hot Property, an insistent groove so good that Madlib sampled …