Alan Vega
Member of: Suicide
Collision Drive
Collision Drive is Alan Vega's second solo studio album, originally released in 1981. If his debut laid the groundwork for a raw, minimalist take on rockabilly and blues, Collision Drive expands the palette with a grittier, more layered, and unfiltered energy. Here Vega's lyrics channel universal themes rooted in his fascination with street life, science fiction, politics, comics, love and the mysteries of the universe. It's a record that pulses with feeling and rebellion, displaying the full sp…
Alan Vega (Deluxe Edition)
Alan Vega's self-titled debut solo album, originally released in 1980, marked a bold new chapter for one of New York's most influential and uncompromising voices. On his solo debut, Vega dove headfirst into the roots of his personal sound, fueled by blues, rockabilly, and his enduring love for Elvis Presley. Stripped of Suicide's confrontational electronics but retaining Vega's outsider energy and voice, the album translates early rock `n roll through an art-punk filter and stands as a cult mast…
Alan Vega
Alan Vega's self-titled debut solo album was released in 1980 during the same period Suicide released their second album, Suicide: Alan Vega and Martin Rev. While Suicide's label ZE Records was interested in pushing the duo toward a synthetic disco sound inspired by Moroder's production on Donna Summer's "I Feel Love," Vega felt a pull in a different direction. He wanted to dig deeper into the roots of his own sonic identity, fueled by blues, rockabilly, early rock n roll, and his enduring love …
Suicide (LP)
Late 70's repress on Red Star of the 1977 first album by Alan Vega and Martin Rev, an unparalelled masterpiece of experimental synthetic rock'n'roll.
Suicide (LP)
1979 Canadian edition on Basement with exclusive different cover of the 1977 first album by Alan Vega and Martin Rev, an unparalelled masterpiece of experimental synthetic rock'n'roll.
Ghost Riders (LP)
1990 first LP re-issue on Danceteria of a cassette previously released by ROIR in 1986 with a live recording of the duo of Alan Vega and Martin Rev from 1981. With insert.
Ghostrider (10"EP)
10" EP in a limited edition of 1000 numbered copies with a cover of a Suicide song by members of the Virgin Prunes and Soft Cell, plus a re-mix of another Suicide, song plus a previously published Alan Vega song. Cover art by Vega.
Silver Monk Time - A Tribute To The Monks
2006 release ** "Unlike many tribute projects that fall flat due to those involved being either overawed or ignorant of the original material, Silver Monk Time succeeds because the participants have taken the group´s primitive rock surge as a template to experiment with. As a result the sound of The Monks is treated to a 21st century workout with synthesizers and beat tracks threaded through the original quartet´s already way out psychotic minimalism". Featuring: fsk, the fall, faust, fehlfarben…
Insurrection
In The Red are proud to announce the release of Insurrection - a previously unreleased album by the Brooklyn born master of minimalism Alan Vega. The 11 songs on "Insurrection" showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.
Live at Rockpalast (1982)
The concert was filmed on June 4th, 1982 at Sartory Säle in Cologne (Germany) during the 82' Collision Drive tour. In 1981 Alan Vega had released his second solo LP under the title Collison Drive. It forms part of the "play loud! (live) music series". The “play loud (live) music series“ is based on three precepts: Alan Lomax´s work as an archivist and chronicler, John Peel´s BBC radio sessions, and the work of Direct Cinema pioneers, such as the Maysles Brothers, Leacock, Wildenhahn, Blank and P…
1/2 Alive
“Lester Bangs liner notes place Suicide in its proper historical context: A document of a force of nature – the filthy loud subway station heart of NYC. Suicide pioneered everything from synth-pop to industrial disco – low rent electronic angst-fest. Vega runs rough shod over the whirring blast of Rev’s homemade synth.” – Rolling Stone Record Guide
Ghost Riders
*2022 stock * 'Suicide took mid-70's NYC underground attitudes to extreme, but logical, ends. Singer Alan Vega's often terrifyingly apocalyptic vision was perfectly complimented by keyboardist Martin Rev's pulsating, sizzling accompaniment on rhythm box and synthesizer. Their psychotic electronic blues was the sound of American culture sliding towards destruction. On stage, they were routinely heckled by audiences unappreciative of their minimalist explorations (they actually incited riots while…
Issue 85: Suicide - Steampunk Visionaries
Do you feel lucky? Well, do you, punk?
We're taking to the streets of 1970s New York with Suicide for this month's Electronic Sound cover story.
Invasion/ Murder One
One of Alan Vega’s greatest talents was his ability to bring the past and the future together into a suspended place of timelessness. His groundbreaking duo Suicide was often seen as future primitivism and most of his musical output has exemplified this blending of the primordial human condition and visionary thinking. With Invasion b/w Murder One, the next release from the now infamous Vega Vault following 2021’s Mutator, we see this innate power in full effect. The two tracks “Invasion” and “M…
First Rehearsal Tapes
*2021 repress* "On Suicide's First Rehearsal Tapes, recorded in 1975, Alan Vega and Martin Rev create minimalist aural structures, traces of which would surface on their eponymous debut album, released on the Red Star label in late 1977."These songs are not a sketchpad of semi-formed ideas. The First Rehearsal Tapes comprise an audio diary of two men out in the ether, measuring themselves as evolving individual artists and as a unit who would rely on inseparability to realize their unique and of…
Mutator
Alan Vega’s name is synonymous with unfettered, tireless creativity. Beginning in the late 1950s, when he was a fine art student at Brooklyn College, through his years playing in Suicide, and all the way up until his death in 2016, Vega was constantly creating. That process naturally led to a wealth of material that didn’t see the light of day immediately when it was recorded, which came to be known as the Vega Vault. Mutator is the first in a series of archival releases from the Vault that will…
Sniper
A collision between Suicide's legendary Alan Vega and Marc Hurtado, sonic warrior from Étant Donnés, featuring Lydia Lunch on "Prison Sacrifice." Originally released as a limited LP in 2010; reissued here with one bonus track. Marc Hurtado met Alan Vega at the end of the '80s, and they first worked together in 1999 on four tracks of Re-Up by Étant Donnés (the band formed in 1977 by Marc Hurtado and his brother Eric). They played several shows together in Europe, and in 2009 Marc Hurtado made a f…
Deuce Avenue / Power On To Zero Hour / Dujang Prang / Station / New Raceion / 2007
**special bundle, 2020 stock** This offer includes the following Alan Vega albums:- Deuce Avenue (2LP, 1990)- Power On To Zero Hour (2LP, 1991)- New Raceion (2LP, 1993)- Dujang Prang (2LP, 1995)- 2007 (2LP, 1999)- Station (2LP, 2007)"Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New Yor…
Station
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
2007
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…