Alfredo Costa Monteiro
Alfredo Costa Monteiro (born 1964) was born in Porto (Portugal), and he lives and works in Barcelona since 1992. His work often crosses the boundaries into the visual arts, visual poetry as well as the audio. Since 1998, he is member of an independent collective for contemporary art 22a.
Alfredo Costa Monteiro (born 1964) was born in Porto (Portugal), and he lives and works in Barcelona since 1992. His work often crosses the boundaries into the visual arts, visual poetry as well as the audio. Since 1998, he is member of an independent collective for contemporary art 22a.
Centre Of Mass (For Cymbal And Resonant Objects)
Solo improvisation for cymbal and rotating objects
Suspension Pour Une Perte
*200 copies limited edition* "Suspension pour une perte was created with a gap in time. A first recording of a broken piano was made by chance in 2012. This recording was forgotten for a long time, as its nature was that of a very limited sonic range. But as a premise in my work, limitations are always potential motivations to work with; so I decided to reevaluate it 10 years after, hoping that a new approach of the same recording would offer a quite different perspective.
Sustained and continuo…
Abstand
*200 copies limited edition* "Abstand" was conceived to enhance the particularities of the combination of accordion and melodica, both wind instruments, one played with movement and the other by blowing. This dichotomy of difference and similarity resulted in intricate textures, not only thanks to the instruments’ particular timbres, but also through the natural microtonal distances in their fixed tunings, especially when it comes to old and worn out instruments like the ones used here.
These mi…
Cinq Bruissements For Solo Accordion
Endlessness is the long-awaited and last instalment of a trilogy of
pieces for electric organ by artist Alfredo Costa-Monteiro. A follow-up
to Umbralia (2011) and Insula (2014), this third piece is composed by
two parts, essentially austere in approach but extremely rich in tonal
range, with a strong mesmerizing atmosphere. Through the circularity of
their forms, it explores the idea that persistence of time is our
measure of infinitude. Play loud.Born in 1964 in Porto (Portugal) Alfredo C…
Etwas
*2022 stock. 90 copies limited edition* "Etwas" is a new Tanuki Records cassette presenting two tracks (22:13 and 21:35 respectively) by Ilia Belorukov, Miguel A. Garcia and Alfredo Costa Monteiro, appearing for the first time as a trio. The three musicians had previously worked together in pairs: Miguel A. Garcia and Ilia Belorukov are regular collaborators (as Wolkokrots) while Monteiro has released two records with Garcia and one with Belorukov. All three have in common a practice based on ph…
Soleils Noirs
** Edition of 200 ** Soleils Noir by Bruno Duplant and Alfredo Costa Monteiro is the first in a series of collaborations between various musicians who release on Moving Furniture Records before. After a collaboration for the Moving Music compilation this is the first time they get together to release a full-length album. From a radical utopia to divine transformations, it is at the same time a mass, a flow, a ball of fire, a sparkling device. A continuous sublimation that renews and regenerates …
Aq'Ab'Al
The second appearance of Alfredo Costa Monteiro after critically acclaimed Contour with Keith Rowe, Kurt Liedwart and Ilia Belorukov, and the first physical release of Miguel A. Garcia after Uropygi with Kurt Liedwart, Ilia Belorukov and Dmitry Krotevich on Mikroton Digital.
The album is titled after “Aq’ab’al”, the Mayan Astrology Sign about polar opposites — dawn and dusk, hot and cold, black and white which represents renewal, change, the end of boredom or new beginnings. The album takes off …
Not Knowing
**200 copies** "Not knowing is my fifth accordion solo and a new challenge for the instrument itself, here treated as an object in space. Whereas in the other recordings the centre of attention was put in materiality, structure or deconstruction, with microphones extremely close to the instrument, almost inside it, here the point of inflexion is the architecture and space as an essential part of the recording. It's still with an exploratory intention that I try to blur the limits of what to expe…
Endlessness
Endlessness is the long-awaited and last instalment of a trilogy of
pieces for electric organ by artist Alfredo Costa-Monteiro. A follow-up
to Umbralia (2011) and Insula (2014), this third piece is composed by
two parts, essentially austere in approach but extremely rich in tonal
range, with a strong mesmerizing atmosphere. Through the circularity of
their forms, it explores the idea that persistence of time is our
measure of infinitude. Play loud.Born in 1964 in Porto (Portugal) Alfredo C…
Insula
A multi-channel composition for electric organ, commissioned by L’ull Cec for The Game of Life Foundation’s spatialisation sound system (consisting of 192 speakers and 12 subwoofers, using the Wave Field Synthesis technique). Performed on 20 June 2012 at Fabra i Coats, Barcelona. This recording is the stereo version.
Contour
Weird recording for Mikroton featuring a duo recording of Keith Rowe and Alfredo Costa Monteiro and a quartet recording of them with Ilia Belorukov and Kurt Liedwart, two recordings made at the same day at spina!studio in St. Petersburg during Teni Zvuka 2013 festival.
Keith Rowe is mainly known as the pivotal and crucial musician standing in the forefront of the first wave of the European free improvisation, co-founder of AMM in 1965 and inventor of tabletop guitar playing techniques whic…
Anatomy of Inner Place
Recorded at home in winter 2006. Mixed in january and february 2007 in Barcelona. All the sound sources are part of my domestic environment every sound is used here as it was recorded with no electronic effects or processing except for dynamics some sounds result from acoustic combinations of other sounds.
Rumeur (for solo accordion)
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by …