AMM
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
Member of: Eddie Prévost
Collider
*In process of stocking* Or, 'whose drum is it, anyway?'
Recording of a drum solo concert given at Network Theatre, London on 6th February, 2012
Easter Monday Music
*In process of stocking. 200 copies limited release, CDr format* On Easter Monday of 2019, friends and colleagues reunited at London’s iconic improvisational space Café Oto. The four, Ken Ikeda (Synthesizer), Massimo Magee (Electronics, Saxophone), Joshua Weitzel (Shamisen), Eddie Prévost (Percussion) had met and played together many times in the years prior—usually in the context of Eddie Prévost’s London Improvisation Workshop—but had never performed a public concert together. The group's avan…
John Tilbury plays Terry Riley
There are certain works by minimalist pioneer Terry Riley that are rightly celebrated as classics, paradigm-shifting masterpieces that exerted a wide influence within classical music, but also well beyond its often hermetic borders. Hello, “Baba O’Riley!” But there is so much more in his repertoire deserving the same accolades. On “Terry Riley: Keyboard Studies”, released by Another Timbre, one of the premiere contemporary music labels of our time, three mid-1960s masterpieces are interpreted by…
Contre-Courbes
John Tilbury's latest duo piano and saxophone improvisations
An Uncommon Music for the Common Man
* 2021 stock * Percussionist, Improviser and AMM founding member Eddie Prévost's fourth book presents a fascinating series of reflections and challenging insights on music in its various forms, and the development of improvised music at the intersection of contemporary compositional and conceptual forms; alongside a personal history of Prevost's life and his relationship with music.
"Part personal history, part provocation, here is a compelling book about musical improvisation. But it's also abo…
The First Concert: An Adaptive Appraisal of a Meta Music (Book)
* 2021 stock * Percussionist Eddie Prévost co-founded in the 1960s the seminal improvising music ensemble AMM. In this book he presents a very personal philosophy of music informed by his long working practice and inspired by the London weekly improvisation workshop he first convened in 1999. Perhaps controversially, this view is mediated through the developing critical discourse of adaptionism; a perspective grounded in Darwinian conceptions of human nature. Music herein is examined for its cog…
The Great Learning
** CD housed in a 4-panel digipak. Comes with 12-page booklet ** Tone Glow Records is proud to present a special archival recording of Paragraph 1 and Paragraph 7 from Cornelius Cardew's The Great Learning. Conducted and formed by American composer Dean Rosenthal, the Montréal Scratch Orchestra featured 14 or so like-minded experimental music enthusiasts who performed the pieces at Redpath Hall on the McGill University campus in 1996. This release arrives on Cardew's 85th birthday and follows Ro…
Absence
"Friday the 6th of November 2015 was an important day for me. Christian Kobi had invited me to take part in his »zoom in« festival in Bern. Earlier that day I visited the Kunst Museum, looking at the work of Cuno Amiet (1868-1961), recalling the work of an earlier Camille Pissarro, interesting contributions from Felix Vallotton (1835-1925), also an very important exhibition of how photography had influenced Toulouse-Lautrec (1864-1901) called “Lautrec’s Photographic Eye”.
What struck me was how …
Darkened, yet Shone
Combining free improvisation, free jazz, rock, and electronic improvisation, the trio of Eddie Prevost (drums), No Moore (guitarist), and bassist John Edwards are caught live at Iklectik in London, 2017, for a concert that changes pace from vigorous riffs to unconventional introspection, with masterful playing and profound technique, an exceptional performance.
Sum
Eddie Prevost's weekly workshops in London have produced two remarkable associates, saxophonist Seymour Wright and guitarist Ross Lambert, here in a trio on this 2CD release.
Indústria
The title Indústria was chosen by Eddie Prevost in tribute to the history behind the Museu Industrial de Bala do Tejo, in Portugal where this concert took place by the legendary free improvisation band AMM, represented here as the duo of percussionist Eddie Prévost and pianist John Tilbury, performing as part of the 2015 Out.Fest - Festival Internacional de Musica Exploratoria do Barreiro.
ConcertOTO
American pianist Marilyn Crispell joined London Improviser's Orchestra saxophonist & clarinetist Harry Smith and AMM drummer Eddie Prévost for this 2012 concert at London's Cafe OTO, playing in a melodic free jazz mode of passionate interaction and deep communication, resulting in an unforced and naturally masterful set of thoughtfully lyrical improvisation.
The Whole Moon Rests In A Dewdrop On The Grass
Tip! Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar. Stunning!
Rare duo set from Japanese musician and artist Ken Ikeda - who has composed and recorded for David Lynch and Moriko Mori amongst other…
Debris Field
* 2021 Stock * This is the CD and catalogue for the 'Debris Field' exhibition at Bolton Museum curated by Phil Mouldycliff. The CD is an editied version of 'Debris Field ambient wash', a 48 minute piece that is split into 3 movements. The catalogue includes an essay by Mouldycliff titled 'Tracing paths through debris fields' which gives some insight into the exhibition and CD. Also includes photographs of some of the exhibits and artist biographies for those involved including Colin Potter, Keit…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Nous
Matchless Recordings presents a live concert by Eddie Prévost, N.O. Moore, and Jason Yarde recorded at the Vortex Jazz Club, in London, UK, on February 22nd, 2020, by Giovanni de Rovere. The album includes four tracks performed by Eddie Prévost - Drums, N.O. Moore - Electric Guitar, Effects, Jason Yarde - Alto Saxophone, Soprano Saxophone, Electronics.
Iklectik Live One
Matchless Recordings presents a live concert by Eddie Prévost, John Butcher and Guillaume Viltard recorded at Iklectik, in London, UK, on November 23rd, 2016, by Giovanni de Rovere. The album includes four tracks performed by John Butcher - Tenor Saxophone, Soprano Saxophone, Eddie Prévost - Drums, Guillaume Viltard - Double Bass.
Bean Soup and Bouquets
Matchless Recordings presents the reunion concert of Eddie Prevost's 1970s band at Cafe OTO, London, 17th February, 2020.The album includes three tracks performed by Eddie Prévost - Drums, Geoff Hawkins - Tenor Saxophone, Gerry Gold - Trumpet, Flugelhorn, Marcio Mattos - Double Bass.
High Laver Reflections
Matchless Recordings presents a live concert by Eddie Prévost, Daniel Kordik and Edward Lucas recorded at All Saints Church, in High Lave, Essex, England during Spring 2019.The album includes four tracks performed by Eddie Prévost - Percussion, Daniel Kordik - Modular Synthesiser, and Edward Lucas - Trombone.
"Four improvisations at All Saints Church, High Lave, Essex, England, during Spring 2019." - Matchless
Along Came Joe
Recorded at Freedom of the City festival, London, England on 1st May 2006.